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Topic: Good steel reverb recommendations anyone? |
Tommy Shown
From:
Denham Springs, La.
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Posted 8 Nov 2016 10:52 pm |
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I just use the reverb off of my amp, whenever I use my Nashville amp. Whenever I use my Walker Stereo Steel, I have the pro fex to use with that. The Nashville has the tone mods on it. And it sounds really clean.
Tommy Shown |
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Tom Wolverton
From:
Carpinteria, CA
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Posted 9 Nov 2016 5:57 pm DigiTech Polara reverb
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It's not easy to read the settings, but wow do I love the reverbs this has.
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To write with a broken pencil is pointless. |
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Daryl Thisdelle
From:
New Brunswick, Canada
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Posted 17 Nov 2016 3:44 pm Reverb
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Depending on what type of reverb you want to have in your system Strymon makes some very high end products. I switched over to Strymon and that is all I use on my steel rig and on my acoustic electric 6 string set up. I can go anywhere I want with there reverb. Just my 2 cents
Daryl
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Williams 700 Keyless SD 12 String Universal Lacguer Body Wood Neck Alumitone Pick Up GD Walker Stereo Steel Amp Preamp Combo With 2x15 inch JBL Speakers In Tuned Cabinets, Hilton Digital Sustain Pedal, Telonics Volume Pedal. Steel Seat With Back Rest And Swivel And Adjustable Legs. George L Cables. BJS Bar. Nookies Thumb Pick National Finger Picks. Jagwires Petterson Strobo Plus HD Tuner |
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Jamie Mitchell
From:
Nashville, TN
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Posted 18 Nov 2016 4:44 pm
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| Jim Sliff wrote: |
Most combo amp spring reverbs (all Fender and most others) work only on the high frequencies. This may sound OK *if* that's where you want reverb, but in reality it creates a washed-out, muddied tone. I use several Fender tube amps with reverb but NEVER use the spring reverb - I use analog delay instead.
Analog delay covers the full frequency spectrum; two set to different repeats and depth sounds like reverb - but FAR better. Be aware that many of the reverb pedals on the market are designed to emulate combo spring reverb and are voiced for highs (and digital reverb generally sounds incredibly artificial).
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curious why you feel like verb on high frequencies only results in mud?
my experience is the opposite. if you put the reverb wrap-around between the two channels of a Fender amp, 100% wet, you have tone controls for the wet. i've always felt like turning down the bass on that has made things less muddy.
i also would comment that for me, personally, i don't find delay to be functionally equivalent to reverb at all. obviously, they're both time domain effects, and i use them both to put a halo on stuff, but i never feel like one covers the other. personally, i find reverb to be much more 'neutral' than echo. messes with rhythmic figures less. |
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Brooks Montgomery
From:
Idaho, USA
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Posted 18 Nov 2016 5:04 pm
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Jamie Mitchell quote:
"i use them both to put a halo on stuff, but i never feel like one covers the other. personally, i find reverb to be much more 'neutral' than echo. messes with rhythmic figures less."
"halo" is a great descriptor for reverb and delay.
Another +1 for the Neunaber WET mono reverb.
I really like it for all my guitars, acoustics, steels, dobros.
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A banjo, like a pet monkey, seems like a good idea at first. |
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