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Posted: 7 Apr 2012 4:30 pm
by Jerry Overstreet
Good advice from b0b and Bob H. While I won't argue about the minute differences where string and bar alloys are concerned, just let me say I have nearly always used stainless strings with an assortment of stainless and chrome plated bars.
I think you will find that technique, as in the posts to which I alluded, will minimize the effect you describe most effectively.
Posted: 7 Apr 2012 7:22 pm
by b0b
I agree with Bob Hoffnar on this. I've never found a difference in string alloys making a difference in the amount of noise. Noise comes from not controlling your strings well enough.
Remember is that you only need pressure on the strings that are sounding. If you're applying pressure across the whole bar when playing the plain strings, you're increasing the noise from the wound stings.
Posted: 14 Apr 2012 9:24 am
by Niels Andrews
I have just been dealing with this little nuance, string noise. The more I learn the more little problems I run into. This is a very challenging instrument, but the answer is usually I am the problem. If it was not for this forum I would have given up trying to tame it again. Thanks guys!
Posted: 14 Apr 2012 11:36 am
by Bent Romnes
I had a 15/16" bar made from 17PH stainless with a surface finish somewhat smoother than industrial chrome.
I love it and will stick with it.
Posted: 19 Apr 2012 7:42 am
by Bob Mainwaring
Rick, I don't know if you've ever heard of Solvol Autosol, but it comes in a tube about the size of a large tube of toothpaste.
It's an excellent source of polishing substance for any type of metal, and brings it to a "great" shine especially brass, stainless and chrome plated-steel.
You'll probably find it in any motorcycle parts store.
All Z.B.est.
Bob Mainwaring