Posted: 27 Feb 2016 7:44 pm
What a pleasure it was to check that guitar out. Honestly, it was like a mission for me. I brought my little Microcube with me and took the subway and walked to the wrong building and decided to walk to the other site, which was bout 25 NYC blocks away. Caminando, se aprende en la vida.
Looking at the guitar very carefully like I did, I walked away pretty convinced that they got the story wrong on this. I won't say too much about that, though.
Anyway, this a 25" scale guitar, with thick horseshoe magnets, a little narrower than the 1 /1/2" Rickenbacher shoes, and they were each stamped with an N (I wonder if that meant "north". If anyone knows anything about this, please chime in). They looked to be hand tooled, but that would be awfully thick steel to bend.
The headstock confused me a little because it looked so much like painted wood. The hand brush strokes were clean, but gave wooden texture to it, which threw me off. I found a bare piece of metal on the top of the headstock, though. And that guitar is solid all the way through.
Though I couldn't see what really lurked under the paint, there is a big enough spot on the top of bare metal that I could see that it had looked like it was cast and polished. Besides, the fretboard and markers really would have to be cast. No one else on the planet did that design at the time, I mean come on. There is not a single doubt in my mind.
I looked carefully at the PA logo on the headstock and that threw me off a little. They were so meticulously made and polished, that they looked newer than the 40s, but after thinking about it and talking with Todd, that's totally an art deco font he would use.
Didn't get a look at the pickup's interior to see whether it was a blade of pole pieces, though tried. I honestly couldn't see it without a flashlight--should have used my phone. But I did manage to snap a pic--you can see how the bobbin is held together with a green string.
The case is amazing. I'll let a picture speak for itself. Hand hammered copper attached to the case via 100 or more tiny copper nails. Truly stunning work. This guy kept himself busy!
Looking at the guitar very carefully like I did, I walked away pretty convinced that they got the story wrong on this. I won't say too much about that, though.
Anyway, this a 25" scale guitar, with thick horseshoe magnets, a little narrower than the 1 /1/2" Rickenbacher shoes, and they were each stamped with an N (I wonder if that meant "north". If anyone knows anything about this, please chime in). They looked to be hand tooled, but that would be awfully thick steel to bend.
The headstock confused me a little because it looked so much like painted wood. The hand brush strokes were clean, but gave wooden texture to it, which threw me off. I found a bare piece of metal on the top of the headstock, though. And that guitar is solid all the way through.
Though I couldn't see what really lurked under the paint, there is a big enough spot on the top of bare metal that I could see that it had looked like it was cast and polished. Besides, the fretboard and markers really would have to be cast. No one else on the planet did that design at the time, I mean come on. There is not a single doubt in my mind.
I looked carefully at the PA logo on the headstock and that threw me off a little. They were so meticulously made and polished, that they looked newer than the 40s, but after thinking about it and talking with Todd, that's totally an art deco font he would use.
Didn't get a look at the pickup's interior to see whether it was a blade of pole pieces, though tried. I honestly couldn't see it without a flashlight--should have used my phone. But I did manage to snap a pic--you can see how the bobbin is held together with a green string.
The case is amazing. I'll let a picture speak for itself. Hand hammered copper attached to the case via 100 or more tiny copper nails. Truly stunning work. This guy kept himself busy!