Hal Rugg & The Osborne Brothers
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- Jeff Bradshaw
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- Location: Leslieville, Alberta - Canada
Hal Rugg & The Osborne Brothers
I recently picked up the "Osborne Brothers : 1968 - 1974" Bear Family Box Set, the steel playing is done by Hal Rugg and is some of the finest country steel that can be found on any recording. I highly recomend this "set" for those who love country steel guitar. Best regards. ..jeff bradshaw
- Stu Schulman
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Jeff,I'm glad that you posted this.we have a radio show up here on Sun.afternoon and they play old stuff,this past Sun. they played "Rocky Top" by the Osborne Bros.Hal Rugg....what can you say? WOW!
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
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The Osbornes were definitely trendsetters although they regularly took criticism from both sides (Bluegrass purists claimed they were too country and country purists dismissed them as "too Bluegrassy".)There is no denying however that Hal's playing was superb, regardless of how you viewed the Osborne's music..... I remember purchasing an album in the early '70's by a version of "J.D. Crowe and the Kentucky Mountain Boys" which featured the Rice brothers, Tony on guitar and Larry on mandolin. Where there should have been mandolin breaks however, there were pedal steel solos in their place (played by Doug Jernigan I believe)so evidently someone thought the Osborne Brothers idea of adding steel and drums to Bluegrass had merit.
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Hal Rugg & The Osborne Brothers
In the early 70's I had the chance to have a couple of long conversations with Sonny Osborne, the banjo player of the group, and the more approachable one as well. I was deep into a banjo phase and we talked about sources for new ideas with the instrument. He was a real experimenter, at one time even adding another lower string to the instrument, which can be heard on the "Up to Date...." album. At that time, banjo playing was dominated by either Scruggs style or by the newer "melodic / chromatic" style which was often little more than unending descending scales. Sonny's take was interesting. He said that he looked mostly to pedal steel for inspiration, especially after having such great success with their recordings. The Osbornes caught a lot of flack, but their talented vocal harmonies and musical arrangements were not like any one else, and not really within reach of anyone else.
Dennis
Dennis
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Dennis, you're right about the Osborne's harmony. With Bobby singing a high lead, and Sonny (one of the best baritones in bluegrass), the third part, sung by Red Allen, Ronnie Reno, Dale Sledd, and so many more, was free to bend, emulating the pedal steel sound. Gotta remember too, that during the time the Osbornes, Jim and Jesse, and a few more were using pedal steel on records, was because country stations were beginning to avoid bluegrass music, and get rid of the "hick" image. Sonny and Bobby had pretty good success, but a lot of folks went hungry.
Off the subject a little, for some great bluegrass pedal steel, check out Doug Jernigan's work with J.D. Crowe, especially when Keith Whitley was in the band. ASTOUNDING!!!
Off the subject a little, for some great bluegrass pedal steel, check out Doug Jernigan's work with J.D. Crowe, especially when Keith Whitley was in the band. ASTOUNDING!!!