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Red Supro Supreme

Posted: 14 Jun 2007 6:42 pm
by Rick Alexander
I always wanted a red Supro. They are fairly rare, and you don't see them that often.
Well, one came up on eBay a few days ago and I got lucky!
It came today, and by golly it sure is pretty.
It was tuned to low bass G and so far I've left it that way, but I'm thinking about A6 - easily retunable to C6/A7.
It plays and sounds great, the magnets are very strong - no issues, just the usual aroma.
That's easing up now that it's out of the case and cleaned up a little (damp rag, that's all!).

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I don't think the tuners are original, I'll probably replace them with the Klusons.

The SN is X75757 - which makes it a 57. How often does that happen?

more pics here.

Posted: 14 Jun 2007 8:15 pm
by Brad Bechtel
Those tuners appear to be original, based on my reading of Gruhn's Guide to Vintage Guitars. They used "butterfly" tuner buttons and the "accordion red" finish starting in 1955.

Nice catch, Rick! Congratulations.

Posted: 14 Jun 2007 9:41 pm
by Michael Winslow
That is a way cool steel.

Posted: 14 Jun 2007 10:59 pm
by Mark Eaton
How many steel guitars is that now, Rick?

Posted: 15 Jun 2007 1:14 am
by Fred Kinbom
Very cool Rick! Congrats!

"Accordion red" - where do they get these names from? :) Since when are accordions predominantly red and TVs yellow? ;)

Fred

Posted: 15 Jun 2007 5:35 am
by Rick Alexander
Those tuners appear to be original, based on my reading of Gruhn's Guide to Vintage Guitars.
Thanks Brad, you may have saved me from making a terrible mistake.
All my other Supros & clones have the button tuners, so I just naturally assumed . .



Thanks Mikey!



Mark, I'm not sure - hang on a minute, I'll go count.
a minute or 3 later . .
52



"Accordion red" - where do they get these names from?
Fred, come to think of it, I did see a lot of accordions that color in my younger daze.
I must say, this is infinitely preferable . .


Which reminds me, I seem to remember seeing this model in turquoise at some point.
Did I dream it, or could it be?

Posted: 15 Jun 2007 9:43 am
by Stephan Miller
Sweet-looking guitar, Rick. And 52 (yow!) is definitely a full deck :D . Sometime you should count the necks too! 8) :twisted:

--Steve

Posted: 15 Jun 2007 11:16 am
by Rick Alexander
Stephan, I was afraid someone would ask me that!
Okay, hang on . . . . .








85 necks (I think)

Posted: 15 Jun 2007 11:44 am
by Mark Eaton
A different steel for every week of the year! :shock:

Posted: 15 Jun 2007 12:07 pm
by Gary Lynch
Rick could start a musical instrument museum and live off the entrance fee.

Posted: 15 Jun 2007 12:52 pm
by Rick Alexander
Well, y'know - some guys collect stamps or coins, some guys own a boat, some guys gamble and keep company with loose women . .
I just love these things. I find 'em, I fix 'em up, I play them, and sometimes I just sit and look at them and think how groovy it is to be surrounded by all this beauty - and all this history.
Some fellow forumites have visited the studio/museum.
It's all here.

Admission is 50 cents - you must be THIS tall. :wink:

Posted: 15 Jun 2007 1:32 pm
by Fred Kinbom
Alright, Rick, you can see where this is going...

...how many STRINGS?! ;)

Have a good weekend!

Fred

Posted: 15 Jun 2007 2:16 pm
by Rick Alexander
Thanks Fred!
It would take me all weekend too . .

Posted: 15 Jun 2007 4:29 pm
by Bill Creller
The red Supro has always caught my eye on Ebay, but are quite rare from what I've seen. Beautiful guitar Rick.
Wasnt there a yellow one too? I seem to remember a yellow guitar, but cant recollect if it was a Supro.

Posted: 15 Jun 2007 8:33 pm
by Rick Alexander
Bill, I don't know if they made the Supreme or any of its clones with yellow pearloid.
But this Regal 8/7 is kind of yellowish, a lot more so than the usual ivory pearloid models.
And of course, it was made by National/Valco as well:
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Is that the color you're thinking of?

Posted: 15 Jun 2007 9:19 pm
by George Keoki Lake
Rick...I think the term "accordion red" stems back to the days when HOHNER of Germany turned out 12 bass student accordions in that red mots. Those gears are the original so don't change them unless they are shot. I have a student who has the identical Supro as yours. He built a neat stand using almost the same mots in which he placed the guitar. The stand sits on four chrome legs. Looks beautiful.

http://www3.telus.net/public/lake_r/

Posted: 15 Jun 2007 11:27 pm
by Rick Alexander
Thanks Keoki! The gears are all good, in fact everything is good on this guitar.
So I'll just leave it as is.
Man, I'd like to see a picture of that red Supro on the stand. It must look awesome.

I remember those Hohner Accordions . .

Another Vote For Original Tuners

Posted: 16 Jun 2007 3:08 am
by Joey Ace
Hi Rick,
Cool Steel, Dude!

I have a 1957 Supro Val-Trol (Standard Guitar) that has the same "Butterfly" tuners.
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Posted: 16 Jun 2007 7:32 am
by Rick Alexander
Joey, that is one nifty looking guitar!

Not meaning to hijack your thread, but since you asked....

Posted: 16 Jun 2007 8:23 am
by Joey Ace
There are more pix of it here
http://joeyace.com/Supro.htm

Note the trim pots between the pickups.
They are three sets of Volume / Tone controls, one for each position of the pickup selector switch.

Thanks Rick, if you think it's "nifty" it's gotta be!

Posted: 16 Jun 2007 8:44 am
by Roman Sonnleitner
George Keoki Lake wrote:Rick...I think the term "accordion red" stems back to the days when HOHNER of Germany turned out 12 bass student accordions in that red mots. T

I have a Hohner Tango accordion (not a student model, though) with a very similar color:


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Posted: 16 Jun 2007 10:10 am
by Michael Lee Allen
REMOVED

Posted: 16 Jun 2007 11:31 am
by Joey Ace
Thanks Michael. Email sent.

Posted: 18 Jun 2007 4:27 pm
by Kenneth Berrier
I have a red Supro with those tuning keys. The serial number on mine is X60657.

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1590?

Posted: 18 Jun 2007 6:59 pm
by Todd Weger
Michael Lee Allen wrote:Joey Ace...
Your guitar is a Supro 1590 A Coronado. The Bigsby was not a factory option. It is an aftermarket addition. Three volume and tone trim pots for the two standard pickups and the "BridgeTone Unit" plus a master volume. Send me a PM with your postal mailing address and I will send you the literature.
MLA
1590? Is 1590 a model number, or a misprint that should be 1950 for the year made?