low-watt amps
Moderator: Brad Bechtel
- Drew Howard
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low-watt amps
I have a couple of Fender tube amps, a '63 Bassman and a '70's SF Twin, these being bigger amps that "run clean". I need a smaller low-watt combo amp for my Stringmaster and Tele, something that doesn't have the power and headroom of my other amps. Considerations for new amps are:
Fender Deluxe Reverb RI 22w
Fender Blues Jr. 15w
I would love to find something that's older and not Fender, like a Silvertone, Gibson, etc.
Anyway, what do you use/recommend?
thanks,
Drew
Fender Deluxe Reverb RI 22w
Fender Blues Jr. 15w
I would love to find something that's older and not Fender, like a Silvertone, Gibson, etc.
Anyway, what do you use/recommend?
thanks,
Drew
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Tone is in the head of the beholder. Those older small amps break up easy and have that funky sound.
You know that Fender Champs and Vibro Champs are still really inexpensive. Some folks think that after 1965 - 66 everything changed. On most of Fenders amps it did but the innards of the Champs and Vibro Champs were so simple they remained the same. While they may not have Black Faces, they sound the same to me and I have a number of them. Anyway they are real dependable. Check eBay and there are always a heap of the 1970's for sale.
You know that Fender Champs and Vibro Champs are still really inexpensive. Some folks think that after 1965 - 66 everything changed. On most of Fenders amps it did but the innards of the Champs and Vibro Champs were so simple they remained the same. While they may not have Black Faces, they sound the same to me and I have a number of them. Anyway they are real dependable. Check eBay and there are always a heap of the 1970's for sale.
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- Michael Papenburg
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I've got a 1962 Epiphone Pathfinder 15 watt combo that sounds pretty cool. It's got a 12" Jensen C12R, 2 6v6s, awesome reverb, and excellent power tube tremolo. It's the same circuit as a Gibson Falcon. The tone is somewhere between tweed & blackface. It has a nice clean tone and only starts to break up as you get to the very top of the volume range. It's around the same volume as a Princeton reverb. Either model would be great if you don't need a lot of volume or headroom.
- Terry VunCannon
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Hey Drew...Check out the song that pops up on http://www.myspace.com/terryvuncannon , the lap steel on "Preachers & Thieves" is played on a Fender Blues JR. I use the JR. or my Princeton Reverb(18 watts) for lap steel most of the time....Terry V.
- Dave Little
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- Joined: 4 Aug 1998 11:00 pm
- Location: Atlanta
Take a look at the THD Univalve @ 15 watts.
http://www.thdelectronics.com/products/univalve.htm
Edited to say: I reread your post and see you're looking for a combo. The univalve is a head only. Sorry - "My bad".
Dave Little
http://www.thdelectronics.com/products/univalve.htm
Edited to say: I reread your post and see you're looking for a combo. The univalve is a head only. Sorry - "My bad".
Dave Little
- Dennis Schell
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My daughter plays her strat through one of the little 15W Fender amps, a "Frontman 15G" and it's a ballsy lil' sucker! As "hot" to my ear as an old Roland "Cube 60" that I used to own...I think the "15W" Fenders are a great little amp...
Dennis
I use an old tube Fender "VibroChamp" for a home practice amp. It has a nice warm sound, but not as much gain as the lil' Frontman. I just wish it had reverb....
Dennis
I use an old tube Fender "VibroChamp" for a home practice amp. It has a nice warm sound, but not as much gain as the lil' Frontman. I just wish it had reverb....
Last edited by Dennis Schell on 8 Mar 2007 11:50 am, edited 1 time in total.
"Bucks Owin"
- Peter Jacobs
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I love my Blues Jr but another (and very inexpensive) small tube amp is the Epiphone Valve Jr. 8-watt, single 8" combo or available as a head unit. Just a voume control, no reverb or tone. The head is $99 and the combo can be had for $130ish. great, funky/dirty tone and can put out some pretty decent volume.
Half-assed bottleneck and lap slide player. Full-assed Builder of resonator instruments.
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- Erv Niehaus
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- Craig Stenseth
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I played through one of these at the local music store, it looks like everyone's making a small tube amp now.
http://www.orangeamps.com/tinyterror/
http://www.orangeamps.com/tinyterror/
- Lee Gillespie
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Amp
I had a 98 fender 112 that I tried everything to get a decent sound, in desperation just before playing a gig in Grand Junction, Co. I went to a local music store and plugged into a Roland 30. Took it to the job and needless to say it went home with me. Being realistic.... no it cant compare to my Pevey session 500 or my Randell 500..but... easy to carry and has a great sound for a little amp. While in the store I tried the Roland 60...Naaaaa.... I think the 30 sounded so much better. Lee
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I have one. Yes they are solid-state. It has performed well. You can buy them used for a little over $100 these days . Roland just came out with an upograded Cube 30. My older model works well and can't imagine wearing it out anytime soon.
Last edited by Gary Lynch on 5 Mar 2007 6:43 pm, edited 1 time in total.
- David Doggett
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- Todd Weger
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Tubes rule...
...I agree. But, if you want an very inexpensive SS amp that really does SOUND and FEEL great, the VOX Pathfinder 15R is a nice little amp. The reverb sux, IMO, but if you like tones that aren't 100% clean (IOW, there's more of a subtle tube distortion 'warmth' going on), these are grea little amps. I'm quite impressed with what they've done with these.
That said though, I still want a pure class A, all-tube circuit amp at some point. I really like the Swarth amps, but I just can't find $800!
T
That said though, I still want a pure class A, all-tube circuit amp at some point. I really like the Swarth amps, but I just can't find $800!
T
Todd James Weger --
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
- Jeff Au Hoy
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- Todd Weger
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Jeff -- good question. This guy makes an arguement that there's no difference sonically, as long as the AB amp is biased to run 'hotter.' I don't know much on this subject, so he may be totally correct.Jeff Au Hoy wrote:Just curious... why specifically class A (rather than class AB)? The two just designate operating class. They aren't a mark of quality.
http://www.psg.com/~dlamkins/Articles/c ... p?cat=amps
Personally, I've always felt that a very simple class A circuit amp sounds smoother and harmonically richer, at least to my ears, but maybe that's because I was just playing through some really great amps with great components, etc. Personally, for me, if an amp gives me the sound I want to hear, I like it and don't really care too much what it is, and... if it doesn't cost me too many clams, I like it MORE!
Todd James Weger --
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
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Even checked Doug Stalters's products? He builds many styles and has for years. Spend a few minutes surfing his site for a treat.
http://www.vintone.com/products.html
http://www.vintone.com/products.html
- Brian LeBlanc
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- Loni Specter
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Mark Sampson's (Matchless) new company, STAR. I have a "Nova" model 1x10" combo, the size of a Champ. I think it's 8 watts hand made all tube. It's got a very wide palette of tones and breaks up sweatly. You can also send it to a larger cab for more bottom end.
www.staramplifiers.com
www.staramplifiers.com
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It seems to me that we all think that old stuff is the best. I love the mojo but most old stuff was badly designed and put together without quality control. Think of any car made before 1980, it needed maintenance.
I have recently bought my son a Line Six Spider 120Watt combo for half the price of a 15watt Fender Blues Jr (here in the UK) It sounds great even at bedroom volume and it can be LOUD too, and you get four channels, tap delay, reverb, effects, tuner.
I use a Micro Cube for my lap steel and it sounds great too.
But I guess this is not what you want to hear!
Mark
I have recently bought my son a Line Six Spider 120Watt combo for half the price of a 15watt Fender Blues Jr (here in the UK) It sounds great even at bedroom volume and it can be LOUD too, and you get four channels, tap delay, reverb, effects, tuner.
I use a Micro Cube for my lap steel and it sounds great too.
But I guess this is not what you want to hear!
Mark