I think using every tool we can to train the brain, in a multi-disciplinary approach, gives us the most to draw from.
For instance just a few areas where Tab can be a big help:
- New players who just haven't developed their ear enough to pick out all the nuances of a performance.
- Intermediate players who are developing their ear, and want to check their take on a tune against the tab notation to verify.
- For quickly jotting down ideas in a lesson or jam session- much quicker sometimes than "show me that lick 7 or 8 times..."
- For material like scales, slants, and patterns- using Tab or diagrams can often hit an entirely different part of our brain with a visual pattern that's not immediatley apparent. Many players improvise using "pockets" that show up very well in Tab or diagram form.
- Revealing an alternate place to play something one figured out "by ear". I learned a lot about both John Hughey's playing and my own ear by comparing Tommy White's fine Tab from his CD to what I had figured out- including a few spots where I would have notated it differently than Tommy did, but especially some subtleties and nuances that I just hadn't heard the same. The insight into the Hughey style was really profound and helpful. (I will say those are much more detailed tabs than most).
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