DigiTech RP 150
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- Lee Baucum
- Posts: 10326
- Joined: 11 Apr 1999 12:01 am
- Location: McAllen, Texas (Extreme South) The Final Frontier
DigiTech RP 150
Has anyone tried one of these units on steel? It might be a good poor-man's substitute for a POD XT.
I notice that it has "genuine Lexicon reverbs".
I'm not really looking for an amp modeler. I just want one box for reverb, reverb/delay, reverb/chorus, and maybe rotary. It looks like this unit might do it.
Click Here
I notice that it has "genuine Lexicon reverbs".
I'm not really looking for an amp modeler. I just want one box for reverb, reverb/delay, reverb/chorus, and maybe rotary. It looks like this unit might do it.
Click Here
- David Mason
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- Location: Cambridge, MD, USA
I tend to like the sounds from Digitech's "AudioDNA" chip better than Line 6's overall, and they claim to use the same chips in all their stuff. I love the sounds out of my Genesis 3, but it runs so-oo hot, both the power supply and box seem at risk. The other one I'm looking at is Behringer's V-Amp 2. I've messed with a borrowed POD some; the main thing that keeps me from buying one is that the PODxt is $300 and the POD 2 is $200, and I'm still trying to figure out how they fit a whole hundred dollar's worth of extra two-tenths-of-a-cent chips and gizmos into that little thing.... I hate feeling ripped off....
- David Mason
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- Joined: 6 Oct 2001 12:01 am
- Location: Cambridge, MD, USA
I just noticed that the Digitech RP150 doesn't have a 1/8" stereo line in to play a CD machine, added drum tracks or whatnot, kind of a deal-killer for me. They apparently think you'll want to pay the additional $50 and buy the RP250 with the footpedal, to get the stereo aux line in. I'm not looking for a big floor unit, rather something compact that I can put in a fat briefcase I have - with a Crate Powerblock and a power strip, a 150 watt "suitcase bomb." Boom. I'm probably going to go with the Behringer V-amp, it gets good reviews.
We have an RP 100 and a Line 6 Spider II, plus sometimes a borrowed POD XT around here.
The RP100 sounds like a toy to me. Good for kids playing buzzsaw metal, but any of the more subtle sounds lack any touch sensitivity and just sound "canned". The Line 6 stuff has far better and more realistic tone IMO.
The RP100 sounds like a toy to me. Good for kids playing buzzsaw metal, but any of the more subtle sounds lack any touch sensitivity and just sound "canned". The Line 6 stuff has far better and more realistic tone IMO.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
- Lee Baucum
- Posts: 10326
- Joined: 11 Apr 1999 12:01 am
- Location: McAllen, Texas (Extreme South) The Final Frontier
- Lee Baucum
- Posts: 10326
- Joined: 11 Apr 1999 12:01 am
- Location: McAllen, Texas (Extreme South) The Final Frontier
I notice in the owner's manual that in the EQ section there is a control (or shift) to choose the mid frequency that is being adjusted with the mid control, much like a steel guitar amplifier.
If anyone is curious about the other features, the manual can be read on-line.
Click Here
If anyone is curious about the other features, the manual can be read on-line.
Click Here
- Lee Baucum
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- Joined: 11 Apr 1999 12:01 am
- Location: McAllen, Texas (Extreme South) The Final Frontier
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- Howard Tate
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- Michael Johnstone
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I recently picked up an RP150 mostly for guitar gigs because I wanted something that would do it all,not break the bank and fit in the pocket of my Tele gig bag. It has every effect imaginable including a very accurate and easy to use stage tuner. Only a few of the factory preset combinations do anything for me - the acoustic guitar sim being one of them. But it's easy to roll your own and I always do that anyway usually using factory presets as a point of departure. So far I've come up with a half-dozen quite usable presets that suit the way I play six-string and grouped them together side-by-side so I can easily scroll between them. For steel it's just as good as any other gadget of it's type and I plan to use it for that as well as soon as I have time to sit down and design some presets especially for steel. I just know there's a great Sneaky Pete patch in there somewhere. Like someone said these type things are usually marketed towards knuckle-heads and the presets are designed accordingly. But when the available effex are used sparingly and dialed in with taste,it really does sound as good as you make it sound. I really like this one a lot.
- David Mason
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- Randy Cordle
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One other thing to consider between the 150 and the 250 is the ability to name your custom presets. This justifys the difference in price for me. I play a few different instruments on stage and toggle to "MUTE" to switch instruments then back to "TELE" or "MANDO" or "LAP STL" as needed, with the appropriate EQ, effects, AND volume level all pre-programmed. I've been using the older version for several years now with no problem, but one of these days I'll get the new model mostly for the better verbs and EQ.