That must have been the perfect country sound system.Don R Brown wrote:And to top it off, I bet he never even called you by your name, Tony!
Band is too Loud!!
Moderator: Shoshanah Marohn
- Fred Treece
- Posts: 3920
- Joined: 29 Dec 2015 3:15 pm
- Location: California, USA
Roger, if you took my response as "snotty" that's your problem.Mr Sliff, with his snotty and patronising response, is missing the point.
You posted something as fact that simply *isn't*. If are offended at being corrected maybe you should have done some fact checking before making such a statement of "fact".
Anecdotal "evidence" of standing near bass drums isn't backed by anything in documented history of percussion instruments nor sound engineering training regimen. OTOH if there's a study in acoustics or sound support that includes "standing near a bass drum" as part of the technical analysis I'd love to read it.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
- Fred Treece
- Posts: 3920
- Joined: 29 Dec 2015 3:15 pm
- Location: California, USA
Roger’s comment was literally about drum sounds “filling a roomâ€, which is exactly what a larger kick drum does better than a small one, albeit also at a lower frequency. Jim sounds like he does have some science at work in his comments, and I am only qualified to say that maybe he simply misunderstood what Roger was saying. I hope I’m not contributing to the facebooking of an otherwise civilized and good natured thread.
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
Nice of you to stick up for me, Fred. I rather suspect that Mr Sliff adopts this somewhat lofty tone habitually.
I've had two 'private messages' commending me for my first response, both from California. Rightly or wrongly I'm drawing certain conclusions.
I've had two 'private messages' commending me for my first response, both from California. Rightly or wrongly I'm drawing certain conclusions.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Fred, I appreciate your comment - but Roger specifically stated "that's why bass drums are that big to start with..." (italics mine). And they neither " fill a room" sonically nor are they "big" in order to achieve that goal.
It would also be impossible to make that determination from "60 years of standing next to drummers" - and not out in the house, which is what the sound would have to "fill".
Since I'm obviously well acquainted with all 39 million California residents, Roger, please tell the two that are your buddies that I said hi.
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It would also be impossible to make that determination from "60 years of standing next to drummers" - and not out in the house, which is what the sound would have to "fill".
If refuting those anecdotes with factual statements from the world of acoustics means my comments are "lofty" I plead guilty. I guess my stating facts must be also why Roger obviously has a personal problem with me.I rather suspect that Mr Sliff adopts this somewhat lofty tone habitually.
I've had two 'private messages' commending me for my first response, both from California. Rightly or wrongly I'm drawing certain conclusions.
Since I'm obviously well acquainted with all 39 million California residents, Roger, please tell the two that are your buddies that I said hi.
[/quote]
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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- Posts: 914
- Joined: 4 Nov 2012 8:49 am
- Location: Los Angeles
Pretty much standard attitude from this poster. He is coming from the vantage point of everyone being an idiot except, of course, him.Roger Rettig wrote:Mr Sliff, with his snotty and patronising response, is missing the point.
THAT's the point!!Fred Treece wrote:Roger’s comment was literally about drum sounds “filling a roomâ€, which is exactly what a larger kick drum does better than a small one, albeit also at a lower frequency.
Precisely!Roger Rettig wrote:I rather suspect that Mr Sliff adopts this somewhat lofty tone habitually.
Emmons & Peavey
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
- Barry Blackwood
- Posts: 7352
- Joined: 20 Apr 2005 12:01 am