Jeffrey McFadden wrote:
It is my opinion that the tendency to limit the pedal steel to just country music is the worst thing that could possibly be done to the pedal steel manufacturers of the world. Limiting it to just traditional country is even worse. Talk about your dead end - they ain't making no more of that.
I don't play traditional pedal steel music, I play music and see pedal steel as an incredibly flexible, capable instrument to give the guitar player, especially one with arthritic hands, the ability to express whatever musical feeling one has in whatever genre one chooses.
I will grant you that much of traditional country couldn't have been what it was without the distinctive sound the early greats created, but I don't think that automatically limits the instrument's capabilities.
Well, said
I'm 48 from a classic[al] guitar and gamba background (hey, at least many peope know that the PSG exists, say viola da gamba and their eys glaze)
In fact, I don't really have all that much interest in country as a playing style.
That'sNOT meant as anindicment(hey, I enjoy hindustani music too, but I don't play a surbahar)
don't get me wrong, I think it's fine music and I enjoy listening to it.
But I will say my favorite player is Susan Alcorn, I enjoy Mr Perlowin's music very much (now there's my own bias considering my background)
I went to Robert Randolph's show the last time he was in town and I think he could/is doing a lot to integrate the instrument into a modern rock context
It's those 3 players I'll spin to give guest listeners an idea that PSG can do all kinds of cool stuff that isn't "that country sound"
As you say, I think it added a lot to a trad country sound -- which is a mixed blessing because I think it's like a brilliant actor who has been typecast due to a popular role.
I'll admit, besides looking for a wholly new experience and a way of thinking that can go along with it, preserving something that could go away is something I'm interested in.
Hopefully, if I can make it stick, maybe I can be a bridge between 70 and 30
I figure for an instrument to be truly integrated
there's gotta be some mediocre players and some hacks.
and I have a rich history of being a hack
