PSG Twain "Tribute" CD - Who and Why?
Moderator: Shoshanah Marohn
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PSG Twain "Tribute" CD - Who and Why?
Does anyone know who did this (see Ebay link below) and why? C'mon now, fess up!
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2536777691&category=621
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2536777691&category=621
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I have attended some of Shania Twain's concerts. I think that paul Franklin Jnr., was the pedal steel player. Whoever he was, he sounded great. He had great tone and technique and seemed to used pick blocking much of the time. Can some one confirm if Paul Jnr., plays for this great country singer at concerts.
- Larry Bell
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Well, the advert says it's Robby Turner and Rob Ickes. I have no reason to doubt it.
And, no, Paul Franklin does not regularly play concerts with any recording artist I'm aware of. Shania's steel player was Marc Muller, last I heard.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 10 June 2003 at 08:49 PM.]</p></FONT>
And, no, Paul Franklin does not regularly play concerts with any recording artist I'm aware of. Shania's steel player was Marc Muller, last I heard.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 10 June 2003 at 08:49 PM.]</p></FONT>
It's not Paul. There is a thread in the archives where we got a link to the players web page and everything.
JB
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Fulawka D-10 9&5
Fessenden D-10 8&8
Mullen Royal Precision D-10 8 & 5
"All in all, looking back, I'd have to say the best advice anyone ever gave me was 'Hands Up, Don't Move!"
www.johnbarnold.com/pedalsteel
www.buddycage.net
http://www.nrpsmusic.com/index.html
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- Larry Bell
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You forget your Latin, Dr. Cohen
Plural of dobra is dobrae.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
Plural of dobra is dobrae.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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From the same records company:
Steel Guitar Tribute to ZZ Top
http://www.cmhrecords.com/moreinfo.asp?cd_cat=8699#title
Among many others, they also offer
The String Quartet Tribute To Black Sabbath
http://www.cmhrecords.com/moreinfo.asp?cd_cat=8685#title
You just can't make this kind of stuff up...
Steel Guitar Tribute to ZZ Top
http://www.cmhrecords.com/moreinfo.asp?cd_cat=8699#title
Among many others, they also offer
The String Quartet Tribute To Black Sabbath
http://www.cmhrecords.com/moreinfo.asp?cd_cat=8685#title
You just can't make this kind of stuff up...
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OK OK Ill come clean.
I was gonna keep my mouth shut until the link for the ZZTop record showed up. Allright that was me on the ZZ Top record but not the shania twain. I also did Steel Guitar tribute to Garth Brooks.
here is the evidence
This label started by doing the pickin on series, of which I did about a dozen or so, playing banjo, a little steel and some flatpick guitar. After they picked on everyone with multiple volumes I guess they ran out and started doing steel tributes. At the time I recorded the steel records I was playing an fender 1000 with no knees and with my own tuning that I made up froim playing stringbender guitar (nice huh.....ok) and I had nothing as far as technique or theory behind my playing, but the check was pretty nice.
A work to the wise, please do not under any conditions buy one of these records. They are the equivalent of bluegrass muzac, and the steel tributes are worse. I wholeheartedly apologize for bringing this into the world, and you should all know that I have left my evil ways behind me and am now learning to play PSG on a PRO II custom.
my apologies
Jesse Harris
I was gonna keep my mouth shut until the link for the ZZTop record showed up. Allright that was me on the ZZ Top record but not the shania twain. I also did Steel Guitar tribute to Garth Brooks.
here is the evidence
This label started by doing the pickin on series, of which I did about a dozen or so, playing banjo, a little steel and some flatpick guitar. After they picked on everyone with multiple volumes I guess they ran out and started doing steel tributes. At the time I recorded the steel records I was playing an fender 1000 with no knees and with my own tuning that I made up froim playing stringbender guitar (nice huh.....ok) and I had nothing as far as technique or theory behind my playing, but the check was pretty nice.
A work to the wise, please do not under any conditions buy one of these records. They are the equivalent of bluegrass muzac, and the steel tributes are worse. I wholeheartedly apologize for bringing this into the world, and you should all know that I have left my evil ways behind me and am now learning to play PSG on a PRO II custom.
my apologies
Jesse Harris
- Larry Bell
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I personally love those 'genre bender' albums. Run C&W doing Sam & Dave tunes in bluegrass style just tickles my funny bone. And my favorite is probably Luther Wright & the Wrongs' interpretation of Pink Floyd's 'The Wall'.
I've been toying with some Zeppelin stuff just lately, in a country context (think of 'Good Times, Bad Times' in 2/4) -- both instrumentally an vocally. Great fun.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
I've been toying with some Zeppelin stuff just lately, in a country context (think of 'Good Times, Bad Times' in 2/4) -- both instrumentally an vocally. Great fun.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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Hayseed Dixie is also a pretty good listen. (Bluegrass covers of AC/DC, etc. Pretty interesting stuff.)
As for "Good Times, Bad Times", I've played it in a couple of country bands and it was MADE to be an uptempo country tune. Always seemed a tad more fun, though, to start out with original it-could-only-be-zep intro and then suddenly change gears.
As for "Good Times, Bad Times", I've played it in a couple of country bands and it was MADE to be an uptempo country tune. Always seemed a tad more fun, though, to start out with original it-could-only-be-zep intro and then suddenly change gears.
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This has to be one of the most interesting (and funny ) threads I've read up here in a long time!
Great posts
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PedalSteel.us Magazine
TheEarlyDays.com
and appearing regularly...aLotOfSpace.com
Jimmy Crawford/Russ Hicks... and Buddy Emmons on Bass!
Great posts
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PedalSteel.us Magazine
TheEarlyDays.com
and appearing regularly...aLotOfSpace.com
Jimmy Crawford/Russ Hicks... and Buddy Emmons on Bass!
- Bobby Lee
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I always thought a country tribute to grunge would be great. Imagine "Smells Like Teen Spirit" as a Ray Price shuffle!
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<font size="1"><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
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Roland Handsonic, Line 6 Variax</font>
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<font size="1"><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
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Why not? "Teen Spirit" has already been covered by a jazz trio, and "Dark Side of the Moon" as reggae.