Eagles?
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- Earnest Bovine
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- Tony Prior
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"Poco and the Buffalo Springfield, Rick Nelson's Stone Canyon Band, etc, etc all figure in this story one way or another"
Quite true , leaving out the Stone Canyon Band at inception. . According to Richie Furay, Glenn was hanging out at the earliest POCO ( former POGO) rehearsals which would have been around 68 or so maybe earlier. It is understood that the last Buffallo Springfield album ( Last Time Around) is actually the first Poco album as Furay and Messina did almost the whole thing themselves and brought Rusty Young in from Denver along with George Grantham . Randy Meisener was the first real POCO bass player. Back to Glenn, according to Richie, Glenn hung out and was big time influenced by the high three part harmonies that POCO was famous for. Meisner left the band during the first POGO sessions which were for the Pickin Up the Pieces album.. Messina finished the album on Bass and then came along Timothy B. Schmidt.. .. and the rest falls into the history catagory.. It's really quite amazing that after all those band line-ups the Eagles ended up with the premier group . I do believe though that if it had not been for Linda Ronstadt's earliest involvment with the Eagles and her early success there probably would not have been any Eagles at all or at least not the eagles as we know them today.
great posts by Herb and Jason. great history here..
See what you've done here George !!
tp
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tony Prior on 11 June 2002 at 02:45 AM.]</p></FONT>
Quite true , leaving out the Stone Canyon Band at inception. . According to Richie Furay, Glenn was hanging out at the earliest POCO ( former POGO) rehearsals which would have been around 68 or so maybe earlier. It is understood that the last Buffallo Springfield album ( Last Time Around) is actually the first Poco album as Furay and Messina did almost the whole thing themselves and brought Rusty Young in from Denver along with George Grantham . Randy Meisener was the first real POCO bass player. Back to Glenn, according to Richie, Glenn hung out and was big time influenced by the high three part harmonies that POCO was famous for. Meisner left the band during the first POGO sessions which were for the Pickin Up the Pieces album.. Messina finished the album on Bass and then came along Timothy B. Schmidt.. .. and the rest falls into the history catagory.. It's really quite amazing that after all those band line-ups the Eagles ended up with the premier group . I do believe though that if it had not been for Linda Ronstadt's earliest involvment with the Eagles and her early success there probably would not have been any Eagles at all or at least not the eagles as we know them today.
great posts by Herb and Jason. great history here..
See what you've done here George !!
tp
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tony Prior on 11 June 2002 at 02:45 AM.]</p></FONT>
"Despite the fact that I'm a harsh critic of the post-Meisner Eagles and not a big fan of Joe Walsh"
I have heard that because of Joe Walsh's drinking problem prior to involving him in the "Hell Freezes Over" tour that the management made him go to rehab and contractually handcuffed him that if he even looked at a bottle he was fired summarily and could be sued for production costs. They even went as far as to have a backup for him in case he fell off the wagon.
I guess Joe figured the financial rewards of a reunion tour were greater than his habit.
I have heard that because of Joe Walsh's drinking problem prior to involving him in the "Hell Freezes Over" tour that the management made him go to rehab and contractually handcuffed him that if he even looked at a bottle he was fired summarily and could be sued for production costs. They even went as far as to have a backup for him in case he fell off the wagon.
I guess Joe figured the financial rewards of a reunion tour were greater than his habit.
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Aw shucks, really.
I couldn't resist jumping in on the topic after Herb's recall session, phew that was a good one it really got my mind working.
Tony Prior, I'm a real big fan of the first Poco album (with full respect to latter recordings, there was plenty for cool stuff put out by the various versions of the group), and despite the fact that Randy had already left and didn't get in the band shot, he was a very important part of that group's sound.
I love Rick Nelson and the Stone Canyon Band, it's a shame there aren't more live recordings from the 1969-1972 era group.
I like to listen to Rick Nelson's 'Garden Party' LP from 1972 back to back with the Eagle's 1972 debut album, although Randy Meisner had left Rick before the 'Garden Party' LP was recorded, his style ans influence on the group was strong, plus they even cut a song that Randy had co-wrote before he left.
Both albums range from ballads to outright rockers that lean towards glam rock as much as roots rock. (Rick does an awesome version of Chuck Berry's "Talkin' Bout You"), and both albums have a couple of strange numbers, and in another link, the Eagles cut a Dillard & Clark tune on their debut via Bernie Leadon who originally co-wrote it.
On a side note, a good chunk of Waylon Jennings'1970 album 'Singer Of Sad Songs' (RCA Victor LSP 4418); was recorded: Dec.17-19/1969, at RCA's Music Center, Hollywood with Lee Hazelwood producing.
The session crew included Hazelwood's Arizona sidekick Donnie Owens (who was not only a recording artist in his own right, but had played some rhythm guitar on the International Submarine Band's 1968 sole LP, a band that was Gram Parson's outfit before he defected to the Byrds), as well as forumites Carl Walden and Boomer Castleman with ex-Cricket Sonny Curtis with Randy Meisner and Allen Kemp, the rhythm section of Rick Nelson's Stone Canyon Band.
That just popped into my head and I had to mention it with Boomer and Meisner's names popping up here.
Earnest, "if you can remember the 60's, then you weren't there," too true!
E.B, Larry, Herb, everyone, thanks.
I couldn't resist jumping in on the topic after Herb's recall session, phew that was a good one it really got my mind working.
Tony Prior, I'm a real big fan of the first Poco album (with full respect to latter recordings, there was plenty for cool stuff put out by the various versions of the group), and despite the fact that Randy had already left and didn't get in the band shot, he was a very important part of that group's sound.
I love Rick Nelson and the Stone Canyon Band, it's a shame there aren't more live recordings from the 1969-1972 era group.
I like to listen to Rick Nelson's 'Garden Party' LP from 1972 back to back with the Eagle's 1972 debut album, although Randy Meisner had left Rick before the 'Garden Party' LP was recorded, his style ans influence on the group was strong, plus they even cut a song that Randy had co-wrote before he left.
Both albums range from ballads to outright rockers that lean towards glam rock as much as roots rock. (Rick does an awesome version of Chuck Berry's "Talkin' Bout You"), and both albums have a couple of strange numbers, and in another link, the Eagles cut a Dillard & Clark tune on their debut via Bernie Leadon who originally co-wrote it.
On a side note, a good chunk of Waylon Jennings'1970 album 'Singer Of Sad Songs' (RCA Victor LSP 4418); was recorded: Dec.17-19/1969, at RCA's Music Center, Hollywood with Lee Hazelwood producing.
The session crew included Hazelwood's Arizona sidekick Donnie Owens (who was not only a recording artist in his own right, but had played some rhythm guitar on the International Submarine Band's 1968 sole LP, a band that was Gram Parson's outfit before he defected to the Byrds), as well as forumites Carl Walden and Boomer Castleman with ex-Cricket Sonny Curtis with Randy Meisner and Allen Kemp, the rhythm section of Rick Nelson's Stone Canyon Band.
That just popped into my head and I had to mention it with Boomer and Meisner's names popping up here.
Earnest, "if you can remember the 60's, then you weren't there," too true!
E.B, Larry, Herb, everyone, thanks.
- Richard Sinkler
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- Tony Prior
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Jason, yipes ! You have got it down ...I have always loved this topic and most likely always will. You need to do a book on this subject alone..
I too have been mainly a Springfield and Poco fan first and then onto Rick Nelsons groups and the Eagles blah blah blah after that.. I still sing and play vintage Rick Nelson ( Ozzie and Harriet ) songs with the bands I have played with. It was good to see Randy Meisner with the Poco "Legacy" reunion CD , he was a major influence to each of the bands he was with. It's a shame he didn't end up at the top rung of the ladder like some of the others.
write that book...
tp
I too have been mainly a Springfield and Poco fan first and then onto Rick Nelsons groups and the Eagles blah blah blah after that.. I still sing and play vintage Rick Nelson ( Ozzie and Harriet ) songs with the bands I have played with. It was good to see Randy Meisner with the Poco "Legacy" reunion CD , he was a major influence to each of the bands he was with. It's a shame he didn't end up at the top rung of the ladder like some of the others.
write that book...
tp
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Incidentally, Ken Bloom (who's been my friend and musical compadre at least as long as Mike Perlowin, so we're talking 40+ years) now lives in North Carolina with his wife Ginny, where he makes banjos and other obscure instruments , and is a Civil War re-enactor.
<font size=1>Civil War re-enactor?! I believe that job pays even less than being a steel player!</font>
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
<font size=1>Civil War re-enactor?! I believe that job pays even less than being a steel player!</font>
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
There is a good book by John Einarson called "Desperados" that covers the early scene very well. He also did a great Neil Young biography, as well as a co-write with Richie Furay called "For What It's Worth--The Story of the Buffalo Springfield". I think you can get Desperados at Amazon for under $15.00.
When I co-produced Richie's last CD and toured with him, I got to hear some great stories about those early days...
When I co-produced Richie's last CD and toured with him, I got to hear some great stories about those early days...
Herb, I do believe that Mickey McGee (ex-Ronstadt, Jackson Browne, Goose Creek Symphony, FBBs drummer) also works as a Civil War re-enactor.
You have to supply all your own gear as I understand it, that's a lot of work maintaining all that clothing and weapons.
Sigh, yeah I know about the Desparados book, kind of cuts into what I've been working on, but what can you do?
I's a good thing I'm not doing a book on that subject alone, by the way... another Australian writer is getting his Gram Parsons bio published, it should be a lot more comprehensive than the last one.
You have to supply all your own gear as I understand it, that's a lot of work maintaining all that clothing and weapons.
Sigh, yeah I know about the Desparados book, kind of cuts into what I've been working on, but what can you do?
I's a good thing I'm not doing a book on that subject alone, by the way... another Australian writer is getting his Gram Parsons bio published, it should be a lot more comprehensive than the last one.
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The group had a slow, but steady rise (unlike many who are "overnight sensations"). Their first record "Take It Easy", reached #12 on the charts. Their second, "Witchy Woman", crept on up to #9. Their third record "Peaceful Easy Feelin", only reached #22 on the charts, and their fourth outing "Desparado" never made it higher than #41. In late '73, "Tequila Sunrise" makes it only to #64, while "Outlaw Man" does only a little better, at #59. In '74, the single "Already Gone", climbs to #32, while the parent album "On The Border" makes it all the way up to the #17 slot. It's not until March, '75, that "Best Of My Love" gives them a number-one hit, and then it's only for a week.
After that? Well, let's just say they stayed an awfully strong influence for a lotta years. Despite what some purists may say, I agree with John Q. Public..."Hotel California" was their best song.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Donny Hinson on 11 June 2002 at 05:55 PM.]</p></FONT>
After that? Well, let's just say they stayed an awfully strong influence for a lotta years. Despite what some purists may say, I agree with John Q. Public..."Hotel California" was their best song.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Donny Hinson on 11 June 2002 at 05:55 PM.]</p></FONT>
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- Brendan Mitchell
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I saw the eagles in London round 71 72. They were the support act for Neil Young who did his "Tonight's the night" show.That show did not go down well with the music press but I thought it was great,very funny.Anyway the Eagles were really good Bernie Leadon was still there and they performed their first album and then the Desperado album which they had only just finished recording.It was good.At the time I was right into Poco and Mannassas and CSN&Y etc. and I thought these guys {Eagles} just had it all.And I agree the steel playing was not a patch on Gerry Garcia's .I recorded Mannassas off the tv on a show called TV Special that I played till it fell apart.Al Perkins on that.These were great times music wise for me,thanks for reminding me.
Regards Brendan
Regards Brendan
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