Steel on non Country records
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- Chris Templeton
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"Top Of The World": https://www.youtube.com/watch?v=6gRiWWcBKvs
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
"The Tapper" : https://christophertempleton.bandcamp.c ... the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8:
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Sneaky Pete's first (1964) recording:
https://www.youtube.com/watch?v=gfCr8fZvk_k
B.J. Cole featured on this one (1974)
https://www.youtube.com/watch?v=YzSXSo3dTHU
B.J. here too:
https://www.youtube.com/watch?v=KBWfUc5jKiM
https://www.youtube.com/watch?v=gfCr8fZvk_k
B.J. Cole featured on this one (1974)
https://www.youtube.com/watch?v=YzSXSo3dTHU
B.J. here too:
https://www.youtube.com/watch?v=KBWfUc5jKiM
- Mike Neer
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Rick Derringer with Edgar Winter Group and on his own record All American Boy.
https://youtu.be/hz5PYxEHb6o
https://youtu.be/hz5PYxEHb6o
Links to streaming music, websites, YouTube: Links
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- Bill McCloskey
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- Barry Blackwood
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- Bill L. Wilson
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Man, What a Drummer!!!
Vinnie Colaiuta, One Really Fantastic Drummer. Old Sting is a different breed of cat.
- Joachim Kettner
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BJ cole plays also on this cut by Gary Brooker: https://www.youtube.com/watch?v=_Kochb7QH6o
The rhythm is also a bit complex. Drums by Dave Mattacks.
The rhythm is also a bit complex. Drums by Dave Mattacks.
Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube.
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Joachim,
Your curiosity as to who and why the decision is made to hire a steel is what I thought of asking when I interviewed Dann Huff...Dann's personal resume spans the spectrum from Madonna to Merle Haggard...It was his decision to put steel on the sessions he produced for Peter Cetera, Kelly Clarkson, and Megadeth. Even though I was who he hired I never knew the reason steel was added...His insights are very interesting.
Paul
Your curiosity as to who and why the decision is made to hire a steel is what I thought of asking when I interviewed Dann Huff...Dann's personal resume spans the spectrum from Madonna to Merle Haggard...It was his decision to put steel on the sessions he produced for Peter Cetera, Kelly Clarkson, and Megadeth. Even though I was who he hired I never knew the reason steel was added...His insights are very interesting.
Paul
- Tim Herman
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Greg Leisz
https://www.youtube.com/watch?v=mzX0rhF8buo
https://www.youtube.com/watch?v=mzX0rhF8buo
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- scott murray
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this has turned into a great thread. might get more action in the Steel Players section?
on the subject of Megadeth... which album or songs feature your steel mr. Franklin?
and let's not forget this little ditty by Parliament:
https://www.youtube.com/watch?v=pFNM7nG2OUQ
Greg Leisz is all over that last Daft Punk album which was huge.
or Bruce Bouton's work with Maxwell:
https://www.youtube.com/watch?v=gkeCNeHcmXY
on the subject of Megadeth... which album or songs feature your steel mr. Franklin?
and let's not forget this little ditty by Parliament:
https://www.youtube.com/watch?v=pFNM7nG2OUQ
Greg Leisz is all over that last Daft Punk album which was huge.
or Bruce Bouton's work with Maxwell:
https://www.youtube.com/watch?v=gkeCNeHcmXY
1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster
- Douglas Schuch
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- Bob Hoffnar
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- Location: Austin, Tx
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Re: Steel on non Country records
I seem to have made a little world of my own playing steel in different settings. In my experience producers hire me because they see me playing or are in a band I'm playing in. One chain of events that led to some very successful work went like this:Joachim Kettner wrote:I often wondered what made artists or producers decide to employ steel (maybe only for one track) on a record. There are many examples: Carpenters, Clapton, Tim Hardin.
The only info I have is for "Teach Your Children". Is there any more information?
I met a really wild improviser/composer at a club in NYC. I told him I have a pedalsteel and a gig playing quiet drone/noise music at this weird restaurant downtown. Come by and play. They feed us and we make a little cash. He shows up and its super fun playing so we get together once a week at his place basically getting drunk and experimenting with sounds. He writes an opera that gets produced that does a couple concerts. The piano player for the opera is an arranger. A year later I get a call from him to fill out some sounds in the string section for this pop record he is doing an orchestration for. The producer of the pop record see's this pedalsteel player that is fitting into a very dense arrangement. So he hires me for an overdub session on a tune by this new band called Hem. It goes really well so I end up all over the record and they hire me to tour with them as well as record.
During the course of all this I get known as a pedalsteel player who can hang with different musics. So I get calls for all sorts of stuff. NYC was just a fantastic place at the time. Everybody was looking different sounds and combinations. Plus I got a ton of work playing real simple pretty stuff from the Hem connection.
There is some truly wild and great music happening in Austin now that is not connected to the country scene.
Bob
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Freddie Roulette (all of the albums on which he recorded). Here's a track from his Back in Chicago album:
https://www.youtube.com/watch?v=iV5_lqaVf9I
Pete Drake on Harvey Mandel's 1968 album, Cristo Redentor. Here's a track:
https://www.youtube.com/watch?v=AHw0dOAFqvo
Glenn Ross Campbell with The Misunderstood. Here's a track from their eponymously titled 1965 album:
https://www.youtube.com/watch?v=mzs7KqAT6pE
The Misunderstood moved to England and all members except Glenn left and were replaced by Brits and the band became Juicy Lucy. Juicy Lucy from their eponymously titled, 1969 album. Here's a track (note: this track fades and comes back after about 15 seconds):
https://www.youtube.com/watch?v=_ydyr5SN4oI
Keep on pickin'!
Glenn
https://www.youtube.com/watch?v=iV5_lqaVf9I
Pete Drake on Harvey Mandel's 1968 album, Cristo Redentor. Here's a track:
https://www.youtube.com/watch?v=AHw0dOAFqvo
Glenn Ross Campbell with The Misunderstood. Here's a track from their eponymously titled 1965 album:
https://www.youtube.com/watch?v=mzs7KqAT6pE
The Misunderstood moved to England and all members except Glenn left and were replaced by Brits and the band became Juicy Lucy. Juicy Lucy from their eponymously titled, 1969 album. Here's a track (note: this track fades and comes back after about 15 seconds):
https://www.youtube.com/watch?v=_ydyr5SN4oI
Keep on pickin'!
Glenn
Steelin' for Jesus
- Jim Fogarty
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- Location: Phila, Pa, USA
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One early hit that helped start the steel on pop records trend.....
My buddy and occasional musical partner Iain (back then, Ian) Matthews and his band Matthews Southern Comfort......featuring Gordon Hundley on steel.
#1 UK hit and tons of US airplay in 1970....
"Woodstock"
https://youtu.be/qIHfuihoz70
My buddy and occasional musical partner Iain (back then, Ian) Matthews and his band Matthews Southern Comfort......featuring Gordon Hundley on steel.
#1 UK hit and tons of US airplay in 1970....
"Woodstock"
https://youtu.be/qIHfuihoz70
- Fred Treece
- Posts: 4512
- Joined: 29 Dec 2015 3:15 pm
- Location: California, USA
Bob Hoffnar, great story and great answer!
I don’t have “information†as such, but like others have said, I believe an open minded and educated producer is a key ingredient for recording with pedal steel.
It also helps to have an open-minded artist that isn’t afraid to expose their fan base to a song with a touch of twang on their otherwise non-country album. That seems to be much more of a rarity than it was in the 60’s, 70’s, and even into the 80’s. Dire Straits with Paul Franklin - what a gem of a recording On Every Street is! It seemed so obvious after only the first time listening to it. Of course this band will sound great with pedal steel! Why didn’t we think of it before?
I don’t have “information†as such, but like others have said, I believe an open minded and educated producer is a key ingredient for recording with pedal steel.
It also helps to have an open-minded artist that isn’t afraid to expose their fan base to a song with a touch of twang on their otherwise non-country album. That seems to be much more of a rarity than it was in the 60’s, 70’s, and even into the 80’s. Dire Straits with Paul Franklin - what a gem of a recording On Every Street is! It seemed so obvious after only the first time listening to it. Of course this band will sound great with pedal steel! Why didn’t we think of it before?
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For any of you who haven't checked out Bob Hoffnar's work on the Hem albums, his approach is a text book example of leaving out the "country cliches" (but I do love them) and keeping the haunting beauty of the pedal steel. That's how you get producers and bands to be willing to give PSG a try outside the country genre.
https://www.youtube.com/watch?v=QFQrH9w8VM4 - Redwing by Hem.
https://www.youtube.com/watch?v=QFQrH9w8VM4 - Redwing by Hem.
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- Jim Fogarty
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Even better....on Steely Dan's "Pearl of the Quarter"David Gertschen wrote:Jeff "Skunk" Baxter's playing on the Doobie Brothers "South City Midnight Lady" has always been one of my favorites.
https://youtu.be/9CbL2-nvalE
- Olaf van Roggen
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- Location: The Netherlands
When I was in my teens my dad loved Rock n Roll and Rockabilly too. I never liked it, one of his favourite singer was Robert Gordon.
I remember a country song on one of his albums that I really liked, especially the pedal steel guitar part.
Robert Gordon must have listened to country songs too i guess.
"Standing on the outside of her door" with I think Lloyd Green on pedal steel.
https://www.youtube.com/watch?v=n6zradYHnwI
I remember a country song on one of his albums that I really liked, especially the pedal steel guitar part.
Robert Gordon must have listened to country songs too i guess.
"Standing on the outside of her door" with I think Lloyd Green on pedal steel.
https://www.youtube.com/watch?v=n6zradYHnwI
- Dennis Montgomery
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From the British progressive rock world Steve Howe played his D10 Sho-Bud on the Yes song, "To Be Over" (1974)...this was the first time I ever heard a pedal steel! He also used it on a couple songs from his 1975 and 1994 solo albums. He plays slide more frequently than pedal steel using a double neck Fender Dual Pro on the Yes songs, "And You And I" (1972) and "Going for the One" (1977) as well as many songs off his solo albums



Hear my latest album, "Celestial" featuring a combination of Mullen SD12 and Synthesizers:
https://www.youtube.com/watch?v=mhh6b_x ... Ww493qAouK
Hear my album, "Armistice" featuring Fender 400 on every song:
https://www.youtube.com/playlist?list=P ... 7lPEtsplyW
Hear my Pedal Steel Only playlist featuring Mullen G2 SD12 on covers like Candyman, Wild Horses, Across the Universe & more...
https://www.youtube.com/playlist?list=P ... NrvnJObliA
https://www.youtube.com/watch?v=mhh6b_x ... Ww493qAouK
Hear my album, "Armistice" featuring Fender 400 on every song:
https://www.youtube.com/playlist?list=P ... 7lPEtsplyW
Hear my Pedal Steel Only playlist featuring Mullen G2 SD12 on covers like Candyman, Wild Horses, Across the Universe & more...
https://www.youtube.com/playlist?list=P ... NrvnJObliA
- Tom Spaulding
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Steve Howe on a double-neck playing "Soon" from Relayer:
https://www.youtube.com/watch?v=0pNm2VqLPx4
https://www.youtube.com/watch?v=0pNm2VqLPx4
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Look at Steve’s face on that video. He is totally on acid!Tom Spaulding wrote:Steve Howe on a double-neck playing "Soon" from Relayer:
https://www.youtube.com/watch?v=0pNm2VqLPx4
