Black sounds best. It's a proven fact! If I ever start a steel guitar company, it will be called Black Guitars.
Carl, are you really referring to my post above, or did you attribute someone else's words to me? Your comparison to scripture is baffling. Certainly I didn't think that I was writing anything profound.
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<img align=left src="http://picturehost.net/b0b/ManzBob2.jpg" border="0"><small> Bobby Lee</small>
-b0b- <small> quasar@b0b.com </small>
System Administrator
What's the first thing to learn as a new player?
Moderator: Shoshanah Marohn
- John Daugherty
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Yes b0b,
It was meant for you. I find the following statement to be profound indeed:
All the other suggestions are good too. But yours got right to the core of how I believe a good teacher should begin any student. For it wades thru all the mist and mystery as well as gobbledegook of this incredible instrument. And opens up WHAT the PSG is all about.
With your suggestions as a foundation, ANY aspiring Steel guitar player (as oppossed to those just curious), can build on that like NO other suggestion I have ever read.
In a word, it says it all to the beginner IMO. That is why I could only come up with one analogy that would fit.
Did not to mean to cause you a problem.
carl
It was meant for you. I find the following statement to be profound indeed:
You summed up in your post IMO, the most important thing about the PSG regards the E9th neck; which is by far the most played PSG tuning ever.<SMALL>"Those are the first three things to learn. Learn them well and you can find your way around any 3-chord country tune."</SMALL>
All the other suggestions are good too. But yours got right to the core of how I believe a good teacher should begin any student. For it wades thru all the mist and mystery as well as gobbledegook of this incredible instrument. And opens up WHAT the PSG is all about.
With your suggestions as a foundation, ANY aspiring Steel guitar player (as oppossed to those just curious), can build on that like NO other suggestion I have ever read.
In a word, it says it all to the beginner IMO. That is why I could only come up with one analogy that would fit.
Did not to mean to cause you a problem.
carl
- Lawrence Lupkin
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- Larry Chung
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Blocking the strings. Blocking is the key. Being able to articulate each note and control sustain are really important as is the picking hand in general. Control your right hand and be able to stop any string from ringing at any time.
I'm still working on that one!
lc
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Larry Chung
ZB D-10 8+4
ZB Custom S-11 4+4 Dekley S-10 3+4
I'm still working on that one!
lc
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Larry Chung
ZB D-10 8+4
ZB Custom S-11 4+4 Dekley S-10 3+4
- David Doggett
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