Vintage Steels
Moderator: Shoshanah Marohn
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Vintage Steels
I think it would be interesting to know how many steelers are still playing vintage steels on a regular basis and rarely use a modern steel?
Wally Taylor
Wally Taylor
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- James Morehead
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Thanks Randy, a 1964 Emmons still in use is a testament to the way they were once made and what can be accomplished if guys take good care of their instruments! I intend to let Greg Jones go through my old 70s ZB D-10 and I promise to treat her like the classic baby she is. Trouble is, I need another steel to play while the ZB is "in the shop".
Can anyone top a 64 Emmons?
Wally Taylor
Can anyone top a 64 Emmons?
Wally Taylor
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- Jim Walker
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I was 3 years old when my Clark Custom was built. It's Vintage and Rare. It plays great and sounds excellent
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Clark Custom D10 8&5
Fender Steel King
B-bender Telecaster
Line 6 Flextone II Plus
www.jimwalkeronline.com
My Space
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Clark Custom D10 8&5
Fender Steel King
B-bender Telecaster
Line 6 Flextone II Plus
www.jimwalkeronline.com
My Space
- chas smith
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My main guitar is a early 70's Professional that I rebuilt over a deacade ago. On the rare occasion that I get a session, I'll probably use my '78 Super Pro, that I bought new and I'm planning on rebuilding my '65 wrap-around to use on a regular basis. There have been other occasions when I'll play my '59 Bigsby.<font size="1" color="#8e236b"><p align="center">[This message was edited by chas smith on 14 August 2006 at 09:54 PM.]</p></FONT>
- Brendan Mitchell
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- Neil Harms
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I gig with my 76 LDG Sho-Bud. It's the only pedal steel I have. Unless you count the single pedal hanging under my 53 Fender Custom. It goes on gigs too. Tone and great looks on both counts! N.
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76 Sho-Bud LDG, 52 Fender Custom Triple, Fender Vibrasonic "Custom", (plus all that other stuff....)
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76 Sho-Bud LDG, 52 Fender Custom Triple, Fender Vibrasonic "Custom", (plus all that other stuff....)
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The best guitar I ever owned is the 71 Emmons. I still have it and may take it out this weekend. It's got the Birdseye maple body with alluminum necks 9/8. It weighs a ton but the tone out of that guitar is like none other. The wraparounds are definately the most collectable of the Emmons but to my ears the split tails were the tone machines. I've been playing a Carter the last couple of years and love it for the weight, playability and the tone is great too with the BL 710 p-ups. The only reason I don't play the Emmons more is the weight difference and the playability of the Carter. I think most all of the new guitars made today will hold up to the test of time. One things for sure. The old Sho-Buds, Emmons, ZB's and probably the Rustlers are work horses and will always get the job done if you maintain the guitar like it should be. Then it comes down to tone and that's always subjective. For me the Emmons walks all over everything.
- Blake Hawkins
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Dual 8 fender professional, 1953, and an early no-serial number champion. The only modern ones I have is a Chandler RH2 and an Asher.
the dual 8 goes on every gig. everything else stays home. I just prefer the dual 8.
If someone here woudl sell me a Bigsby, I'd have that too..(hint, hint)
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1953 Fender D8, 1960 4x10 Bassman, in search of Bigsby
the dual 8 goes on every gig. everything else stays home. I just prefer the dual 8.
If someone here woudl sell me a Bigsby, I'd have that too..(hint, hint)
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1953 Fender D8, 1960 4x10 Bassman, in search of Bigsby