Folk music and pedal steel
Moderator: Shoshanah Marohn
Folk music and pedal steel
I was thinking that while I love traditional C&W, the use of pedal steel in folk music may be one of my favorite applications for the pedal steel. I think of it's use in songs by the following artists: Judy Collins (the big E), Joni Mitchell and early Jackson Browne(Sneaky), Linda Rhonstadt, and so many others. By my list,you can tell I've listened mostly to commercial folksy types. How about listing some of your favorites? I'd be interested in seeking out some other artists.
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- Dave Mudgett
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Well, let's not forget Bob Dylan, who has used pedal steel since the 60s. There are lots more.
Probably the majority of work I do playing out is coming from a folk music, and not a country music, context. Just not a lot of market around this university town for country music. But I definitely "countrify" a lot of the people I work with.
Probably the majority of work I do playing out is coming from a folk music, and not a country music, context. Just not a lot of market around this university town for country music. But I definitely "countrify" a lot of the people I work with.
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Im heading down this road with my own music sorta riding the line between alt-country and folk i guess, but I wouldnt say the steel player (me) is any good, hehe. I hear Neko Case has a good steeler by the name of Jon Rauhouse. havent heard it yet but its in the netfilx que. what would you say distinguishes "folk" from "country" anyway?
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- Chuck S. Lettes
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I also loved that John Phillips recording with Buddy E. Bob Dylan's Lay Lady Lay with Pete Drake, John Sebastin's Rainbows All Over Your Blues, Roger McGuin's the Water is Wide, all with Buddy E. I remember hearing l970s folk singer Paul Siebel with Emmons and Weldon M. Some great memories of when I was getting started. I guess I loved the folk sounds as much as country back then.
Chuck
Chuck
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Arlo Guthrie and Family were recently touring with Gordon Titcomb, who doubled on pedal steel and mandolin. No drummer. It was great. I work with a well-respected local recording artist, Andrea House, in a trio format, doing mostly Andrea's original material, which some might call folk music. Pedal Steel works great in that context.
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I wish I would have spotted you, Henry.
I won a pair of tix from KRSH ("The Krush - Wine Country radio").
Bill Bowker had a trivia question, and luckily I got through. "On Thunder Road, which early influence on The Boss is mentioned?" Why Roy Orbison, of course, "singin' for the lonely."
Yeah- the musicians looked like they were having a great time. I commented to my wife after the show, "I have seen musicians having maybe as much fun, but I can't say that I have ever seen musicians having more fun."
I'm a Springsteen guy from way back, but I ended up not going to the concert when it came through the Bay Area, I had some business trip to be on. But I remembered not being that bummed about it, because I was unsure how good it could be. Springsteen putting a good-sized band togther to play mostly old traditonal folk songs, like "Erie Canal."
Man, was I wrong. It was great stuff!
I really loved their take on "When The Saints Go Marching In." I may have to incorporate that version into our church band. It gave me a whole new outlook on that song.
And the Springsteen song, "Highway Patrolman." I always loved the sparseness of that song, I think it was on his album "Nebraska," but this version with this band was just amazing.
I won a pair of tix from KRSH ("The Krush - Wine Country radio").
Bill Bowker had a trivia question, and luckily I got through. "On Thunder Road, which early influence on The Boss is mentioned?" Why Roy Orbison, of course, "singin' for the lonely."
Yeah- the musicians looked like they were having a great time. I commented to my wife after the show, "I have seen musicians having maybe as much fun, but I can't say that I have ever seen musicians having more fun."
I'm a Springsteen guy from way back, but I ended up not going to the concert when it came through the Bay Area, I had some business trip to be on. But I remembered not being that bummed about it, because I was unsure how good it could be. Springsteen putting a good-sized band togther to play mostly old traditonal folk songs, like "Erie Canal."
Man, was I wrong. It was great stuff!
I really loved their take on "When The Saints Go Marching In." I may have to incorporate that version into our church band. It gave me a whole new outlook on that song.
And the Springsteen song, "Highway Patrolman." I always loved the sparseness of that song, I think it was on his album "Nebraska," but this version with this band was just amazing.
Mark
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Ben - I've always considered folk music as predominantly acoustic and usually with limited percussion. I tend to like folk music played in an expanded context...bass, drums, piano, steel, maybe some limited electric guitar. But I do think there's a lot of overlapping between folk and country. Sometimes the lyrical themes are really different. I was recently listening to Paycheck's "Drunk on Arrival". Man, you've got to love it!
What's your thoughts on folk and country?
What's your thoughts on folk and country?
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Someone mentioned Arlo Guthrie, Gordon Lightfoot, and Ian Tyson (Ian and Sylvia, The Great Speckled Bird, and solo). Add John Prine, Steve Goodman, David Bromberg, and Joan Baez - Joan particularly used a lot of steel in the 70s, some really nice stuff. Of course, being a New England guy, I gotta mention Tom Rush. All of the stuff I'm thinking of is limited percussion, mainly acoustic instruments with maybe a little electric guitar and steel.
A lot of folkies embraced steel to varying degrees - I think it's always added a sense of "authenticity" to city folks folk-music. It usually wasn't always front-and-center, but definitely part of the scenery.
A lot of folkies embraced steel to varying degrees - I think it's always added a sense of "authenticity" to city folks folk-music. It usually wasn't always front-and-center, but definitely part of the scenery.
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