How would you rate yourself as a Steel Player?
Moderator: Shoshanah Marohn
- Rick Schmidt
- Posts: 3258
- Joined: 4 Aug 1998 11:00 pm
- Location: Prescott AZ, USA
- John DeBoalt
- Posts: 230
- Joined: 8 Apr 2000 12:01 am
- Location: Harrisville New York USA
Better than some, not as good as many. Been at it about 10 years, and really got a late start as I was in my 50's. I know I should be more disciplined, but I have trouble merging the hard work part with the fun part, and end up opting for the fun part most of the time. John
Equipment: Carter D10, Zum Stage1,
Wechter Scheernhorn Reso, Deneve Reso, Fender Jazzmaster, Martin D16, Walker Stereo Steel amp, TC Electronics M One effects unit, JBL 15" speaker cabs,Peavey Nashville 1000,Peavey Revoloution 112, Morrell Lap Steel, Boss DD3 delay,others
Wechter Scheernhorn Reso, Deneve Reso, Fender Jazzmaster, Martin D16, Walker Stereo Steel amp, TC Electronics M One effects unit, JBL 15" speaker cabs,Peavey Nashville 1000,Peavey Revoloution 112, Morrell Lap Steel, Boss DD3 delay,others
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OK for the freeby fundraisers we do. Sometimes I nail it and sometimes I blow it. Trouble is, I get impulsive and try to improvise something I never did before right in the middle of a break. Sometimes it works! But when it doesn't, it's BAD. But then, since there's not another steel player within a million or so miles from here, I got the job!
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- James Marlowe
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- Location: Florida, USA
- Stan Paxton
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- Location: 1/2 & 1/2 Florida and Tenn, USA (old Missouri boy gone South)
Bill, as an ole' country boy from Missouri, I feel like I have come a long ways. Started way too late in life to learn the steel. I think I can play enough to get by is about all, when backing a singer; never was a good instrumentalist .
Mullen Lacquer SD 10, 3 & 5; Mullen Mica S 10 1/2 pad, 3 & 5; BJS Bars; LTD400, Nashville 112, DD-3, RV-3, Hilton VP . -- Gold Tone PBS sq neck; Wechter Scheerhorn sq neck. -- "Experience is the thing you have left when everything else is gone." -anon.-
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- Joined: 9 Jul 2005 12:01 am
- Location: Phenix City Alabama, USA
Ask any picker that knows me they will tell you ,he can't play worth a damn. BUT the non-musicians that comes in the clubs and PAY to hear me,they think I'm great. Really that's all that matters to me. If there is a hot picker in the crowd watching me I could'nt care less. The way I look at it I'm getting PAID to be there, He's PAYING to be there. YOU BETCHA,DYK?BC.
Hard headed, opinionated old geezer. BAMA CHARLIE. GOD BLESS AMERICA. ANIMAL RIGHTS ACTIVIST. SUPPORT LIVE MUSIC !
- John Davis
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- Barry Blackwood
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- Kenny Martin
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- Location: Nashville,Tn. USA
I have my good and bads days and I think that's normal. I can't and never could just walk in and start out hot. I have to warm up a little to get the fingers loosened up. I try to play the melody on everything unless there's two rides and then the second one is just off the top of my head. Still learning like everybody and after 27 years I can tune the thing correctly. I wish my playing was a little cleaner on the fast stuff but my slow is adequate. At this point I want to practice a little more but have a planned rehearsal so I'm not just doodling. I'm hanging in there OK and hope I can until I'm deader than dirt!
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- Posts: 507
- Joined: 20 Sep 2007 10:57 am
- Location: Saskatchewan, Canada
After 30 plus years I know I've barely scratched the surface of the knowledge on this incredible instrament. I love being under pressure to play on the spot, but in doing a recent recording session I was lucky to get a rough draft of the material so I could work out parts and ideas. This way I could find ways to use my two licks that I know in many different ways!!
Terry
Terry
- Trevor Fagan
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- Fred Shannon
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Hey Bill,
Good thread. A little self-evaluation once in a while is good....naw I still stink! Like another thread was talking about I just spray a little Febreeze once in a while to hold down the smell. But, hey, I enjoy it so good for me, right? And it puts me into a position to get to play bass once in a while which I am a little better at!
Jim in Missouri
Good thread. A little self-evaluation once in a while is good....naw I still stink! Like another thread was talking about I just spray a little Febreeze once in a while to hold down the smell. But, hey, I enjoy it so good for me, right? And it puts me into a position to get to play bass once in a while which I am a little better at!
Jim in Missouri
Musicians have to play.....They really have no choice
- Clete Ritta
- Posts: 2005
- Joined: 5 Jun 2009 6:58 pm
- Location: San Antonio, Texas
Three years ago as a rank beginner I was a level 1.
Two years ago I was a level 2, but at least playing in front of a crowd and recording periodically.
A year ago, after taking some lessons, I think I'm about a level 3.
At this rate, I aspire to be an average level 5 by 2012.
This may be where my ability levels off, but I'll be nearly twice as good as I am now!
Seriously though,
The more I play it, the more fun it is to play!
Happy New Year to All.
Clete
Two years ago I was a level 2, but at least playing in front of a crowd and recording periodically.
A year ago, after taking some lessons, I think I'm about a level 3.
At this rate, I aspire to be an average level 5 by 2012.
This may be where my ability levels off, but I'll be nearly twice as good as I am now!
Seriously though,
The more I play it, the more fun it is to play!
Happy New Year to All.
Clete
- Glenn Thompson
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- Mark van Allen
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- Jay Jessup
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Brett, I differ with you to this extent. If a player is a hobbyist, just playing for his own enjoyment or casual goofing off with a few of his buddies, then having fun is the only criteria to use.Brett Day wrote:...As steel players, we shouldn't worry about our pickin' speed or how well or not so well we play. We just need to have fun with our music, do the best we can, and not worry about our mistakes.
Brett
But if a player wants to improve regularly and not by accidental epiphany, especially one who wants to get to the point where he's hireable and join the competitive ranks of professional musicians..., well, in that case, being concerned about how well he plays should be of primary interest.
Making mistakes need not be worried about, per se, but rather acknowledged and focused upon. This is because it's from our mistakes that we grow; we don't pay attention to our successes; rather, we learn from our mistakes and our failures.
When we were in school and got a "96" on a test, did we afterwards reread the 96 questions we got right and congratulate ourselves, or did we concentrate on the 4 we answered incorrectly? In the same way, a flub or clam should be recognized, remembered, and analyzed as to why it occurred, with honest self-evaluation.
I'm not suggesting that this can't be "fun." To me, achieving something I previously couldn't do, or when the light bulb finally clicks "on," is more than fun. It's pleasure.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?