Best feature you'd want on your guitar

Instruments, mechanical issues, copedents, techniques, etc.

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Wayne Baker
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Post by Wayne Baker »

Beer dispenser and Chick magnet. Image

Wayne Baker
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David L. Donald
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Post by David L. Donald »

Good adjustable nut roller heights, interchangable pickups and such is real nice
And adjustable knee placement in 3D.

But hands down I would want Carl Dixon's servo controled copedent changing setup.

That on a SD-14 would be the most power for the size and weight I could imagine.
3 completely integrated copedents with just the twist of your volume pedal foot...<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 27 January 2004 at 03:46 AM.]</p></FONT>
RON PRESTON
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Post by RON PRESTON »

Ha...I think some of you fellows need to just "Come on Back".....You are Venturing out just a little TOO FAR for ANYBODY to help you. LOL This place gets pretty Funny at times..I Love it. But, I do like the "String Spool" Idea, Yea, That would be Neat, just "Roll and Tuck"..... Image Yea, I could see me "Spot-Welding" on MY Steel....Ha....I think I'll go "Fry some Ice" Now.... Image
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Jerry Roller
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Post by Jerry Roller »

I'm with Ron on the Emmons Counterforce.
Jerry
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Joe Drivdahl
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Post by Joe Drivdahl »

Frank,
Do you mean like a capo for a steel?

I'd like to have a button or a switch that I could set once my guitar is in perfect tune. Then to retune it, I could just hit the button or flip the switch and BAM! I'm in perfect tune again.

jd

Oh, and a holster for my 44 mag.
Del Mullen
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Post by Del Mullen »

In our defense I do believe that we make a very solid modern halfstop mechanism for our guitars. Mullen owners with a half-stop installed could attest to that.

Thanks David<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Del Mullen on 27 January 2004 at 04:07 PM.]</p></FONT>
David Cobb
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Post by David Cobb »

Del, I think you mean "attest". Image
You'll be alright.
Frank Parish
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Post by Frank Parish »

Joe,
What I'm talking about is an electronic device that would transpose for you to play in any key at whatever fret you wanted to. It seems that would be a doable thing. How about it Keith Hilton or one of you other tech guys out there?
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Jerry Roller
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Post by Jerry Roller »

Frank, I believe that would be a feature for an amp. Have a built in BIAB in the amp with a realtime feature and you got it! Choose your actual playing key and choose the key you want it to come out of the amp in and presto.
Jerry
Frank Parish
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Post by Frank Parish »

Jerry,
Either way would be very cool. Now lets get somebody to build it.
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Charlie Moore
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Post by Charlie Moore »

Auto-pilot!!!!!!!!!!!!!!!!!!!!!!!!!!!
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Eric West
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Post by Eric West »

Brandy.

How 'bout it Bobbe..

EJL
Pee Wee Rogers
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Post by Pee Wee Rogers »

A pre tuned fret board with electronics instead of all the pullers and drop rods.

Like a Guitar/Organ ... use the bar as a point of contact.

When you push the pedal; it would send an electronic signal instead of pulling or pushing a string.

Since there is 100 cents between keys, have that many circuits between frets for the vibrato.

With modern tech in electronics, it could be done.

Nothing to adjust .... and think of how light it would be.

Wishful thinking ... Pee Wee Rogers<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pee Wee Rogers on 29 January 2004 at 04:18 AM.]</p></FONT>
Chippy Wood
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Post by Chippy Wood »

How about installing a tuner into the Pad, I've thought about it once or twice.
Gene Jones
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Post by Gene Jones »

I don't need it now, and haven't for a number of years.....but back then, it would have been nice to have had an automatic power cut-off to my amplifier when I had reached my
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Ray Jenkins
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Post by Ray Jenkins »

<SMALL>When you push the pedal; it would send an electronic signal instead of pulling or pushing a string.</SMALL>
Pee Wee,wouldn't that cause an instant change of the string(s) being raised or lowred,seems you would loose half pedals and be unable to add tension to a sound?
Ray



------------------
Steeling is still legal in Arizona


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Craig A Davidson
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Post by Craig A Davidson »

Along with both necks being on with no tone loss, I would like to send individual signals from either neck, like two output jacks. They could go to two different amps with two different eq's. One for E9th and one for C6th. And a volume control would be nice.

------------------
1985 Emmons push-pull,S-10 Marlin,Evans SE200,Hilton pedal


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richard burton
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Post by richard burton »

A single-coil pickup that doesn't hum.
Jerry Warner
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Post by Jerry Warner »

Mr Del Mullen my half stop on my second string is to mussey it seams could be a little better,I like to really feel that stop is there any thing you could suggest to make it feel a little harder at the half stop.
RON PRESTON
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Post by RON PRESTON »

Pee Wee,
One question, How would you control the "Speed" of the Electonic note? If you have to half pedal a number like "I love you so much, It hurts", which I play SLOW, how would you control the "Pull" of the string or strings in "Time"? Same thing with a "Warp speed" number. If your "Pedal Punching" like the 3 & 5, or, 5 & 6 in a fast scale, same thing...Don't get me wrong, My Friend, I think the idea is a very good one...I have read many past posts about "Servos" and that sort of thing. I do know that bOb, or "Fearless" Mod. Man mentioned it once. I belive Carl Dixon in Gorgia had somewhat of an idea about Electronic "Pulses" that would change the string pitch. Lord, with all the "Smarts" we have on this forum, We all could invent ANYTHING and Patent and start a BIG Co. Image Just curious about how you could "Control" the speed of the pull verses the tempo of the tune.
Good Post, PW....think about it, and ifin it WORKS, I'll "Invest" my "Lottery" winnings.... :rooleyes:
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Bob Snelgrove
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Post by Bob Snelgrove »

My Franklin has the best, solid 1/2 stop I have ever felt. The Franklin also has the neck change switch on the endplate; very easy to change on the fly. The Franklin also has an output for each neck. I like my Franklin Image

bob


Billy Wilson
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Post by Billy Wilson »

Power assist floor pedals BW
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David L. Donald
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Post by David L. Donald »

To reiterate, the servos in Carl Dixons prototype I saw at ISGC could change which bellcranks and axels an individual or multiple pedals/levers would actuate,
while it is in use,
so when you let up a P or L it would do a different pull set the next time you use it.

The servos slide a mechanism with a release which then actuates another set of pulls.

So your' playing A+B in an E9 lick, twist the volume pedal like an old tone volume, and your next pedal and lever combination does a C6 lick.
So you could up pedal A and B then down pedal B and it is pedal 6 Add A and you are in C6 diminished.

Twist the 3rd placement and your in a totally different copedent

You could be playing an E9 lick and add a C6 pair of levers on top of it! And visa versa.

I saw this system working, if not actually installed on a guitar, and it worked smoothly and didn't seem to have any problems.

Essentially you can have the best of all worlds.
1 neck with the widest possible assortment of chords in the smallest space.
And also the posibility of less pulls on any given lever or pedal because they can be dispursed.

I am sure there are decades of copedent changes and logic ideas yet to come for this set up, but I see this as the biggest possible advance for the power of the PSG.

Bravo Carl!
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Chuck McGill
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Post by Chuck McGill »

How about a steel with a gig. All it would
need is a pilot.
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Dale Bessant
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Post by Dale Bessant »

Three push buttons marked....T.W.....P.F....
B.E. and then sit there and watch me fly.......weeeeeeeeeeeeeeee.... Image
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