Best feature you'd want on your guitar
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- Wayne Baker
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- David L. Donald
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Good adjustable nut roller heights, interchangable pickups and such is real nice
And adjustable knee placement in 3D.
But hands down I would want Carl Dixon's servo controled copedent changing setup.
That on a SD-14 would be the most power for the size and weight I could imagine.
3 completely integrated copedents with just the twist of your volume pedal foot...<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 27 January 2004 at 03:46 AM.]</p></FONT>
And adjustable knee placement in 3D.
But hands down I would want Carl Dixon's servo controled copedent changing setup.
That on a SD-14 would be the most power for the size and weight I could imagine.
3 completely integrated copedents with just the twist of your volume pedal foot...<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 27 January 2004 at 03:46 AM.]</p></FONT>
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Ha...I think some of you fellows need to just "Come on Back".....You are Venturing out just a little TOO FAR for ANYBODY to help you. LOL This place gets pretty Funny at times..I Love it. But, I do like the "String Spool" Idea, Yea, That would be Neat, just "Roll and Tuck"..... Yea, I could see me "Spot-Welding" on MY Steel....Ha....I think I'll go "Fry some Ice" Now....
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A pre tuned fret board with electronics instead of all the pullers and drop rods.
Like a Guitar/Organ ... use the bar as a point of contact.
When you push the pedal; it would send an electronic signal instead of pulling or pushing a string.
Since there is 100 cents between keys, have that many circuits between frets for the vibrato.
With modern tech in electronics, it could be done.
Nothing to adjust .... and think of how light it would be.
Wishful thinking ... Pee Wee Rogers<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pee Wee Rogers on 29 January 2004 at 04:18 AM.]</p></FONT>
Like a Guitar/Organ ... use the bar as a point of contact.
When you push the pedal; it would send an electronic signal instead of pulling or pushing a string.
Since there is 100 cents between keys, have that many circuits between frets for the vibrato.
With modern tech in electronics, it could be done.
Nothing to adjust .... and think of how light it would be.
Wishful thinking ... Pee Wee Rogers<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pee Wee Rogers on 29 January 2004 at 04:18 AM.]</p></FONT>
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- Ray Jenkins
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Pee Wee,wouldn't that cause an instant change of the string(s) being raised or lowred,seems you would loose half pedals and be unable to add tension to a sound?<SMALL>When you push the pedal; it would send an electronic signal instead of pulling or pushing a string.</SMALL>
Ray
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Steeling is still legal in Arizona
- Craig A Davidson
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Along with both necks being on with no tone loss, I would like to send individual signals from either neck, like two output jacks. They could go to two different amps with two different eq's. One for E9th and one for C6th. And a volume control would be nice.
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1985 Emmons push-pull,S-10 Marlin,Evans SE200,Hilton pedal
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1985 Emmons push-pull,S-10 Marlin,Evans SE200,Hilton pedal
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Pee Wee,
One question, How would you control the "Speed" of the Electonic note? If you have to half pedal a number like "I love you so much, It hurts", which I play SLOW, how would you control the "Pull" of the string or strings in "Time"? Same thing with a "Warp speed" number. If your "Pedal Punching" like the 3 & 5, or, 5 & 6 in a fast scale, same thing...Don't get me wrong, My Friend, I think the idea is a very good one...I have read many past posts about "Servos" and that sort of thing. I do know that bOb, or "Fearless" Mod. Man mentioned it once. I belive Carl Dixon in Gorgia had somewhat of an idea about Electronic "Pulses" that would change the string pitch. Lord, with all the "Smarts" we have on this forum, We all could invent ANYTHING and Patent and start a BIG Co. Just curious about how you could "Control" the speed of the pull verses the tempo of the tune.
Good Post, PW....think about it, and ifin it WORKS, I'll "Invest" my "Lottery" winnings.... :rooleyes:
One question, How would you control the "Speed" of the Electonic note? If you have to half pedal a number like "I love you so much, It hurts", which I play SLOW, how would you control the "Pull" of the string or strings in "Time"? Same thing with a "Warp speed" number. If your "Pedal Punching" like the 3 & 5, or, 5 & 6 in a fast scale, same thing...Don't get me wrong, My Friend, I think the idea is a very good one...I have read many past posts about "Servos" and that sort of thing. I do know that bOb, or "Fearless" Mod. Man mentioned it once. I belive Carl Dixon in Gorgia had somewhat of an idea about Electronic "Pulses" that would change the string pitch. Lord, with all the "Smarts" we have on this forum, We all could invent ANYTHING and Patent and start a BIG Co. Just curious about how you could "Control" the speed of the pull verses the tempo of the tune.
Good Post, PW....think about it, and ifin it WORKS, I'll "Invest" my "Lottery" winnings.... :rooleyes:
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- David L. Donald
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To reiterate, the servos in Carl Dixons prototype I saw at ISGC could change which bellcranks and axels an individual or multiple pedals/levers would actuate,
while it is in use,
so when you let up a P or L it would do a different pull set the next time you use it.
The servos slide a mechanism with a release which then actuates another set of pulls.
So your' playing A+B in an E9 lick, twist the volume pedal like an old tone volume, and your next pedal and lever combination does a C6 lick.
So you could up pedal A and B then down pedal B and it is pedal 6 Add A and you are in C6 diminished.
Twist the 3rd placement and your in a totally different copedent
You could be playing an E9 lick and add a C6 pair of levers on top of it! And visa versa.
I saw this system working, if not actually installed on a guitar, and it worked smoothly and didn't seem to have any problems.
Essentially you can have the best of all worlds.
1 neck with the widest possible assortment of chords in the smallest space.
And also the posibility of less pulls on any given lever or pedal because they can be dispursed.
I am sure there are decades of copedent changes and logic ideas yet to come for this set up, but I see this as the biggest possible advance for the power of the PSG.
Bravo Carl!
while it is in use,
so when you let up a P or L it would do a different pull set the next time you use it.
The servos slide a mechanism with a release which then actuates another set of pulls.
So your' playing A+B in an E9 lick, twist the volume pedal like an old tone volume, and your next pedal and lever combination does a C6 lick.
So you could up pedal A and B then down pedal B and it is pedal 6 Add A and you are in C6 diminished.
Twist the 3rd placement and your in a totally different copedent
You could be playing an E9 lick and add a C6 pair of levers on top of it! And visa versa.
I saw this system working, if not actually installed on a guitar, and it worked smoothly and didn't seem to have any problems.
Essentially you can have the best of all worlds.
1 neck with the widest possible assortment of chords in the smallest space.
And also the posibility of less pulls on any given lever or pedal because they can be dispursed.
I am sure there are decades of copedent changes and logic ideas yet to come for this set up, but I see this as the biggest possible advance for the power of the PSG.
Bravo Carl!
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