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1976 MSA Renovation: Before (after on the way)
Posted: 23 Aug 2007 12:50 pm
by Neil Harms
Posted: 23 Aug 2007 1:03 pm
by Jim Eaton
Was this guitar in a flood?
JE:-)>
MSA
Posted: 23 Aug 2007 1:13 pm
by Paul Norman
Thanks for posting this Neil.
I am looking forward to seeing the outcome.
It is a shame for this guitar to have gotten in
that shape.
Posted: 23 Aug 2007 1:13 pm
by Neil Harms
I think it was just in a basement a really long time but who knows? I didn't get a lot of history but I did get a lot of "ick"! Plus it looked like it had 30 years of old oil in the changer. Big thumbs up to MSA though. The parts are such high quality they really shined up amazingly well!
Posted: 23 Aug 2007 1:27 pm
by Mike Wheeler
Neil, I wouldn't call that a restoration....I'd call it a RESURRECTION! My hat's off to you. I know how much work it's gonna take to bring her back to the land of the living!
But, it should be one HE!! of a great guitar when you're done. I'm looking forward to seeing the "finished" pics.
Posted: 23 Aug 2007 2:25 pm
by Bent Romnes
Neil, that one almost made me cry. That is the identical guitar to the one that I had from 1976 to 1990 or so...color and all. What has that poor thing been through??
Yep no wonder she refinished nice..it is MSA quality!
Good luck and godspeed with the restoration!
Posted: 24 Aug 2007 2:36 pm
by Alan Brookes
Neil: Is that a fungal growth on the top ? If so I recommend that you remove all the hardware and clean the top with alcohol. Then remove the finish completely, because if mold or fungus has worked its way under the finish and you apply more finish over the top it will work its way through fairly quickly.
Remember that mold is a living vegetable. It needs to be killed.
There are plenty of cleansers made specifically for that purpose. Then you need to clean off the cleaner before sanding it down to good wood, at which stage you can decide whether to varnish or paint it. If the wood is permeated with damp so that it is permanently marked you might want to finish it with paint rather than varnish.
This is fun process, because at the end you feel like you've saved and preserved something that would otherwise have been discarded. Renovating old instruments is a very satisfying process.
Posted: 24 Aug 2007 7:04 pm
by Aaron Harms
I heard they are reserving a spot for you in steel guitar heaven
oh and happy birthday:)
A
Posted: 26 Aug 2007 5:52 pm
by Neil Harms
Posted: 26 Aug 2007 5:58 pm
by Mike Wheeler
WOW!!!
What a difference!
You did a great job, Neil. Congrats.
Need help!
Posted: 26 Aug 2007 6:03 pm
by Neil Harms
I'm down to one part needed to finish this off and it's driving me nuts.... The mounting collar for one tuning key broke when I was reinstalling it. I've looked all over locally for this but have found that this collar is fine thread. Also tried a new Grover and it won't fit without drilling out the keyhead a touch. Anyone have a collar out of an old Grover "pat pend." key that they'd be willing to sell? Thanks very much! N.
Little Doo-Dads?
Posted: 26 Aug 2007 7:04 pm
by Neil Harms
Hard to see in this pic but there are these little "collar doo-dads" on a couple of the rods. Is this a half-stop? they were up flush to the changer when I started but I just have them backed off now. Help?
Posted: 29 Aug 2007 7:55 am
by Tom Moorman
Neil,
First of all, GREAT JOB on the restoration! Your MSA looks wonderful.
Those little 'collar doo-dads' keep the rod from poking out when the tension is off the knee lever. I asked the same question a few years ago.
Tom
Posted: 10 Sep 2007 5:18 pm
by Neil Harms
Finally got this MSA all finished up! Thanks to Third Eye Music in Springfield, MO who had the tuning key part I needed. Very nice and I highly recommend them if you're looking for odd parts like this. Thanks to everyone for input and answers on this. The support is much appreciated! Now off to practice....
Posted: 11 Sep 2007 6:59 am
by Donny Hinson
Tom Is right on! Those little "doo-dads" keep the pull rods from poking out of the endplate when you fold up the levers. (They should not be flush against the changer, but spaced about 1/8" - 1/4" away from the pulling fingers, so the fingers don't touch them when you're activating the levers.)