Song With The Most Chords ?
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- Rex Thomas
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My nomination for most chords within a 32 bar form would go to "The Song Is You", with 26 chords, according to my rough calculations. Never really counted before, but noticed it was rather centre-heavy. Not surprisingly, one of my favs.
The tonal centre of Lush Life is different for the Vest or Intro than it is for the rest of the head. I would agree it is the most chord-heavy tune on the list so far. It is rather a work of art in different segments which differentiate it from other less extended forms mentioned here.
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>
Funny thing about the musical logic of these old chestnuts. You can really get a feel for how passing chord theory works in practice.
</SMALL><HR></BLOCKQUOTE>
There's the crux of the thread, if you ask me. Although a tune like "the Song is You" has a mittful of chords, they're all perfectly logical in sequence, as most of the above-mentioned tunes are (Oleo is a catchy melody written over the basic chord changes of "I've got Rhythm"). Everything adds up.
Now, take a tune like Coltrane's "Moments Notice", and you'll see an extension of the concept of changes, and related melody notes. Then he wrote "Giant Steps" which, as beautiful as it was, did not follow conventional chord progression theory. (have you met miss jones notwithstanding). It also didn't contain as many different chords as some mentioned on the list. It was the relationship of the chords that mattered.
But I digress.... so many chords, so little time.
-John
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www.ottawajazz.com <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 31 August 2004 at 09:27 PM.]</p></FONT>
The tonal centre of Lush Life is different for the Vest or Intro than it is for the rest of the head. I would agree it is the most chord-heavy tune on the list so far. It is rather a work of art in different segments which differentiate it from other less extended forms mentioned here.
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>
Funny thing about the musical logic of these old chestnuts. You can really get a feel for how passing chord theory works in practice.
</SMALL><HR></BLOCKQUOTE>
There's the crux of the thread, if you ask me. Although a tune like "the Song is You" has a mittful of chords, they're all perfectly logical in sequence, as most of the above-mentioned tunes are (Oleo is a catchy melody written over the basic chord changes of "I've got Rhythm"). Everything adds up.
Now, take a tune like Coltrane's "Moments Notice", and you'll see an extension of the concept of changes, and related melody notes. Then he wrote "Giant Steps" which, as beautiful as it was, did not follow conventional chord progression theory. (have you met miss jones notwithstanding). It also didn't contain as many different chords as some mentioned on the list. It was the relationship of the chords that mattered.
But I digress.... so many chords, so little time.
-John
------------------
www.ottawajazz.com <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Steele on 31 August 2004 at 09:27 PM.]</p></FONT>
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My choice for werid chords would be Color MY World.Played in the key of F maj 7th, after the first chord change to B flat it is then all major 7ths,9ths and 7ths and does not got back to F maj 7th until the last chord of the song.My faforite 2nd is Tenderley adding more passing chords that are not written in the song like Chalker played it.
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If you're counting intros with the song, then "Embraceable You" & a lot of other Gershwin tunes have extensive changes before the "song" (as most people think of it) even starts.
BTW, have you seen Al Marcus' old setlists on his webpage? They went a lot some changes then! I would love to have heard that.
SK
BTW, have you seen Al Marcus' old setlists on his webpage? They went a lot some changes then! I would love to have heard that.
SK
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I like songs in general with a lot of chords,but to me how they are put together rather than how many there are is more important. On the other hand, there are songs with only 2 chords that I like to play. I guess it's OK if it's the right two. I often wonder why I like or dislike a particular song.
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