Who is the steeler with Linda Ronstadt- 1974
Moderator: Shoshanah Marohn
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I have been reminded that the topic is still running so I’ll say again that it’s me, my hands, my shirt, my solo, and of course, the Blade.
I was told prior to my first reply that the date was at the Tennessee State Prison so my mentioning working a few times with Linda in California was just to imply that it was one of several times I had the pleasure of working with her.
I moved from L.A. back to Nashville in early 1974 and received a call for the prison date a few months after the move.
The shot that should remove all doubt is about a third of the way into another song Linda sang on the show called, “Love Has No Pride.” Those of you familiar with my profile would recognize that nose anywhere.
Nuff said…
I was told prior to my first reply that the date was at the Tennessee State Prison so my mentioning working a few times with Linda in California was just to imply that it was one of several times I had the pleasure of working with her.
I moved from L.A. back to Nashville in early 1974 and received a call for the prison date a few months after the move.
The shot that should remove all doubt is about a third of the way into another song Linda sang on the show called, “Love Has No Pride.” Those of you familiar with my profile would recognize that nose anywhere.
Nuff said…
- Doug Beaumier
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I'll cetainly go with Buddy's response. I think that settles it.
As promised, though - here's Bob's email to me:
"Jim:
Well, I'm still relatively sure the steel player was Myrick, and I'm
ABSOLUTELY sure first, that the drummer was not John Ware, and second,
that
it WAS Kenny Buttrey.
Oh well, I was just there at the time... unless somebody contends that
someone else was playing the white Tele..."
And as promised, I WILL give him a hard time.
I hope those who jumped on the bandwagon thinking I was arguing the point will review things and maybe "get it". If not - oh, well, not my problem.
As promised, though - here's Bob's email to me:
"Jim:
Well, I'm still relatively sure the steel player was Myrick, and I'm
ABSOLUTELY sure first, that the drummer was not John Ware, and second,
that
it WAS Kenny Buttrey.
Oh well, I was just there at the time... unless somebody contends that
someone else was playing the white Tele..."
And as promised, I WILL give him a hard time.
I hope those who jumped on the bandwagon thinking I was arguing the point will review things and maybe "get it". If not - oh, well, not my problem.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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- Stu Schulman
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Jim,next time that you see Bob punch him on the side of his neck!....It's a joke,don't hit him.
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
Doug - please go back and read the posts - I promised to post Bob's response no matter what was going on, just so everyone could understand the info was NOT coming from me. It was irrelevant that Buddy had clearly shown it was him just a few post ago by finally saying clearly and without a doubt that it was him (before that I was giving Bob a fair shot, and some things Buddy said WERE unclear, no matter how much hero-worship people want to lump on the discussion) - I was being fair to *everyone* by posting Bob's last message, which was sent BEFORE Buddy's post!
Stu - Darned right I won't HIT him - he's a flippin' lawyer!
However, the verbal abuse will be too wonderful for words.....
Stu - Darned right I won't HIT him - he's a flippin' lawyer!
However, the verbal abuse will be too wonderful for words.....
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
- Dave Zirbel
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- Chet Wilcox
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Linda Ronstad 1974
It is Buddy Emmons
- David Doggett
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Here's where attitude, language, overblown analysis, and putting words in people's mouths took this thread downhill. Nobody used the "L word" before this. It was considered simply a difference of memories. And not everyone was basing their case on the videos. At least one person was there, Buddy. Granted his irrelevant California remark did confuse the issue temporarily. A little more civil approach would have gotten us to the same point of agreement without the irritating defensiveness and rancor.Jim Sliff wrote:I guess all the Buddy-voters are saying Warford is a liar because their view of the brief apearances during the video make them more qualified sources than someone who played on that gig and several others with THAT group of musicians.
Well, it was an interesting train wreck to watch while it lasted. Let's move on and try to learn the lesson on civility.
- Chris Schlotzhauer
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- Mike Perlowin
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Post script to this whole thread.
In 1964, 10 year earlier, when Linda was just another local girl singer with dreams or becoming a star, she dated a fellow named Mike Bass, with whom I and amother fellow shared an apartment for a few months.
One day I accidentally walked in on them at the wrong moment, and saw her naked.
One day I accidentally walked in on them at the wrong moment, and saw her naked.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
- Earnest Bovine
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Re: Post script to this whole thread.
How can anybody claim that drugs don't stimulate the creative imagination?Mike Perlowin wrote:In 1964, 10 year earlier, when Linda was just another local girl singer with dreams or becoming a star, she dated a fellow named Mike Bass, with whom I and amother fellow shared an apartment for a few months.
One day I accidentally walked in on them at the wrong moment, and saw her naked.
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I just wanted to read that again...and again...One day I accidentally walked in on them at the wrong moment, and saw her naked.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
I don't know if this counts, but one time we were opening for the Sweethearts of the Rodeo, and we didn't have anywhere to change, so parked beside their bus, I got out and did it right there in the parking lot.
I think they saw me naked.
I was hoping, anyhow.
Oh, and I think it was Buddy Emmons..
FHLE
I think they saw me naked.
I was hoping, anyhow.
Oh, and I think it was Buddy Emmons..
FHLE
- Dave Zirbel
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Ernest
Perlowin speaks the truth.
In fact, in 1968 I was over at Mike Bass's house in Venice listening to the then-new country album by Jerry Lee Lewis with the John D. Loudermilk song "Break My Mind" playing, and he said "that'd be a good song for Linda."
At the next rehearsal, I told Linda about Mike's suggestion, and she said "hmmm... cool song." So we worked it up, and I think Linda recorded it on one of her early albums.
Perlowin speaks the truth.
In fact, in 1968 I was over at Mike Bass's house in Venice listening to the then-new country album by Jerry Lee Lewis with the John D. Loudermilk song "Break My Mind" playing, and he said "that'd be a good song for Linda."
At the next rehearsal, I told Linda about Mike's suggestion, and she said "hmmm... cool song." So we worked it up, and I think Linda recorded it on one of her early albums.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Herb - Yep, and Clarence White plays a hellacious bender break on it!
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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Re: Who is the steeler with Linda Ronstadt- 1974
Wow! What a great clip! Who is that steel player?Dave Zirbel wrote:He's playing an Emmons and sounds great.
http://www.youtube.com/watch?v=f4B92a5D ... ed&search=
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