The Steel Guitar Forum

66 Emmons D10 Bolt-on 8x5
72 Fender Twin ( Ken Fox creation)
DD-3
Strings E9-Jags stailless, C6 SIT NicKel
Cables-George L
BJS Bar
Goodrich Low Profile

(Outside Rig) add a Fender DT-412 cabinet, turn amp to 10, face toward neighbors house after 2 Labs leave calling card in front yard. Play around 16th-24th fret !!

3 pages and no Fender players...where have they all gone?

1958 Fender 1000 - white w/alumag frame
Old Fender Vol/Tone pedal
65 Fender Reissue Twin w/15" Weber Neo and mods by John Pope
Old Fender PA cabinet loaded with JBL D130F (I started using this for my personal steel monitor)
A/B box to switch between Normal and Vibrato channels
Any brand of strings
Unknown bar and picks (probably Dunlops)
Old wooden folding chair

Emmons LeGrande II, stock pickups
Peavey NV112, sometimes a Fender Twin Reverb RI
Lexicon Alex digital reverb, 8-10 years old
home made seat by Billy Knowles
BJS bar, Zookie thumb pick, Dunlop .025 finger picks
Emmons vol. pedal
1989 Chevy Caprice babe magnet
Homelite chain saw

1. 2004 or 2005 Emmons push-pull reissue I recently purchased from Forumite Lynn Stafford

2.Fender Steel King with 1501-4 SB B/W

3.Emmons fixed pin volume pedal with 2 outputs

4.Steeler's Choice seat with backrest and sidecar purchased from Duanne's Music

5. George L cables

6.7/8 dia BJS bar I got from Forumite Al Michalczak

7.Custom 15/16 dia bar made by Forumite Dave Parker(Dave put my name on the end with his CNC machine)

8.I get my strings from Rick Price(whatever he is using at the time)

9.Old National finger picks and plastic thumb picks (no brand name)

10.Korg DT-1 Pro and/or AT-12 tuners

That's it for now.........

1. 2005 ZumSteel U-12
2. 1976 RusLer S-11
3. Nashville 1000
4. Nashville 400
5. ProFex 2
6. Walker Steel Seat
7. ZumSteel Pot Pedal or Goodrich Pot Pedal
8. Steel Guitar BB or
9. SteelDriver 3
10. Jaguire SS Strings
11. George L cables
12. BJS chrome bar
13. Old National picks
14. Korg tuner

Fender 2000 or Sho Bud Crossover or GFI Student model (the GFI is actually my favorite right now)

and

for country:
sho bud volume pedal
line 6 rotomachine
peavey jazz classic or fender blues jr

for rock:
one channel)
sb volume pedal
crybaby wah
sometimes rotomachine
other channel) (I have a separate bass pickup under the bottom four strings)
EH pog (with just the sub octave turned up)
boss bass EQ

these two channels run into the two channels of an Ampeg V-4 head, which is plugged into either a 4x12 v-4 cabinet or a 1x15 homemade cabinet w/ a Black Widow

This is what I normally play though

1) Zum D-10 or Emmons D-10 p/p
2) Rev
3) TC Electronic M-One
4) Peterson Stroborack
5) Two TC Furlong Splits
6) Goodrich L120
7) BJS or Emmons bar
George L's

6-string guitar setup is another animal entirely.

1) Emmons Legrande D10
2) Peavey Nashville 400 (K. Fox Mod)
3) Goodrich LDR2
4) JF Fingerpicks, National Thumb
5) Jagwire Tommy White strings
6) Monster Cables
7) Pack-a-seat from Bobbe
8 Peterson-Strobe Tuner
9) Igloo Cooler
10) Coors Light
11) "Ralph" the Border Collie

Ok I am ready to go.

71 Emmons D-10 9/8
75 Peavey Session 400 w b/w 1502
Emmons vol pedal or Hilton
DD-5 delay
SIT nickel strings
Sho-Bud seat

2001 Carter D-10 8/7
FSK Emminence speaker
Goodrich 120 or LDR
DD-5 delay
Steelers Choice seat
SIT nickel strings

The Emmons set-up is mostly used at home but sometimes I'll take it out for gigs.

69 Sho-Bud Professional
73 Sho-Bud LDG
69 ZB D-10

Sho-Bud Volume Pedal

67 Fender Twin Reverb w/JBL K-130
68 Fender Deluxe Reverb
Sho-Bud Christmas Tree

1) Mahogony and white 2005 Carter D12 8 pedals 6 knee levers
2) Goodrich L10K volume pedal
3) BJS bar (Hughey 12 string design)
4) DigiTech Echo
5) Two Evans Amps with custom built matching JBLs
6) ProPik brass finger picks (reso style)
7) Peterson Strobe

Not too many Fender players.

here goes:

1950's Fender 1000, medium Walnut finish with red apron, 2 pedals on E6 no pedals on C6
Jagwire Strings
Morely Vol. Pedal (Garage Sale find)
Fender Cali. Cables and Whirlwind Leader Elite Cables
TAMA drum throne with backrest
Bars: 1 fat 3/4 for pedal playing. 1 short dobro bar for non-pedal.

1970 MSA D-8 Non-Pedal
Jagwire Strings
Whirlwind Leader Elite Cables, Morley Vol. Pedal.

National picks all around.
Crown Royal Bag for it all.
Played through Peavey Austin 400
Volume pedal optional as always.

Carter D-10 Black aprons, and burgandy top.
Peavey Nashville 1000 Amp.
Goodrich 120 Volume pedal
Steeler's Choice backless seat
Herco Blue, or Zookie M-20 thumb pick
Newman finger picks
Boss DD-3 digital delay.
Dunlop tone bar
Don't remember who made the cables

John.

2005 Rains D10 8&8 or 1984 Zum D10 8&7 (Letz rebuilt), 1975 Peavey Session 400 Amp, Goodrich L120 volume pedal, George L cables, George L stainless strings, Herco blue thumb pick, JF finger picks, 1" hollow 12 string bar(gift from Albert Talley) and Boss DD3 delay

Here's mine;

1. Rains SD10 3&5 (Waiting for a Mullen G2 D10 to be built! )

2. Nash 112

3.3 scratchy Goodrich volume pedals (I need or should get an Hilton)

4. Walker pack seat W/back

5. BJS bar

6. Any string that's not rusted.

7. Gorilla snot to help my picks to stay on.

8. Memroy Man chorus by Electro Harmonix, Boss DD6, Boss Tone, Danelectro delay, distortion, Good&rich dobro box, Gorge L cords, Korg tunner.

9. Dunlop picks

JC.

Sho Bud S12 3 & 4
Fender Dual Showman Reverb Head
Fender Bandmaster Reverb Head
Gibson GA 20 Head
Single 15" JBL K 130 Cab
Sho Bud & Hilton Volume Pedals
BJS 1" Bar
Whatever strings are laying around

2000 keyless Excel S10 with 3 pedals and 4 knees
1975 Peavey LTD with a 4 ohm JBL (D130??)
old Boss RRV-10 digital reverb
Peavey Minx 110 (bass amp)
Yorkville Bass man 50 (Canadian bass amp)
new model low profile Hilton pedal
Line 6 roto-sound leslie pedal
old paka seat from Bobbe Seymour
BJS 10 string 7/8" bar (no birthstone)
Fender thumbpick (from Sonny Curtiss) bare fingers
tuned C6th w/P7 on RKL (not your usual 5P C6th)
My band is BIAB on my HP laptop in my effiency apt
extra 19" LCD monitor across the room from computer!

2008 Fessenden SD10
NV112 (Buddy Emmons Settings)
Hilton Low-Pro
Dunlop 920
Buddy Emmons SIT strings
National Thumb pick (L)
Dunlop Finger .020 (index) 0.18 (middle)
George L's Cables
Peterson Strobo-Flip Tuner
Rock-n-Sock Drum Throne
Bare feet or slippers mostly.

This is my set up
1984 Emmons P/P in black mica
Gerry Walker Stereo Steel w/Digitech Studio Quad
Goodrich 120 volume pedal
Classic Country with no distortion either.
Talk about sweeeeeeeeeeeet!
Tommy Shown

No animals were harmed in the making of this reply
PETA approved -People for the eating of tasty animals

'66 Emmons Bolt-On
-OR-
Franklin D10

into
DD-3 > Webb
-OR-
Stereo rack system w/:
VHT 2/90/2 amp
Mesa V-Twin pre
BBE sonic maximizer
Lexicon MPX-1
(2) JBL E130s in Genz Benz cabs

Early eighties BMI S-12 with 5KL & 8FP.......
Goodrich "Low Profile" volume pedal
BJS Bar (standard length)
Goodrich Matchbox (the one with the tone knob on top)
Boss Digital Delay
Herco thumbpicks filed to a sharp point
Old National fingerpicks (two)

Most used amp for steel is an old Randall Steelman 500 with a 15" JBL.
If doubling on lead guitar I use a MusicMan HD-212 One Fifty hybrid or a Peavey Stereo Chorus 400. If I really want the "Mooney" sound, the MusicMan is what I opt for.............JH in Va.

I'm not a pro but here you are:

2003 D10 Carter
1996 D10 Carter
Peavy Vegas
Peavy NV112
Goodrich 120 Volumn Pedal
Unknown Volumn Pedal........gear driven
Earnie Ball Volumn Pedal
Various Cables ..........really old ones.
Oodles of finger picks National and Dunlop
Three kinds of thumb picks
Three bars.......all have the same defect....operator problem.
Unknown pack seat.......bought in 1996
Stainless E9th strings....any brand
Nickel C6th strings .......any brand
Three nut wrenches.......
Tool kit....small wire cutter, pliers, screwdrivers, tweezers, flash light(mini)....pick/bar bags
1 Full load of stupidity.....

MCI RangeXpander E9 3+4
John Pearse strings
Dunlop 7/8" or John Pearse 1" bar
Ernie Ball or Dekley Low Boy volume pedal
Boss GT-6 Multi FX

&

Fender Deluxe Reverb (Early silverface)

or:

Lydkraft Tube-Tech CL-1b and TLA 5050 tube compressors + line in (stereo).

'95 Zum 4&5 stock single coil
Sarno Revelation Pre-amp
Peavey TransTubefex for effects
Hilton Volume Pedal
Goodrich Match-Bro
Boss Blues Driver
Dunlop Thumb pick
Newman JF finger picks
George L's cables
BJS bar
Usually play direct with Shure in-ear monitors. When not playing direct I use a Walker Stereo Steel amp with Transtubefex for effects into 2 Peavey 112 cabs loaded with 1203-4 speakers.

3 pages and no Fender players...where have they all gone?

Hmmmmmmmmmmmmmm!

Should I? Or should I not?

If I do it, I will probably be flamed!

Aw shucks, let's have some fun. Owntoo?

I do it!

I believe in what Jeff Newman said, when he once played an old Fender 1000 on the stage of the ISGC in Stlouis,

(paraphrasing)

"Ya never could get any sound out of these old clunkers!"

Yes, many bought them. Yes I did too. Even Buddy owned one. In fact, he got sooooo frustrated with one, one night, that he rared back and kicked it right into the orchestra pit as the show ended.

But THE instant he and a man called "Shot" created a PSG called "Sho-Bud", that spelled the ultimate demise of what was one of THE best built PSG's of all time. In fact, it is one of few that had NO "cabinet drop". It only suffered from one malady:

IE: It never really had "That Nashville sound"; that became the measure of what most in country music wanted to hear.

And as good the SB was, the INSTANT Buddy divorced "ole Salty dog" Shot, and teamed up with a physics' professor by tha name ah "Ron Lashley Sr", MOST players in the PSG world, said, "What in the pluperfect heaven, is that sound? And what do I have to do to get it?"

'Tis true of late, that there has been a slight resurgence in interest in those "clunkers" of old, But nothing can come close to the nostalgia and love (and want) as those two classic and quintessential PSG's, as they are called:

1 "A Sho-Bud"

2. "An Emmons"


In years to come (since both Sho-Bud AND Emmons will no longer be built), there will be a myriad of other "new kids on the block". With all kinds of niceties and euphamistic "thing-a-mah-jigs", laced with all manner of esthetically appealing appendages, etcterrrra, etcererrra, etcererrrra.

But I predict that in the future, one of those two pedal steel guitars just may become the "Stradivarius" of the steel guitar world.

You say, "NO way!"?

Well, ya may be right, ya may be wrong.

But, on judgement day, when ALL "Truth" is revealed, we will find out. I have no doubt in me mind about that.

May Jesus bless you all, no matter what your "setup" is.

carl