Posted: 26 Mar 2020 1:59 pm
Hi Jeffrey,
As far as tuning goes, the first (top) string is fixed on E. So is the 4th . The two bottom strings are fixed and probably an after thought. The changer was probably conceived for a 6 string guitar in the 1930s. The player would have to make the choice for the lower strings 7 and 8.
The changer is designed to be set up and tuned with the levers all the way Left (toward the head). In this position the strings are tuned E (top) B and G, using the tuners at the head. The great thing is that the notes are marked on the plastic level track.
Next we move the two levers to centre position and tune the movable strings (235 and 6) to G# and C, with the set screws, as indicated on the plastic track. Do the same thing with the levers all the way Right, where they are A and C#. Sounds complicated but its not.
While the shift bars have noticeable travel, the actual movement of the strings is miniscule. When in tune the levers Right gives an A chord. Drop the A to G# and you have E, C# G# or C#minor. Drop the C# string to B, and you have E, B, G# or an E chord. Other combinations are obscure. Let me know if you find any usable.
As long as the fixed strings of the upper six are E, and you tune as indicated on the plastic gizmo, starting with GBE, you cannot go wrong.
The height of the action is 8mm at the top of the fret board. And 5mm at the nut. The nut roller is slightly higher than the “nut.â€
A set of C6-A6th strings will do. The gauges are on John Ely's site, below.
All that being said, I have the guitar tuned to A6th with the 4th string on F#. This gives me the partials mentioned in my first post. Straight A, C#minor and Emajor are somewhat anachronistic tunings. Ideas like the Pacific String Master were tried and never caught on. The pedal-steel and multi neck guitars were more practical in the end.
If you don't want an original guitar, you could simple put a round head screw at the tail end to stop the cover sliding off and getting broken again. Next thing we have to do is trace David Ferrier, who registered the design. I expect there is an adv. for this guitar in some old publication.
https://hawaiiansteel.com/tunings/my_tunings.php
As far as tuning goes, the first (top) string is fixed on E. So is the 4th . The two bottom strings are fixed and probably an after thought. The changer was probably conceived for a 6 string guitar in the 1930s. The player would have to make the choice for the lower strings 7 and 8.
The changer is designed to be set up and tuned with the levers all the way Left (toward the head). In this position the strings are tuned E (top) B and G, using the tuners at the head. The great thing is that the notes are marked on the plastic level track.
Next we move the two levers to centre position and tune the movable strings (235 and 6) to G# and C, with the set screws, as indicated on the plastic track. Do the same thing with the levers all the way Right, where they are A and C#. Sounds complicated but its not.
While the shift bars have noticeable travel, the actual movement of the strings is miniscule. When in tune the levers Right gives an A chord. Drop the A to G# and you have E, C# G# or C#minor. Drop the C# string to B, and you have E, B, G# or an E chord. Other combinations are obscure. Let me know if you find any usable.
As long as the fixed strings of the upper six are E, and you tune as indicated on the plastic gizmo, starting with GBE, you cannot go wrong.
The height of the action is 8mm at the top of the fret board. And 5mm at the nut. The nut roller is slightly higher than the “nut.â€
A set of C6-A6th strings will do. The gauges are on John Ely's site, below.
All that being said, I have the guitar tuned to A6th with the 4th string on F#. This gives me the partials mentioned in my first post. Straight A, C#minor and Emajor are somewhat anachronistic tunings. Ideas like the Pacific String Master were tried and never caught on. The pedal-steel and multi neck guitars were more practical in the end.
If you don't want an original guitar, you could simple put a round head screw at the tail end to stop the cover sliding off and getting broken again. Next thing we have to do is trace David Ferrier, who registered the design. I expect there is an adv. for this guitar in some old publication.
https://hawaiiansteel.com/tunings/my_tunings.php