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Author Topic:  Does Anyone Know?
Mac McKenzie

 

From:
Auckland, New Zealand * R.I.P.
Post  Posted 11 Jul 2006 1:35 am    
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1. In the late 40s we had 3 78s released here which gave us our first taste of Al Kealoha Perry and His Singing Surfriders and introduced us to Hawaiian Cowboy/Polynesian Love Song - Hula One One E/Pokii - Twilight In Hawaii/ At Night By The Ocean with Andy Iona. Over time we found out that this was the band with the Hawaii Calls Show and the steel guitarist was David Kelii. In the mid-fifties an Hawaii Calls 10" Capitol LP, CLP 042 came out with Al Kealoha Perry and introduced us to Lovely Hula Girl and I'll See You In Hawaii among the others. Does anyone know for certain who the steel guitarist is on this LP?
2. A few of us were talking about sorting yourself out on the guitar with a number, single notes, harmony, chords, octaves and it occurred to me that I cannot recall Jerry ever using octaves. Maybe I have not paid enough attention. Any views?
3. Does anyone know when falsetto became part of Hawaiian singing? If we accept that authentic Hawaiian was pre- European, falsetto would not have any part in the chants. As such, it really does not feature in the choral arrangements by the missionaries. Any views on this?
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 11 Jul 2006 5:14 am    
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Quote:
it occurred to me that I cannot recall Jerry ever using octaves. Maybe I have not paid enough attention. Any views?


It seems JB preferred ... what I call (I don't know the proper name for it) ...

The "Octave" + Minor Third / Major Third forward slant combinations ... available with the C6/A7 tuning ... i.e. the C# at the bottom.

Ex:




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Hawaiian Steel Stuff
The Casteels

[This message was edited by Rick Aiello on 11 July 2006 at 06:48 AM.]

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Michael Johnstone


From:
Sylmar,Ca. USA
Post  Posted 11 Jul 2006 6:53 am    
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An octave plus a third is commenly referred to as a "10th". Bass players also use it a lot and it's a very pleasing interval.
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basilh


From:
United Kingdom
Post  Posted 11 Jul 2006 7:18 am    
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The pianist Billy Mayerl was a master of the 'Off beat and Tenth' style of left hand !! fwiw

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Quote:
Steel players do it without fretting







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basilh


From:
United Kingdom
Post  Posted 11 Jul 2006 7:37 am    
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Mac, I have the Hawaii Calls 10" Capitol LP, CLP 042 and will listen to it later and also ask JM. If he doesn't know then nobody does !!
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Gene Jones

 

From:
Oklahoma City, OK USA, (deceased)
Post  Posted 11 Jul 2006 8:39 am    
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*

[This message was edited by Gene Jones on 12 July 2006 at 12:16 PM.]

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Mac McKenzie

 

From:
Auckland, New Zealand * R.I.P.
Post  Posted 11 Jul 2006 9:50 pm    
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Thanks Bas. - JM is either / or but not for sure. I might try Hawaii Calls on this machine - not high hopes, but you never know.
Or Don McDiarmid Jnr. Met his dad while we were there and he was full of info. willingly given - maybe Jnr. has the same enthusiasm. It is ot the end of the world if nothing comes of this, but it would be nice to know. Kindest
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basilh


From:
United Kingdom
Post  Posted 12 Jul 2006 2:17 am    
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Mac, I've just been listening to the 10" AND the 12"..My 10" is the Australian release with the ONE hula girl on the cover..
Australian Record Company Ltd.
29 Bligh Street Sydney
Cat number CLP 042 - matrix MX60402

NOW

It was recorded on the 12th July 1953 in Hawaii at Waikiki.
SO.. being as David left Hawaii for LA in 1952 (And later Las Vegas in 1958) Jules ah See is the player, there is no question about that, but the style may mislead you somewhat.

Jules took over from David as the player with the 'Hawaii Calls Show' (And records) in 1952, but I speculate that he was instructed to play in David's style on the shows and particularly on this record as Al Kealoha Perry wasn't impressed with Jules' "Jazzy style and chords"
So much so that on the shows Al positioned himself on the far side of the stage to Jules.

On the later released 12" there were 4 extra tracks and you can hear Jules slowly reverting to his own style.

This is what JM and myself have managed to deduce so far.
BTW. JM says that the current Aloha Dream is the best yet, PLEASE let us know what YOU think..
Basil Henriques

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Quote:
Steel players do it without fretting







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Jeff Au Hoy


From:
Honolulu, Hawai'i
Post  Posted 12 Jul 2006 3:35 am    
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Had a listen... sounds very Jules to me. However as Baz pointed out, the playing is rather understated for Jules.

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basilh


From:
United Kingdom
Post  Posted 12 Jul 2006 4:23 am    
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Such a coincidence that the 10" was recorded in Hawaii on the 12th July 1953 .. 53 years ago tomorrow !!

Also just about the time that I started Playing Hawaiian Guitar.. Sometime in the summer of '53 anyway..
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Mac McKenzie

 

From:
Auckland, New Zealand * R.I.P.
Post  Posted 12 Jul 2006 4:35 am    
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Thanks to all for a definite answer. I mentioned this to Alan Akaka when we were over there and he said that David changed his style from the fast clipped playing to something more relaxed when he started playing a stand up guitar. I was disappointed when i first got the LP, I had been expecting more Hula One One E style but it very quickly became my top listening record and still is. And that beautiful liquid tuning in Hawaiian Wedding Song, don't know what you call it. I found it ok. but haven't done anything with it, one day perhaps. Thanks again to all.
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basilh


From:
United Kingdom
Post  Posted 12 Jul 2006 8:48 am    
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Mac, I've slightly enhanced the audio from the album, just to help with the steel player's identification.
You can hear Jules using embryonic versions of his signature licks, like in Lovely Hula Girl at 0:57 - 1:07 (and at 1;23 in the Hawaiian Wedding Song) he plays the B11 phrases from 'How Dya Do' and so on.
The Tunings in use throughout this Album are:- B11(Sometimes A6th),
C6 (Sometimes C13th)
and E13th

I've noticed also the signature 'Hawaii Calls' C6 1st and 4th and then 2nd and 5th string harmonics, used so often later, I believe this is the FIRST instance of this 'Hook"

You can find it used at 00:29 in the Wedding song. and just about everywhere else that he can find to put it.

For educational purposes only, I've put the complete album (10") here :-
Complete album to study

Also the Files CLP-042A and CLP-042B are UN-Processed just for comparison.
I simulated the late 50's Hawaii Calls Eq and ambience, and tried to create a STEREO effect from a purely MONO source.
I'd like to hear more of Jeff's opinion.
BTW at the time of the recording Jules was 26 years of age.

[This message was edited by basilh on 12 July 2006 at 10:07 AM.]

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basilh


From:
United Kingdom
Post  Posted 12 Jul 2006 8:57 am    
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For the 'Lazy' ones, click to play
Na Lei O Hawaii
The Hawaiian War Chant
Lovely Hula Girl
[url=http://www.waikiki-islanders.com/assets/CLP-042/04%20King's%20Seranade.mp3]Kings Seranade[/url]
The Hawaiian Wedding Song
The Hawaiian Cowboy
[url=http://www.waikiki-islanders.com/assets/CLP-042/07%20I'll%20see%20you%20in%20Hawaii.mp3]I'll see you in Hawaii [/url]
Aloha Oe

And the original unprocessed.
A Side
B Side
The A and B sides are 1 file of 4 songs each so loading may take a little time, but at least HERE you can find DIRECTLY the files referred to !!!
Baz

[This message was edited by basilh on 12 July 2006 at 10:05 AM.]

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Gene Jones

 

From:
Oklahoma City, OK USA, (deceased)
Post  Posted 12 Jul 2006 9:21 am    
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*

[This message was edited by Gene Jones on 12 July 2006 at 12:17 PM.]

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basilh


From:
United Kingdom
Post  Posted 12 Jul 2006 9:33 am    
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***

[This message was edited by basilh on 12 July 2006 at 01:15 PM.]

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Jeff Au Hoy


From:
Honolulu, Hawai'i
Post  Posted 12 Jul 2006 11:06 am    
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I think Gene wants us to get excited.
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Gene Jones

 

From:
Oklahoma City, OK USA, (deceased)
Post  Posted 12 Jul 2006 11:34 am    
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Thats not really what I would like for you to do! Oh well, ...(censored).....

Thank you for the condescending remarks!

[This message was edited by Gene Jones on 12 July 2006 at 01:01 PM.]

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Jesse Pearson

 

From:
San Diego , CA
Post  Posted 12 Jul 2006 11:49 am    
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I appreciate everything that gets posted that helps us with the research side of learning how and what to play. Thanks guys...

Hey Gene, that little piece you played on the artisian steel that you wrote awhile back really blew me away and I learned it off of the audio you so graciously shared. I think Jeff thought you were looking for some "I can't hear you" attitude from the troops. I'm sure he meant no disrespect...

[This message was edited by Jesse Pearson on 12 July 2006 at 12:54 PM.]

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Jeff Au Hoy


From:
Honolulu, Hawai'i
Post  Posted 12 Jul 2006 12:14 pm    
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Thanks Jesse, sorry Gene. You should've left it at "Screw you!" That would've been another forum first (at least for me)
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Gene Jones

 

From:
Oklahoma City, OK USA, (deceased)
Post  Posted 12 Jul 2006 12:32 pm    
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My edited remark has the same intent and meaning! I only modified it so the moderator wouldn't close the topic!

.......however,

Here is another EDIT to thank Jesse for attempting to pour some oil on the waters of what in retrospect seems to be yet another of those collossal misjudgements of the intent of comments that escalated into unkind words.

I've found that trying the explain further usually just causes additional problems, so please accept my apology to everyone involved and please believe that I have only the highest regard and respect for all of you.

Gene Jones

[This message was edited by Gene Jones on 13 July 2006 at 07:42 AM.]

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Jesse Pearson

 

From:
San Diego , CA
Post  Posted 13 Jul 2006 7:28 am    
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Gene, that's an interesting saying. For those of you who have never heard " pouring oil on the water" read this. Thanks Gene
http://www.chem.brown.edu/chem12/Avogadro/BenFranklin.html
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Stephan Miller

 

From:
Silver Spring, Maryland, USA
Post  Posted 13 Jul 2006 8:41 am    
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Gene, I think everybody knows what it's like to shoot from the hip and then speculate on the "damage" later. Here's hoping YOU know that a lifetime spent making steel guitar music has earned you a lot of respect around here. Keep swingin', man...

--Steve
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