If you had only 1 D-10 forever; What?
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I just want my old ShoBud S-12 with the Emmons pickup back. I miss it more than any of my ex-wives (4 of 'em), girlfriends, or children. The worst mistake I ever made in my life was selling that guitar after I got my Pseudo Emmons (BMI).....I want it back........JH
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Livin' in the Past and the Future with a 12 string Mooney Universal tuning.
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Livin' in the Past and the Future with a 12 string Mooney Universal tuning.
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Ok this is the list so far.
commit Hari-Kari unless it's a universal
Anapeg ?? This is a new one to me.
Derby
Emmons,
Emmons or Fessenden. Hopefully, it doesn't REALLY HAVE TO BE a D-10
Emmons or Williams
Emmons Push Pull.
Emmons push pull
1978 Emmons D-10 8+7
black Emmons Push Pull
6 Emmons D10's !!! or'66 Bolt-ons... Land o Goshen!!
74 Laquer Finish Emmons Push-Pull 8 & 5
A couple more Emmons
Fessenden dispaces PP Emmons
GFI dispalces Push Pull Emmons
b0b's Sierra Session keyless
another agrees with bobby 100%
Sierra Session displaces Williams
S12 8/5 Black MSA Millenium
MSA Millennium!
1977 MSA Classic
two more MSA's
two Little Buddies or really ZB Custom
my Ol'Bud Professional 8/4 ...Yeah Crowbear.
ShoBud S-12 with the Emmons pickup with or without trade-in of children
ShoBud Professional, 8+4 1973
Another Profesional
Zum..laquer.red ,12 on top ext E9 ,10 on bottom C6,9 floors,6 knees,maybe7,or 8
Zum or go back( to a lap steel and a 10 watt amp [ My present rig ] )
ZUMSTEEL!!!
'98 Zumsteel U12
Mullen D-10 but GFI close second.
JCH
Franklin
FRANKLIN!!!!!
Interesting list I hope to see a few more dreams coming on this list
Emmons certainly leads, Sho-Buds holding in there well. Must be "that sound"
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 11 March 2003 at 03:17 AM.]</p></FONT>
commit Hari-Kari unless it's a universal
Anapeg ?? This is a new one to me.
Derby
Emmons,
Emmons or Fessenden. Hopefully, it doesn't REALLY HAVE TO BE a D-10
Emmons or Williams
Emmons Push Pull.
Emmons push pull
1978 Emmons D-10 8+7
black Emmons Push Pull
6 Emmons D10's !!! or'66 Bolt-ons... Land o Goshen!!
74 Laquer Finish Emmons Push-Pull 8 & 5
A couple more Emmons
Fessenden dispaces PP Emmons
GFI dispalces Push Pull Emmons
b0b's Sierra Session keyless
another agrees with bobby 100%
Sierra Session displaces Williams
S12 8/5 Black MSA Millenium
MSA Millennium!
1977 MSA Classic
two more MSA's
two Little Buddies or really ZB Custom
my Ol'Bud Professional 8/4 ...Yeah Crowbear.
ShoBud S-12 with the Emmons pickup with or without trade-in of children
ShoBud Professional, 8+4 1973
Another Profesional
Zum..laquer.red ,12 on top ext E9 ,10 on bottom C6,9 floors,6 knees,maybe7,or 8
Zum or go back( to a lap steel and a 10 watt amp [ My present rig ] )
ZUMSTEEL!!!
'98 Zumsteel U12
Mullen D-10 but GFI close second.
JCH
Franklin
FRANKLIN!!!!!
Interesting list I hope to see a few more dreams coming on this list
Emmons certainly leads, Sho-Buds holding in there well. Must be "that sound"
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 11 March 2003 at 03:17 AM.]</p></FONT>
- David L. Donald
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Ok. What would most likely float my boat indefinitely... (roadie/ serpa porter included)
Custom MSA Millenium, hybrid with a wood top for a more Sho-Bud sound, 10 and 8 most attached to both necks.
Extended U-14 E9/B6 on close neck, Dobro bluegrass tuning on bottom but with minors on a pedal.
And extended C6 12 on far neck.
With compensators, Sierra E lockout, Franklin change, 2 pickups on each neck w/coil taps and blend control for each pair. 3 way eq each neck with swept mids. Stereo out of each pickup pair with pan for each.
Hilton custom stereo pedal, Dobro emulator box.
Avalon stereo tube preamp / compressor /Eq with Lexicon 448 LARC reverb inserted in Avalon w/ midi floor pedal control, into 200 watt tube amp 3 way JBL speakers.
If there are any suggestions for the copedants
This would be interesting to know also!
Something good for playing Thelonious Monk mebe.
Well ?
Custom MSA Millenium, hybrid with a wood top for a more Sho-Bud sound, 10 and 8 most attached to both necks.
Extended U-14 E9/B6 on close neck, Dobro bluegrass tuning on bottom but with minors on a pedal.
And extended C6 12 on far neck.
With compensators, Sierra E lockout, Franklin change, 2 pickups on each neck w/coil taps and blend control for each pair. 3 way eq each neck with swept mids. Stereo out of each pickup pair with pan for each.
Hilton custom stereo pedal, Dobro emulator box.
Avalon stereo tube preamp / compressor /Eq with Lexicon 448 LARC reverb inserted in Avalon w/ midi floor pedal control, into 200 watt tube amp 3 way JBL speakers.
If there are any suggestions for the copedants
This would be interesting to know also!
Something good for playing Thelonious Monk mebe.
Well ?
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well this topic has certainly opened up greatly since the beginning, from current and classic axes to include almost science-fiction dreams of idealized psg's...
I'm gonna stick with the what I thought was the original premises...
if I was stuck with the choice of a single D10 to play for the rest of my life, I would keep my circa 1973 ZB Custom, because in spite of it's vintage mechanical quirks, it has the sound I fell in love with as a youth.
If faced with owning a single PSG for the rest of my life, I would keep my '98 Zumsteel U12, because at the time I researched manufacturers, agonized over tunings, color,fit and finish and the like, I fully expected I was purchasing the one guitar I would play til I die; I made my decision, and nothing but the opportunity to own the ZB and regain a piece of my adolescence (I call it my mid-life-crisis guitar-with some guys it's a red sportscar and a young blonde girlfriend-me it's a piece of furniture with strings) has changed my mind. The Zum is capable of anything I might ever be able to ask of it.
Either guitar MUST be played thru the '68 Twin Reverb with JBL d130f...
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"I AM Z-BOY!"
<small>Zumsteel U12 "Loafer" 8&6 :: ZB Custom D-10 :: Fender Tube Amplification
www.voicenet.com/~vanallen/ :: vanallen@voicenet.com :: www.lasttrainhome.com
I'm gonna stick with the what I thought was the original premises...
if I was stuck with the choice of a single D10 to play for the rest of my life, I would keep my circa 1973 ZB Custom, because in spite of it's vintage mechanical quirks, it has the sound I fell in love with as a youth.
If faced with owning a single PSG for the rest of my life, I would keep my '98 Zumsteel U12, because at the time I researched manufacturers, agonized over tunings, color,fit and finish and the like, I fully expected I was purchasing the one guitar I would play til I die; I made my decision, and nothing but the opportunity to own the ZB and regain a piece of my adolescence (I call it my mid-life-crisis guitar-with some guys it's a red sportscar and a young blonde girlfriend-me it's a piece of furniture with strings) has changed my mind. The Zum is capable of anything I might ever be able to ask of it.
Either guitar MUST be played thru the '68 Twin Reverb with JBL d130f...
------------------
"I AM Z-BOY!"
<small>Zumsteel U12 "Loafer" 8&6 :: ZB Custom D-10 :: Fender Tube Amplification
www.voicenet.com/~vanallen/ :: vanallen@voicenet.com :: www.lasttrainhome.com
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Well, I should apologize to Donald for my silly attempt at humor, and I'll seriously answer the question.
If I could play ONLY one D-10 for now into eternity... and the way our freedoms are being eroded, I wouldn't think that some sort of governmental control over what instruments we play is all THAT far-fetched... I'd play the PP Emmons I own now, a red-belly 1964 guitar, #1264018.
Donald, a "Little Buddy" was possibly the most inexpensive student-type guitar ever made, far flimsier than the worst S~B Maverick, MSA Red Baron, etc. Occasionally you see them on eBay. I pity the man who has to learn on a Little Buddy.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
If I could play ONLY one D-10 for now into eternity... and the way our freedoms are being eroded, I wouldn't think that some sort of governmental control over what instruments we play is all THAT far-fetched... I'd play the PP Emmons I own now, a red-belly 1964 guitar, #1264018.
Donald, a "Little Buddy" was possibly the most inexpensive student-type guitar ever made, far flimsier than the worst S~B Maverick, MSA Red Baron, etc. Occasionally you see them on eBay. I pity the man who has to learn on a Little Buddy.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
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Now that is interesting. I wonder what percentage of the 61% being D-10s are Emmons. My is guess higher.
Hey Herb I think your in the pink if the government clamps down and standardizes PSGs.
I imagine there are several good old boys from the south in the bureau of standards, that think Buddy Emmons is a demi-god, so your steels are safe to use for a long time
Dave Van Allan. On my proposed ideal set up, I was basically looking to have the best possible sound for recording/playing, and the most potential flexability for the instrument. Since this is forever. Garbage in Garbage out.
If I were to record a truely supurb instrument, it needs to have the full sound chain at the same level of quality as the instrument. I look at the instrument and ALL it's system components as a whole.
But 1st of course is the nut behind the wheel.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 28 February 2003 at 02:18 PM.]</p></FONT>
Hey Herb I think your in the pink if the government clamps down and standardizes PSGs.
I imagine there are several good old boys from the south in the bureau of standards, that think Buddy Emmons is a demi-god, so your steels are safe to use for a long time
Dave Van Allan. On my proposed ideal set up, I was basically looking to have the best possible sound for recording/playing, and the most potential flexability for the instrument. Since this is forever. Garbage in Garbage out.
If I were to record a truely supurb instrument, it needs to have the full sound chain at the same level of quality as the instrument. I look at the instrument and ALL it's system components as a whole.
But 1st of course is the nut behind the wheel.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 28 February 2003 at 02:18 PM.]</p></FONT>
- David L. Donald
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Well this has petered out, unless this bump jars a few more from under their rocks... LOL
Emmons leads Hands down, with a smattering of Universals, A good Sho-Bud crowd and a good crossection of modern steels.
Quite enlightening, thanks folks. Next year I have to get to a convention and get my paws on an old Emmons just see what the buzz is about.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 10 March 2003 at 03:00 PM.]</p></FONT>
Emmons leads Hands down, with a smattering of Universals, A good Sho-Bud crowd and a good crossection of modern steels.
Quite enlightening, thanks folks. Next year I have to get to a convention and get my paws on an old Emmons just see what the buzz is about.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 10 March 2003 at 03:00 PM.]</p></FONT>