| Author |
Topic: Noel Boggs- chords |
TonyL
From:
Seattle. WA
|
Posted 2 Dec 2005 11:48 am |
|
Just a question-
It seems a lot of effort has gone into tabbing/figuring out Joaquin M's techniques and licks(BTW I have and like John M's book),
but not much has been done for Noel Boggs' work.
Is this due to his use of multiple necks on many solos?
I for one would like to know some of the common 6th or 13th tuning chord substitutions he used on some of the Hank Penny side solos, etc. I'm not a theory master, so some insight on this would be much appreciated.
Thanks, TL |
|
|
|
Brad Bechtel
From:
San Francisco, CA
|
Posted 2 Dec 2005 12:40 pm
|
|
It's probably more due to the lack of audience such a book would have, quite honestly. I own very little Hank Penny music, and I would guess most people are in that same category.
Are there particular songs you're looking for? This would be an interesting exercise.
------------------
Brad's Page of Steel
A web site devoted to acoustic & electric lap steel guitars
|
|
|
|
HowardR
From:
N.Y.C.-Fire Island-Asheville
|
Posted 2 Dec 2005 12:49 pm
|
|
I suppose nobody wanted to get bogged down.......  |
|
|
|
TonyL
From:
Seattle. WA
|
|
|
|
Roy Ayres
From:
Riverview, Florida, USA, R.I.P.
|
Posted 3 Dec 2005 4:56 am
|
|
I knew Noel, watched him play many times and jammed with him several times. He seldom went outside of the usual A6 positions and grips that everyone else used in those days. The things that made his playing stand out above the others on A6 were Noel's execution, attack and originality. He bent his fingerpicks up around the end of his fingers and when he played it looked like he was pulling the strings upward more than horizontally. He pulled the strings quite hard before releasing them, thus giving his playing a strong attack. He used chords or parts of chords most of the time rather than single-string licks. That was the big point that made his playing different from Joaquin's.
You can find the positions and partial chords he used on your C6 neck if you keep off of the pedals. Here are some of his favorite positions (I will assume a song in the key of C on the A6 tuning in the examples)
C6........All 8 strings........Fret 3
C Maj........Strings 1,2,3........Fret 3
C7........Strings 1,2,4........Fret 6
C9........Strings 2,3,4........Fret 1
A min........Strings 2,3,4........Fret 3
A min 7........Strings 1,2,3,4........Fret 3
G Maj add 9........Strings 3,4,5........Fret 5
Diminished chords.......Strings 1,2......at appropriate frets, repeated every 3 frets
Augmented chords.......Strings 2,3........at appropriate frets, repeated every 4 frets
These are by no means Noel's entire repertoire of grips and chord parts; just the ones he used most.
I'm doing this from memory as I sit at my computer and not at my steel, so please don't flame me if I made bubu's -- just trying to help. Someone else may be able to shed more light on Noel's playing.
------------------
Visit my Web Site at RoysFootprints.com
Browse my Photo Album and be sure to sign my Guest Book.
[This message was edited by Roy Ayres on 03 December 2005 at 10:16 AM.] |
|
|
|
Andy Volk
From:
Boston, MA
|
Posted 3 Dec 2005 6:15 am
|
|
| Boggs version of Coquette was on the E13th neck - at least to my ear. The tune practically plays itself in that tuning. |
|
|
|
