The Steel Guitar Forum Store 

Post new topic A question for the pro's............
Goto page 1, 2  Next
Reply to topic
Author Topic:  A question for the pro's............
Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 1 Sep 2007 11:05 am    
Reply with quote

When Forumites speak of plucking three or more strings at one time, and the term "GRIP" or "Grabs" is used, does that mean they clutch the desired strings with all fingers and then clutch them together at one time in a grabbing type gesture?

I've heard it spoken in several posts over the years.
View user's profile Send private message Send e-mail Visit poster's website

Bill Ford


From:
Graniteville SC Aiken
Post  Posted 1 Sep 2007 1:31 pm    
Reply with quote

Ray,
I think "grip" is used to say two or more strings are played together, or as a chord(if you can call two notes a chord)

Bill
_________________
Bill Ford S12 CLR, S12 Lamar keyless, Misc amps&toys Sharp Covers
Steeling for Jesus now!!!
View user's profile Send private message Send e-mail

Jonathan Cullifer

 

From:
Gallatin, TN
Post  Posted 1 Sep 2007 5:12 pm    
Reply with quote

I think it's just the motion or the way it looks. My pick attack was developed one finger at a time and doesn't vary much whether I play one, two, or three strings at once. It does, however, vary based on what strings I'm playing and what fret I'm on.
View user's profile Send private message Send e-mail

Tim Bridges

 

From:
Hoover, Alabama, USA
Post  Posted 1 Sep 2007 5:54 pm    
Reply with quote

Far from a pro, but I relate to a grip as strings, if/when played together as a group, form a chord. It gives you a "home base", or organizational approach to the instrument. The more I play, the more I see patterns, intervals, relationships between various grips. THEN, you can start connecting the dots with single strings, or harmonic two and three note "steps". I may be way off base, but I believe this is a poor explanation of what Reece Anderson was stimulating discussion and thought about on his thread about practice.
View user's profile Send private message Send e-mail

David L. Donald


From:
Koh Samui Island, Thailand
Post  Posted 1 Sep 2007 8:24 pm    
Reply with quote

For me Grip means.
What position you must have to hgrab the desired strings.

Thinking E9 here.
strings 10-8-6-5-4
or strings 6-5-4-3 or strings 6-4-2 or strings 4-2

5 or 4 or 3 or 2 string grips are used.
no matter if it is a rolling banjo line or a group pluck.
The grip is the position you need to do it.
_________________
DLD, Chili farmer. Plus bananas and papaya too.

Real happiness has no strings attached.
But pedal steels have many!
View user's profile Send private message Send e-mail Visit poster's website

Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 1 Sep 2007 9:55 pm    
Reply with quote

But on the pipa, you would pick down with the fingers, and up with the thumb.
View user's profile Send private message

Nic du Toit


From:
Milnerton, Cape, South Africa
Post  Posted 2 Sep 2007 12:51 am    
Reply with quote

I've always understood it as referring to hand/finger position when playing, for example, strings 3, 5 and 6.......to ensure that the finger co-ordination allows that group of strings sound the way you intended; whether plucked together, or as a quick arpeggio.
Nic
View user's profile Send private message Send e-mail Visit poster's website

Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 2 Sep 2007 3:12 am    
Reply with quote

I could be wrong, but I don't think many pros would be talking "grips and grabs". I also don't think they'd be using terms like "mash" and "kick", as in "mash" the A&B pedals or "left kick left" for left knee lever left.
View user's profile Send private message Send e-mail

basilh


From:
United Kingdom
Post  Posted 2 Sep 2007 3:29 am    
Reply with quote

Donny, you're not wrong !
_________________

Steelies do it without fretting

CLICK THIS to view my tone bars and buy——>
View user's profile Send private message Send e-mail Visit poster's website

basilh


From:
United Kingdom
Post  Posted 2 Sep 2007 3:29 am    
Reply with quote

Stupid double post AGAIN ..
Caused by the delay in the confirmation of posting and the impetuosity of youth (I don't think)


Last edited by basilh on 2 Sep 2007 3:54 am; edited 1 time in total
View user's profile Send private message Send e-mail Visit poster's website

Michael Douchette


From:
Gallatin, TN (deceased)
Post  Posted 2 Sep 2007 3:40 am    
Reply with quote

And the winner is...

Donny.

I understand the basis of the original question, but I personally haven't used those terms in ages. They were helpful when I was getting started...
_________________
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.

http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html

(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
View user's profile Send private message Visit poster's website

basilh


From:
United Kingdom
Post  Posted 2 Sep 2007 3:58 am    
Reply with quote

I would consider "Mash, Kick and Grab" to be derogatory and demeaning to our chosen instrument.

I'm not so sure about 'Grips' I've often spoken to pros who use THAT particular term, the same ones who would wince and shudder at the mention of (in particular) MASH !

Whether right or wrong, I take a specified 'grip' to mean picking SIMULTANEOUSLY three or more strings that are NOT adjacent.
View user's profile Send private message Send e-mail Visit poster's website

Nic du Toit


From:
Milnerton, Cape, South Africa
Post  Posted 2 Sep 2007 4:31 am    
Reply with quote

Ray,
Now you know who the pros are ! Rolling Eyes
View user's profile Send private message Send e-mail Visit poster's website

Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 2 Sep 2007 5:50 am    
Reply with quote

My favorite "grips" are:
The 4,5 & 6th strings
The 5, 6 & 8th strings
and the 6, 8 & 10th strings.
I try to avoid the 3rd string whenever I can.
View user's profile Send private message Send e-mail

basilh


From:
United Kingdom
Post  Posted 2 Sep 2007 6:38 am    
Reply with quote

Erv, so YOU consider three adjacent strings as being a 'grip' ?

I would have thought that the terminology refers to something different to the normal picking positions like Thumb and 2nd finger or 1st and 2nd fingers etc.
Once more than two strings are played SIMULTANEOUSLY and ALL the strings are not adjacent, THEN it becomes a grip position. (To Me)


For example :-
(These are only examples and not intended to be harmonically correct in the 'open' tuning without pedals or knee levers being utilized)


I consider grip no.1 as 1st and 2nd fingers on adjacent strings and the thumb at least one string further removed from the shape.

strings 10, 8 and 7 = grip type 1
strings 6, 4 and 3 = grip type 1



Grip 2 to be thumb 1st and 2nd fingers to be at least two strings apart,

strings 10, 8 and 6 = Grip type 2
strings 7, 5 and 3 = Grip type 2



and grip 3 to be the thumb and 1st finger on adjacent strings and the 2nd finger at least one string further out from the shape.

strings 10, 9 and 7 = grip type 3
strings 7, 6 and 4 = grip type 3

I would consider the terminology "GRIP" to mean this type of pick positioning.

Of course I'm probably "On My Own" regarding this way of thinking, but I believe it to be 'Logical'



Basil
View user's profile Send private message Send e-mail Visit poster's website

Nic du Toit


From:
Milnerton, Cape, South Africa
Post  Posted 2 Sep 2007 6:50 am    
Reply with quote

Basil,

I'm with you on this........you just explained it much better.
What other terminoloy should one then use to describe these 'grips', seeing that some of us object to the word 'grip'?
View user's profile Send private message Send e-mail Visit poster's website

basilh


From:
United Kingdom
Post  Posted 2 Sep 2007 6:54 am    
Reply with quote

I DON'T find 'grip' per se objectionable, the term "Gap Picking" has been used over here AND "grip".
View user's profile Send private message Send e-mail Visit poster's website

Al Marcus


From:
Cedar Springs,MI USA (deceased)
Post  Posted 2 Sep 2007 5:08 pm    
Reply with quote

Basil and David explained it pretty well.
If I can remember, Reece used a 4 finger Grip in his jazz playing to get those nice extended chords. He got me to do it too. 3 finger Grips are used a lot too......al.SmileSmile
_________________
Michigan (MSGC)Christmas Dinner and Jam on my 80th Birthday.

My Email.. almarcus@cmedic.net
My Website..... www.cmedic.net/~almarcus
View user's profile Send private message Visit poster's website

Ray Montee


From:
Portland, Oregon (deceased)
Post  Posted 2 Sep 2007 5:42 pm     I don't have a real problem with "grip".......but
Reply with quote

As a for instance:
JERRY BYRD used the two finger picks PLUS the thumb pick for eliciting sound from two or more........additional strings; chords.
When plucking the strings with the two finger picks, he did so in a rolling motion and when the thumb pick was strummed across one or more strings, forming a chord.........one can hear a much softer or mellower SOUND than what I envision when I hear constant reference being made to gripping or grabbing.
It's just a figure of speech.....but I wonder how many new comers find this kind of contradictory language to be confusing and therefore, a stumbling block?
I've never heard a Sax or Clarinet player explain a dozen or more ways to BLOW into those things. Perhaps I'm wrong, but I can't recall.......
Just like the practice of some folks ALWAYS starting with the TOP STRING(E-down) vs. those who insist on starting at the bottom and going up.
NEITHER is wrong but, WHERE IS OUR STANDARDIZARION? No common language. Seems like everyone is trying to reinvent the wheel, when it comes to steel guitar and our language.
View user's profile Send private message Send e-mail Visit poster's website

Dick Wood


From:
Springtown Texas, USA
Post  Posted 2 Sep 2007 6:23 pm    
Reply with quote

So Donny, are you saying that I shouldn't use PUNCH the pedals or THROW a lever anymore?
View user's profile Send private message Send e-mail Visit poster's website

Michael Douchette


From:
Gallatin, TN (deceased)
Post  Posted 2 Sep 2007 6:26 pm    
Reply with quote

Ray, "WHERE IS OUR STANDARDIZATION?"

After our instrument has been around, oh, say 500 years or so like a piano... we'll probably have standard terminology. Heck, we don't even have a "standard" setup or tuning!
_________________
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.

http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html

(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
View user's profile Send private message Visit poster's website

Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 3 Sep 2007 7:59 am    
Reply with quote

A grip is a grip is a grip as far as I'm concerned. Anytime you grap ANY three strings, it's a grip. At least where I'm from but you're not where I'm from. Rolling Eyes
View user's profile Send private message Send e-mail

basilh


From:
United Kingdom
Post  Posted 3 Sep 2007 8:48 am    
Reply with quote

Dick Wood wrote:
So Donny, are you saying that I shouldn't use PUNCH the pedals or THROW a lever anymore?

I think of pedals being DEPRESSED and levers as ACTUATED
View user's profile Send private message Send e-mail Visit poster's website

basilh


From:
United Kingdom
Post  Posted 3 Sep 2007 8:50 am    
Reply with quote

Erv Niehaus wrote:
Anytime you grap ANY three strings, it's a grip. At least where I'm from but you're not where I'm from. Rolling Eyes

You're right Erv, where I'm from they'd GRAB them.
View user's profile Send private message Send e-mail Visit poster's website

Tamara James

 

Post  Posted 3 Sep 2007 9:02 am    
Reply with quote

[quote="basilh"]
Dick Wood wrote:
I think of pedals being DEPRESSED


My pedals are quite happy.
View user's profile Send private message Send e-mail


All times are GMT - 8 Hours
Jump to:  

Our Online Catalog
Strings, CDs, instruction,
steel guitars & accessories

www.SteelGuitarShopper.com

Please review our Forum Rules and Policies

Steel Guitar Forum LLC
PO Box 237
Mount Horeb, WI 53572 USA


Click Here to Send a Donation

Email admin@steelguitarforum.com for technical support.


BIAB Styles
Ray Price Shuffles for
Band-in-a-Box

by Jim Baron
HTTP