Really?
I'd imagined using the right foot for A only and left foot (much m accustomed to using the pedals) would take B and C
Buddy Emmons on Drivin' Nails
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- Henry Matthews
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I may have done it wrong Lane but was easier for me to just pump C pedal with left foot and since B strings already pulled up with A and B with right foot. Sounds right as best as I could tell but I would never use that. To me takes more practice having volume right before I take my foot off volume pedal, LOL.
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Johnny Cox has an E-F#-only raise on his pedal 9, if I recall correctly.
I would put it on pedal 7 (shared with C6 of course) with an 8 pedal guitar.
I would put it on pedal 7 (shared with C6 of course) with an 8 pedal guitar.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Definitely using the C pedal with the right foot. You can tell by the way his body is shifting when he moves his foot over. That's a typical Ralph Mooney type of lick. Mooney always used his right foot on the C pedal – I think it only raised the E string on his steel and was positioned closer to his right foot.