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Posted: 11 Feb 2009 9:02 pm
by Rich Peterson
You sit virtually motionless, so there's little visual interest. And you stare at your bar hand, with no eye contact with the audience. People think you are part of the furniture.
Watch a Joe Wright video.
Posted: 11 Feb 2009 9:21 pm
by Mike Shefrin
One way to make your steel look totally cool would be to install a puppet house on top of it.
Posted: 12 Feb 2009 3:54 am
by Mike Perlowin
We could have the front aprons painted with designs like these:
Posted: 12 Feb 2009 5:40 am
by Bill Ford
chas smith,
As of right now my friend, you have the top spot for having PSG "COOL"
Mike...I loaned my PSG to a friend to do a part in the movie "Buster and Billie" they hung a curtain on it to hide the pedals.
Bill
Posted: 12 Feb 2009 5:58 am
by Les Green
Nothing on the bandstand looks better than a D10 with about 8 and 6!
Posted: 12 Feb 2009 6:18 am
by Jim Cohen
I like the puppet-house idea. When the curtain opens, voila! it reveals the man behind the curtain who has been making all those cool and dreamy sounds. Imagine the mystery of it all! The mystique! The ladies will faint! Oh, shiver!
Posted: 12 Feb 2009 6:58 am
by Hook Moore
Sittin' behind David Wright's guitar here. How much more cool than those flames could you get !!
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Posted: 12 Feb 2009 7:02 am
by Herb Steiner
Jimbeaux
If you had two groupies on each arm, they'd more than likely be tattoos.
Cya in Big D, dudely!
Posted: 12 Feb 2009 7:03 am
by Mike Shefrin
Of course another option instead of making your steel look cooler is to make yourself look more cool. Animal heads are ideal for this purpose
(or porpoise).
Hmmm, that guy sure looks familiar, doesn't he, Jim.
Posted: 12 Feb 2009 7:44 am
by Tony Palmer
OK, now we're talking!
I knew there were some more ways to make the steel look cool!
In a pinch, some good airbrush painting will do the trick for me.
At least we have a blank canvas to work on.
p.s. Chuck, they have the internet in Florida too!
Posted: 12 Feb 2009 9:22 am
by Rich Peterson
You could have all the metal parts anodized black. And, if you wanted to go Goth, finish the wood in black, with skulls across the apron.
Or put a translucent panel between the legs with LEDs behind it. A modernized Grand Letar.
Or put metal channels across the top and bottom of the apron, and slide in different vinyl panels appropriate to the gig.
I'd like to see a lady steeler with a "Hello Kitty" instrument.
Actually, I think the PSG looks pretty cool in its natural glory. Clean simple lines, form follows function, pure elegance. But more necks, more strings, more pedals and levers help. Maybe two-tiered pedals like Vance Terry and Al Petty had.
Maybe I better figure out the S10 5X5 first.
Posted: 12 Feb 2009 1:16 pm
by George Crowder
Hey Tony, over in the instruments for sale section, look at Don Fullmer's Carter S12 with the airbrushed picture on the front apron. Now that's a cool steel.
Posted: 12 Feb 2009 1:39 pm
by Herb Steiner
"'Cool is as cool does' that's what wise men say.
If you would be cool, then choose another axe to play."
Steel guitar will become more "cool" when more "cool" players get recognized by those who determine what is "cool." That would be 1. young people, 2. black folks, 3. hipsters.
Santo and Johnny were the Dick Continos of the steel guitar. "Sleepwalk" is to steel as "Lady of Spain" is to accordion and "Orange Blossom" is to fiddle.
Buddy Emmons got 5 stars from Down Beat magazine for Steel Guitar Jazz. Buddy also was Ray Charles' steel player of choice, so's he's automatically cool. And he played with Danny Gatton.
Sneaky Pete was automatically cool also, for being the most iconoclastic player of his generation and playing with monster stars on huge records.
Jerry Garcia made steel guitar "cool." Buddy Cage helped. Currently Robert Randolph is the coolest thing to happen to steel guitar, in my lifetime anyway.
Posted: 12 Feb 2009 2:18 pm
by chas smith
And, if you wanted to go Goth, finish the wood in black, with skulls across the apron.
Posted: 12 Feb 2009 2:30 pm
by Cliff Kane
Rich Peterson wrote:You could have all the metal parts anodized black. And, if you wanted to go Goth, finish the wood in black, with skulls across the apron.
.
A Franklin would be a good candidate for this: it already has spider webs on the fretboard.
As for cool: doesn't Chuck Berry play a Fender 400 at the end of the movie, "Hail Hail Rock and Roll"?
Posted: 12 Feb 2009 3:07 pm
by Ken Metcalf
Pay no attention to the man behind the curtain..
I thing it would be good to start making big fiberglass wrap around looking like 55-57 Chevy.
Then add steering wheel and shifter, turn blinkers to control pedals and levers.
Sparks and smoke coming out the drag pipes
Posted: 12 Feb 2009 3:53 pm
by b0b
Black is cool. It sounds best, too.
Posted: 12 Feb 2009 4:36 pm
by Skip Edwards
Dick Contino...great reference, Herb. I got it...
Posted: 12 Feb 2009 6:19 pm
by Terje Brattsveen
If you can't find a Fender, check this out:
www.harmosmusic.com.
Posted: 12 Feb 2009 7:00 pm
by John Lemieux
Dont stop this is getting good
Posted: 13 Feb 2009 7:55 am
by chris ivey
ken...yeah, you could have a stage race against paul revere (annd the raiders) keyboard of the same concept!
Posted: 13 Feb 2009 10:14 am
by Tony Palmer
I like the idea of fiberglass.....unlimited possibilities.
Posted: 13 Feb 2009 10:58 am
by Mike Shefrin
This is the front of a Jaguar XKSS on a Carter steel.
You could turn on the headlights to spot the nice looking chicks on the dance floor. I think an added windshield might also look nice, and would offer protection from thrown objects when playing in a rowdy bar.
Tony,
All kidding aside, I just listened to the clips on your website. You sounded real good on the steel.
Posted: 13 Feb 2009 7:14 pm
by Donny Hinson
Herb Steiner wrote:"'Cool is as cool does' that's what wise men say.
If you would be cool, then choose another axe to play."
Steel guitar will become more "cool" when more "cool" players get recognized by those who determine what is "cool." That would be 1. young people, 2. black folks, 3. hipsters.
Santo and Johnny were the Dick Continos of the steel guitar. "Sleepwalk" is to steel as "Lady of Spain" is to accordion and "Orange Blossom" is to fiddle.
Buddy Emmons got 5 stars from Down Beat magazine for Steel Guitar Jazz. Buddy also was Ray Charles' steel player of choice, so's he's automatically cool. And he played with Danny Gatton.
Sneaky Pete was automatically cool also, for being the most iconoclastic player of his generation and playing with monster stars on huge records.
Jerry Garcia made steel guitar "cool." Buddy Cage helped. Currently Robert Randolph is the coolest thing to happen to steel guitar, in my lifetime anyway.
I wish I'd said all that.
Posted: 13 Feb 2009 7:54 pm
by Glen Derksen
Has anyone ever built an art-deco steel? That would look neat.