Just ordered a Clinesmith D10 [UPDATE]
Moderator: Brad Bechtel
- Mikiya Matsuda
- Posts: 82
- Joined: 2 Aug 2008 2:25 pm
- Location: San Francisco, California, USA
- Contact:
- Jerome Hawkes
- Posts: 1385
- Joined: 8 May 2009 7:16 am
- Location: Fayetteville, North Carolina, USA
- Tom Pettingill
- Posts: 2246
- Joined: 23 Apr 2007 11:10 am
- Location: California, USA (deceased)
-
- Posts: 1003
- Joined: 10 Jul 2000 12:01 am
- Webb Kline
- Posts: 903
- Joined: 27 Dec 2004 1:01 am
- Location: Bloomsburg, PA
[/quote]
Mark, one of the necks will have my own extended C6/A7 tuning while the other will, in all likelihood, have Tom Morrell's E13 tuning tuned down to C13. Two C6 based tunings on one guitar, you ask? Yes, both will be capable of two different things. Besides, I'll still have my other Clinesmith for the E9 tuning.
I look forward to digging in.[/quote]
I've wondered if anyone else does this. I've decided to try going with C6 and C13 as well. I multitask between piano and steel, with my steels being on the 2nd tier of my keyboard stand. I've had my front neck tuned to E13, but was thinking it would be easier if both necks were in the same key.
Mark, one of the necks will have my own extended C6/A7 tuning while the other will, in all likelihood, have Tom Morrell's E13 tuning tuned down to C13. Two C6 based tunings on one guitar, you ask? Yes, both will be capable of two different things. Besides, I'll still have my other Clinesmith for the E9 tuning.
I look forward to digging in.[/quote]
I've wondered if anyone else does this. I've decided to try going with C6 and C13 as well. I multitask between piano and steel, with my steels being on the 2nd tier of my keyboard stand. I've had my front neck tuned to E13, but was thinking it would be easier if both necks were in the same key.
I have not even seen pictures of the guitar, I don't even know which wood Todd selected for it. All I said was, "Do your thing, Todd--surprise me." The only thing he asked that mattered to me was "doo-wah tone or regular tone"? I went with regular tone control.
BTW, I have my C13 on one neck for chordal playing, but the second neck is for single note playing and is tuned: G A C D E G A C D E from bottom to top. It took me a long time to come up with this scheme, but this is it!
BTW, I have my C13 on one neck for chordal playing, but the second neck is for single note playing and is tuned: G A C D E G A C D E from bottom to top. It took me a long time to come up with this scheme, but this is it!
- Mikiya Matsuda
- Posts: 82
- Joined: 2 Aug 2008 2:25 pm
- Location: San Francisco, California, USA
- Contact:
Cool. It's like the "Autumn in New York" top strings from the Morrell tuning, but repeated in both octaves. I might have to try it. Interesting how it still has the intervals of an 8 string C6th but with added Ds. Is the idea that all the adjacent whole steps will make chromatic lines easier in upper and lower registers?
- Stephen Cowell
- Posts: 2875
- Joined: 6 Jan 2012 8:13 am
- Location: Round Rock, Texas, USA
I like having the 2 there to play in the IV form pocket, then switch to I form for the IV and V (up 2) chords... it's like that in the 13th tunings, anyway. Having the 2 there makes I-IV-V easy to do... the 2 3 5 is like 5 6 8... anyway, that's how my tortured mind sees it. Now I'm wanting 10 strings pretty badly...
New FB Page: Lap Steel Licks And Stuff: https://www.facebook.com/groups/195394851800329
- David Mason
- Posts: 6072
- Joined: 6 Oct 2001 12:01 am
- Location: Cambridge, MD, USA
What are you doing for string spacing? Are the 10's strings closer than the 8's? That tuning:
G A C D E G A C D E - with the note above and below (E, G) was what I put on my MSA Super Slide set up with 12 strings. But the 12 string spacing was just too close for me to manage, and with the 1-2-3-5-6-8-9-10 etc. all over the place, it was hard for me to nudge it off just pleasant, harp-like clustery little major noises. I crave danger... Close intervals on low strings requires some immaculate blocking work.
G A C D E G A C D E - with the note above and below (E, G) was what I put on my MSA Super Slide set up with 12 strings. But the 12 string spacing was just too close for me to manage, and with the 1-2-3-5-6-8-9-10 etc. all over the place, it was hard for me to nudge it off just pleasant, harp-like clustery little major noises. I crave danger... Close intervals on low strings requires some immaculate blocking work.
- Nate Hofer
- Posts: 530
- Joined: 4 Nov 1998 1:01 am
- Location: Overland Park, Kansas
- Contact:
- Jay Fagerlie
- Posts: 1637
- Joined: 14 Nov 2003 1:01 am
- Location: Lotus, California, USA
- Contact:
Here's an interview with a guy that wrote a book on Bigsby:
http://www.blogtalkradio.com/fretboard- ... talk-radio
http://www.blogtalkradio.com/fretboard- ... talk-radio
Looking forward to hearing the sonic fruits of this new adventure. This is a guitar that's certainly capable of taking you where you want to go without getting in your way.
Steel Guitar Books! Website: www.volkmediabooks.com
Show and Tell!
Man, was I excited to get this package today! I don't do this often anymore, and I've been happy to just settle down with a few instruments in my life, but this one I waited years for because all I could see was possibilities.
Look at this fine bird's-eye maple!
I have to say, the tone is just exquisite. I've been playing with a crystal clean, chimey sound, and a slightly pushed Fender blackface sim, and it has been everything I ever dreamed of. Simply spectacular.
The guitar is quite heavy, but that is solid wood and cast aluminum necks. The Pelican case it came in could survive a hurricane.
More to come....
Look at this fine bird's-eye maple!
I have to say, the tone is just exquisite. I've been playing with a crystal clean, chimey sound, and a slightly pushed Fender blackface sim, and it has been everything I ever dreamed of. Simply spectacular.
The guitar is quite heavy, but that is solid wood and cast aluminum necks. The Pelican case it came in could survive a hurricane.
More to come....
-
- Posts: 748
- Joined: 9 May 2008 7:53 am
- Location: Brooklyn, NY
- Contact:
- Mark van Allen
- Posts: 6378
- Joined: 26 Sep 1999 12:01 am
- Location: Watkinsville, Ga. USA
- Contact:
All the preparations I've done over the last year and a half in anticipation of a switch to 10 strings has really paid off. This guitar has a super response, so if you have clean chops, the notes just pop off the guitar. It also sings beautifully and the sustain is really strong.
The deep strings have a piano like quality to them.
The deep strings have a piano like quality to them.
- Niels Andrews
- Posts: 1464
- Joined: 8 Feb 2012 11:50 am
- Location: Salinas, California, USA
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
-
- Posts: 6877
- Joined: 5 Jan 2005 1:01 am
- Location: Nanuet, NY
- Contact:
- Rick Barnhart
- Posts: 3046
- Joined: 23 May 2008 2:21 pm
- Location: Arizona, USA
- Jeff Strouse
- Posts: 1628
- Joined: 20 Apr 2002 12:01 am
- Location: Jacksonville, Florida, USA
-
- Posts: 1183
- Joined: 20 Jan 2009 5:34 pm
- Location: Philly, PA