Steel as the band's only lead instrument
Moderator: Shoshanah Marohn
- Doug Jones
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- Location: Oregon & Florida
Steel as the band's only lead instrument
For the last several months when we play smaller venues I end up as the only lead instrument in the band. We have bass, drums, lady singer and just me. Otherwise, we hire a guitarist, but it seems I end up carrying the whole lead section. I don't mind the extra $$$, but I do get tired of playing rhythm steel, padding, filling, etc.all the time. How many of you players play with just bass and drums and how do you feel about it?
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- Location: Hendersonville,Tn. 37075
Been there,done that HATE it!!
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<font face="monospace" size="3"><pre> ~ ~
©¿© It don't mean a thang,
mm if it ain't got that twang.
www.ntsga.com</pre></font>
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<font face="monospace" size="3"><pre> ~ ~
©¿© It don't mean a thang,
mm if it ain't got that twang.
www.ntsga.com</pre></font>
- Paddy Long
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I've been doing this for years with our group "3 Wheel Drive". I never have to fight with the lead picker over tuning!! It is a lot of work, but I don't mind. I also sing a few tunes, as well as harmony on most songs. Keeps me busy.
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Billy Easton
Casa Grande, AZ
Southwestern Steel Guitar Association
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Billy Easton
Casa Grande, AZ
Southwestern Steel Guitar Association
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- Roger Edgington
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Did it for years. I enjoy it as long as there is a strong singer, bass and drums. I would rather do it that way than fight another weak or out of tune lead player. It pushes you to be creative so the songs don't all sound the same. A wide variety of material also helps. But right now, I'm enjoying a full band with parts worked out.
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I have a "classic country" gig every Sunday evening where I play steel as the only lead instrument. Like Doug says, you've gotta have something going almost all the time; rhythm, padding, fills, licks, intros, turnarounds, solos. After all, it's all dance music and this group plays a lot of requests. Yes, it's hard tiring work and I could see where the listeners could get tired of hearing so much steel. But they don't seem to grow weary of it at all. As a matter of fact, several people have told me that they travelled a long distance just to hear what we're doing and to dance. We get a lot of compliments from the crowd. Other area musicians constantly drop by to sit in with us and that's a BIG compliment.
Since this job allows me some freedom to experiment while I play, I feel like it helps me with my chops and my tone too. A lot of the tunes we play have the standard "cliche" licks that need to be played, but I try to keep from sounding too trite. I'm finding ways to change things around a bit to keep it interesting and still stay within the required framework of the song. It's a challenge but I've got a good-sounding guitar and the drummer follows me real well with little pushes and kicks. We stay alert to one another and are able to get a fairly "big" sound. The club owner is a young guy, he is behind us 100% and does a good job of advertising on our behalf. Nobody's complaining. Actually we have a lot of fun this way. It makes the hard work worthwhile.
Tim Rowley
Since this job allows me some freedom to experiment while I play, I feel like it helps me with my chops and my tone too. A lot of the tunes we play have the standard "cliche" licks that need to be played, but I try to keep from sounding too trite. I'm finding ways to change things around a bit to keep it interesting and still stay within the required framework of the song. It's a challenge but I've got a good-sounding guitar and the drummer follows me real well with little pushes and kicks. We stay alert to one another and are able to get a fairly "big" sound. The club owner is a young guy, he is behind us 100% and does a good job of advertising on our behalf. Nobody's complaining. Actually we have a lot of fun this way. It makes the hard work worthwhile.
Tim Rowley
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- Al Marcus
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I played a lot of jobs as the only lead instrument with just Bass and Drums.
Sometimes as a duo with just Bass.We all did a lot of singing too.
I had a Pe jr for the organ effect to switch the sound once in a while.
Sometimes ,It was nice not to buck some of those overplaying lead Guitar players....al
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My Website..... www.cmedic.net/~almarcus/
Sometimes as a duo with just Bass.We all did a lot of singing too.
I had a Pe jr for the organ effect to switch the sound once in a while.
Sometimes ,It was nice not to buck some of those overplaying lead Guitar players....al
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My Website..... www.cmedic.net/~almarcus/
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All my years of playing, starting in 1950 into the 80's, I was the lead player on steel, with drums, bass and singer playing rythum guitar. It was a lot of work, but I learned a lot and had a lot of fun not having to compete. It made it very easy to learn songs and where we were going with any given song. We developed a sense of knowing where each person was going and knew we could depend on their doing what they were supposed to do.
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I really don't mind doing that if I have a Unversal S-12 to do it with, seems like its much easier with the 12 string with all the extra rhythm thangs you can do with it without switching to another neck. I had a group back in the 80's with just bass guitar, drums & steel - must admit I learned a bunch playing like that. But I would rather play with a lead guitar or keyboard player to tell the truth. I am doing a church group with just 2 rhythm guitar players right now, its a lot of fun, but it keeps ya on yer toes, thats for sure.
Ernie Pollock
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Ernie Pollock
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- Ray Montee
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Years ago, it would have been a strong rhythm guitar, soft bass, steel. Vocalist would not appear unless playing an instrument
which usually was the rhythm guitar.
I still find it difficult in my old age to understand why LEAD drums have been installed inplace of the chord-playing and music enhancing guitar and then using a guy with a $4,000 steel to slap rhythm all night.
It's amazing what progress has been made during these years since the 1980's. I wouldn't play that gig!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ray Montee on 06 April 2004 at 07:20 AM.]</p></FONT>
which usually was the rhythm guitar.
I still find it difficult in my old age to understand why LEAD drums have been installed inplace of the chord-playing and music enhancing guitar and then using a guy with a $4,000 steel to slap rhythm all night.
It's amazing what progress has been made during these years since the 1980's. I wouldn't play that gig!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ray Montee on 06 April 2004 at 07:20 AM.]</p></FONT>
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- Dave Van Allen
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- Walter Stettner
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Personally I like thechallenge, it's also good practice, although it really makes you tired to be "on the spot" all night.
I also can understand the audience, sometimes they seem to get a little bored if only one instrument is doing all lead parts and lots of rhythm...
Kind Regards, Walter
www.austriansteelguitar.at.tf
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I also can understand the audience, sometimes they seem to get a little bored if only one instrument is doing all lead parts and lots of rhythm...
Kind Regards, Walter
www.austriansteelguitar.at.tf
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- Joerg Hennig
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I am doing just that right now and while it sounds OK on some tunes, on others it gets boring after a while, it would be so much nicer to have another lead instrument to share solos and fills with. We have several tunes that call for that twang that only a Tele can deliver... After all, what really counts is the sound of the band as a whole. We have been looking for a competent lead guitarist for some time now but it´s not easy, especially in this part of the world, to find someone who fits in with what we are doing (imagine a cross between Waylon and David Nelson and a little bit of James Burton for good measure) and also personality-wise, you know, someone who doesn´t just let his ego hang out and overplays all the time, I guess this has been discussed here before. Most sixstringers around here are either pure rock players who put distortion on everything, or super technical country players, which we are not.
Well, I just heard a guy has called who wants to audition at tomorrow´s rehearsal...
Regards, Joe H.
Well, I just heard a guy has called who wants to audition at tomorrow´s rehearsal...
Regards, Joe H.
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- David Spires
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I enjoy being the only lead instrument too... I have worked several duo / trio things, and it really forces you to be creative when you are the only lead instrument. It's a challenge, and it even forces you to put the bar down every once in a while! It's all about contrast. I find that I go through a lot more tones and "sounds" in that kind of gig too - chorus / overdrive / distortion / dobro-sound / wet and pad-like / twangy & telecaster-like, etc.
Or, maybe I just love listening to myself?!
(I am kidding.)
I'll also agree that it makes the job more tiring, and gives you less time to look for attractive, female members of the audience.
David Spires
Or, maybe I just love listening to myself?!
(I am kidding.)
I'll also agree that it makes the job more tiring, and gives you less time to look for attractive, female members of the audience.
David Spires
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- Rick Schmidt
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- Joe Miraglia
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Having it all your self is fun ,always having to think and play,it's work, I've been there . You do learn a lot.But it's just as hard to play and just as much fun with other leads insturments.Knowing when to play and not to play.tean work and not trying to be a one man band.I work with a 6 pcs. band, Lead guitar and keys. If I over played like some players I woudn't be with the band very long. As it is I've been with them for 3 years. And the band is picking more songs that use more steel on them...We all get our turn to play. And you know it's a good feeling when someone says--I want to hear more Steel Guitar--And the lead singer Says --take it away Joe . Joe