It's the Melody
Moderators: Dave Mudgett, Janice Brooks
- David L. Donald
- Posts: 13696
- Joined: 17 Feb 2003 1:01 am
- Location: Koh Samui Island, Thailand
- Contact:
Since I have heard 'Satisfaction':
Played on 3 continenents
in dozens of countries,
by the nationals of even more countries,
many who have english as a second language
I have even heard the Boston Pops with Arthur Fiedler
do a version.
And this over a full 40 years of the song's life,
so far.
There must be something pretty 'good' about this tune.
It crosses cultures, and time, better than most songs,
and is a 'standard' for most any young band to try.
Played on 3 continenents
in dozens of countries,
by the nationals of even more countries,
many who have english as a second language
I have even heard the Boston Pops with Arthur Fiedler
do a version.
And this over a full 40 years of the song's life,
so far.
There must be something pretty 'good' about this tune.
It crosses cultures, and time, better than most songs,
and is a 'standard' for most any young band to try.
DLD, Chili farmer. Plus bananas and papaya too.
Real happiness has no strings attached.
But pedal steels have many!
Real happiness has no strings attached.
But pedal steels have many!
-
- Posts: 21192
- Joined: 16 Feb 1999 1:01 am
- Location: Glen Burnie, Md. U.S.A.
Well, it's simple (the song, that is), and stylistically memorable. Artistically, though, it doesn't do much for me - just repetitive shouting of mindless lyrics. Even Otis Redding's version was disappointing...more shouting than singing, and more energy than soulful content.There must be something pretty 'good' about this tune.
I haven't been "blessed" with hearing Authur Fiedler's version; not yet, and that's probably a good thing.
- Bo Borland
- Posts: 3947
- Joined: 20 Dec 1999 1:01 am
- Location: South Jersey -
- Contact:
I am sad to admit, or to even think, that I fit into the age bracket previously mentioned of the "typical" pedal steel player.
But I consider the country music out today to be evolutionary and it's still my music, music that I can relate to.
I'll never say it's all good or bad only that I either like it or not.. but that won't stop me from playing it... all of it , if it gets me work and out of the house.
I grew up on doowop & RnR of the late 50's, major influences in the 60's by R&B, Motown, James Brown and all music of the British invasion of the mid 60's, the great classic rock of the late 60's & 70's thru the 80's... I played country rock, the country standards, I still might if I could make some bread doing it, and now I play what the crowds want to hear & dance to up here where I live which is not any different than anywhere else in the USA.
I think that some of the steelers that place value judgments on the new music and pine away for the standards of the past maybe just can't relate to it and want to live in the musical past.
But I consider the country music out today to be evolutionary and it's still my music, music that I can relate to.
I'll never say it's all good or bad only that I either like it or not.. but that won't stop me from playing it... all of it , if it gets me work and out of the house.
I grew up on doowop & RnR of the late 50's, major influences in the 60's by R&B, Motown, James Brown and all music of the British invasion of the mid 60's, the great classic rock of the late 60's & 70's thru the 80's... I played country rock, the country standards, I still might if I could make some bread doing it, and now I play what the crowds want to hear & dance to up here where I live which is not any different than anywhere else in the USA.
I think that some of the steelers that place value judgments on the new music and pine away for the standards of the past maybe just can't relate to it and want to live in the musical past.
Bo Borland
Rittenberry SD10 , Derby D-10, Quilter TT12, Peavey Session 400 w/ JBL, NV112, Fender Blues Jr. , 1974 Dobro 60N squareneck, Rickenbacher NS lapsteel, 1973 Telecaster Thinline, 1979 blonde/black Frankenstrat
Currently picking with
Mason Dixon Band masondixonband.net
Rittenberry SD10 , Derby D-10, Quilter TT12, Peavey Session 400 w/ JBL, NV112, Fender Blues Jr. , 1974 Dobro 60N squareneck, Rickenbacher NS lapsteel, 1973 Telecaster Thinline, 1979 blonde/black Frankenstrat
Currently picking with
Mason Dixon Band masondixonband.net
- David L. Donald
- Posts: 13696
- Joined: 17 Feb 2003 1:01 am
- Location: Koh Samui Island, Thailand
- Contact:
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
Me too. I guess that's the point of this post... The melody is no longer as important as the beat, the rhythm, the groove.now I play what the crowds want to hear & dance to up here
Last edited by Doug Beaumier on 18 Jun 2007 9:28 pm, edited 2 times in total.
- David L. Donald
- Posts: 13696
- Joined: 17 Feb 2003 1:01 am
- Location: Koh Samui Island, Thailand
- Contact:
-
- Posts: 21192
- Joined: 16 Feb 1999 1:01 am
- Location: Glen Burnie, Md. U.S.A.
Not really, David. Print out the lyrics, and then place them beside anything Merle ever recorded.David L. Donald wrote:Donny,
slow it down and have Merle Haggard sing it
and it would work as a country song.
Your comments address performances,
more than the song itself.
I think then you'll understand.
Don't get me wrong - I'm not "down" on 'Stones music. "Honky-Tonk Woman" was a great song..."Satisfaction" was tripe.
-
- Posts: 547
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- Location: N. Kingstown, Rhode Island, USA
- Contact:
Here is some great Kenny including some guitar playing skills.
If this don't convince you---
http://www.hogsbreath.com/video/
If this don't convince you---
http://www.hogsbreath.com/video/
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact: