Your favorite song from Winnie's book
Moderator: Shoshanah Marohn
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Your favorite song from Winnie's book
It still makes me sad that Winnie Winston left us, but he left us the great resource we have in his book "Pedal Steel Guitar". I have tried to play all of the songs in it (I have to say I don't understand the forum members who say things like "I can't play such and such song and never will") I can play a few from memory at this point. But I have to say, my favorite in the whole book probably is "A Mighty Fortress", something about the way it's phrased, the modulations and voice leading are so fun to play, I never tire of it. Any of you all new members who haven't tried it or don't have Winnie's book, go get a copy and check it out. I feel a great debt to Winnie and Bill Keith for creating such a great book for us to use. What's your favorite song from the book to play?
Thanks for reading my post.
Gerald
Thanks for reading my post.
Gerald
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Not really songs but the two West Coast style blocking excercises on p50-51 are brilliant. I never get bored of these two tunes and although I've yet to master them they have got me further along the palm blocking road than anything else. Inspirational.
I think there are a couple of mistakes in the tab on p51 but nothing you can't work out from the CD.
I have found some of the book quite challenging but that's just as it should be. I'll be coming back to it for many years.
I think there are a couple of mistakes in the tab on p51 but nothing you can't work out from the CD.
I have found some of the book quite challenging but that's just as it should be. I'll be coming back to it for many years.
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Shenendoah,
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
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Londonderry Aire
"Welephant Walk", if my memory serves me correctly, is by Weldon Myrick, and it's in the book with the "flesh" colored cover, that has sections on Weldon, John Hughey, and two other masters (embarassed that I can't remember the names), and it came with two little records. Got the book but it's 10 miles away from me right now...
If this piques any other's memory please feel free to add...<font size="1" color="#8e236b"><p align="center">[This message was edited by Ray Minich on 15 August 2006 at 01:12 PM.]</p></FONT>
"Welephant Walk", if my memory serves me correctly, is by Weldon Myrick, and it's in the book with the "flesh" colored cover, that has sections on Weldon, John Hughey, and two other masters (embarassed that I can't remember the names), and it came with two little records. Got the book but it's 10 miles away from me right now...
If this piques any other's memory please feel free to add...<font size="1" color="#8e236b"><p align="center">[This message was edited by Ray Minich on 15 August 2006 at 01:12 PM.]</p></FONT>
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"Here's a lick to get from a one to a form."
I've listened to that little album about a million times.
His other book, with "Welephant Walk", was the "The Manual of Style" http://www.julianwinston.com/music/the_manual_of_style.php
I've listened to that little album about a million times.
His other book, with "Welephant Walk", was the "The Manual of Style" http://www.julianwinston.com/music/the_manual_of_style.php
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Me too, ALL OF THEM, exercises included. "Streets of Laredo", not to be anti-social.
When I tried to play SOL first, without listening to the accompanying record, I kinda
thought I was playing it right. But the melody didn't seem quite right. So I put the record on, and it hit me big time. I KNEW THIS SONG. I KNEW THIS MELODY. Probably from old Hollywood Westerns.
It was a gas. I immediately saw that even though I was close to the melody, the record showed me where I was missing some critical changes.
I still go back to this epic, ground-breaking
steel guitar tutorial, all the time.
I think the "Big E" even commented on the book, that it's beauty lies in the fact, that you can get away from the basics as you move on, and we all should go back, now & then, and take refresher courses - which is at the heart of this book.
It is the steel Bible, for sure. <font size="1" color="#8e236b"><p align="center">[This message was edited by CHIP FOSSA on 16 August 2006 at 08:28 PM.]</p></FONT>
When I tried to play SOL first, without listening to the accompanying record, I kinda
thought I was playing it right. But the melody didn't seem quite right. So I put the record on, and it hit me big time. I KNEW THIS SONG. I KNEW THIS MELODY. Probably from old Hollywood Westerns.
It was a gas. I immediately saw that even though I was close to the melody, the record showed me where I was missing some critical changes.
I still go back to this epic, ground-breaking
steel guitar tutorial, all the time.
I think the "Big E" even commented on the book, that it's beauty lies in the fact, that you can get away from the basics as you move on, and we all should go back, now & then, and take refresher courses - which is at the heart of this book.
It is the steel Bible, for sure. <font size="1" color="#8e236b"><p align="center">[This message was edited by CHIP FOSSA on 16 August 2006 at 08:28 PM.]</p></FONT>