Roger Rettig wrote:Thanks, you guys.
I would have preferred no political slant but journalists are clever and can draw stuff out if you without you realising. She didn't misquote me, though, and seemed to be prepared to give the Medora Musical a fair chance.
Congrats Roger you put the PSG in the public eye no matter!
Yeah I see what LAURA COLLINS-HUGHES did.
COLLINS-HUGHES wove a surreptitious pastiche of religion, Americana, a poke at Mt. Rushmore, including a jab at the national anthem.
Machiavellian austerity.
"a solo show by a little-known Broadway veteran, Jared Mason; a Roosevelt bio-play; a gospel brunch featuring singers from the musical."
"The national anthem is part of the revue’s first half, with the audience standing to face a flag.
The surprise, when I looked around, was how few people were joining in the song."
"Mr. Rettig, a liberal who chooses his words carefully in conservative North Dakota, believes that escapism is essential to the show’s appeal. “I don’t necessarily disapprove of that: the fact that people want to see something that could be a time capsule from 30 years ago,†he said. “Because they liked their life a little better then.â€
"Still, he said, there was the summer that his friend Mr. Sorensen did a magic trick — “something that looked a bit Harry Potter-like†— and an audience member complained on religious grounds. “They took it out of the show in the end.â€
"Other touchy elements remain. Spectators have sometimes objected to the gospel-music segment because other religions are not represented,"
"while the patriotic bits are sensitive in a way they didn’t used to be. He means them simply to celebrate the nation."
“I think the left is as patriotic as the right,†he said. “So I try to stay apolitical; I don’t want to get involved in that out there.â€