Mike Sweeney
Moderator: Shoshanah Marohn
Mike Sweeney
I was in Nashville last Fri. night and went to the Palace to hear Mike. I throughly enjoyed his playing , its first class . I also enjoyed the visit we had as we talked about many mutual friends we shared. I highly recommend you visit Mike and the Band if you are in Nashville on any night as they play 7 nights a week.
Ben Jack
Ben Jack
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- Mike Sweeney
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Wow,fellas,what can I say? Thank all of you for the kind words. I'm not sure I deserve all of that but I certainly do appreciate your comments. I'd also like to invite any and all of my fellow steelers to come by and see me at the Palace any time they are in town. I'm there at least six nights a week. I try to take off on Sunday if my sub is available. Thanks again.
Mike
Mike
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- Mike Sweeney
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It probably means he's a good player worthy of respect, who plays music people want to listen to.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
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I would also add my name to the list to Mike Sweeney fans. The Nashville Palace is always a place you can go to and know that steel guitar is well represented in the band at the hands of Mike Sweeney. Ask him to play some C6th when your there. He really cuts the rug! Good food there at the Palace also.
- Mike Sweeney
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Commercial-- What 99% of all TV shows have to do to stay on the air!
Commercial-- What 99% of all Musicians have to play to stay on the air!
Ps. Mr Sweeney I'll be seeing you next Sat. nite before the Bush/Emmons show.
Jim
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JIM
"73" MSA S10, "74" LTD 400, "55" Esquire, "63 Epiphone, "63" Precision,
"71" Jazz (The Bass)
REAL OLD STUFF
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Whitaker on 02 March 2002 at 04:29 PM.]</p></FONT>
Commercial-- What 99% of all Musicians have to play to stay on the air!
Ps. Mr Sweeney I'll be seeing you next Sat. nite before the Bush/Emmons show.
Jim
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JIM
"73" MSA S10, "74" LTD 400, "55" Esquire, "63 Epiphone, "63" Precision,
"71" Jazz (The Bass)
REAL OLD STUFF
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Whitaker on 02 March 2002 at 04:29 PM.]</p></FONT>
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(quote from Mike's post: we don't get paid by the note.)
Reminded me that on my first road job I was admonished by the bandleader that the quickest way to get fired would be to continually try to impress someone by trying to "cram as many fast notes in as you can before the song is over".
The best way to hang around for awhile would be to play something pretty.....and close to the melody! I guess that would be another definition of commercial. www.genejones.com <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:32 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:34 PM.]</p></FONT>
Reminded me that on my first road job I was admonished by the bandleader that the quickest way to get fired would be to continually try to impress someone by trying to "cram as many fast notes in as you can before the song is over".
The best way to hang around for awhile would be to play something pretty.....and close to the melody! I guess that would be another definition of commercial. www.genejones.com <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:32 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Gene Jones on 02 March 2002 at 05:34 PM.]</p></FONT>
- Earnest Bovine
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I've always assumed that "commercial," as a description of a player's style, refers to note choice and stylistic characteristics that cater to the preferences of the audience, rather than to impress other musicians or push musical boundaries. E.g., refer at least in part to the melody of the song, construct your solos so as to be relatively singable melodies, play "inside" so to speak, and be fairly conversant with styles currently popular in the culture.
If I might offer one example: playing Crazy Arms on the E9th tuning, whether in Day, Emmons, or Mooney style, would be generally considered a "commercial" approach.
Playing "Crazy Arms" in ultra-Chalker style would impress many steel players and be way loads of fun, but nevertheless would be less "commercial" than striving for the recorded sound of the song.
Completely un-commercial would be trying to cram "Giant Steps" into "Crazy Arms." The great player could make it work, I'm sure. But don't count on a whole lot of dancers out there in Audience-ville.
Doug, somehow I have a feeling you're already aware of these things.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
If I might offer one example: playing Crazy Arms on the E9th tuning, whether in Day, Emmons, or Mooney style, would be generally considered a "commercial" approach.
Playing "Crazy Arms" in ultra-Chalker style would impress many steel players and be way loads of fun, but nevertheless would be less "commercial" than striving for the recorded sound of the song.
Completely un-commercial would be trying to cram "Giant Steps" into "Crazy Arms." The great player could make it work, I'm sure. But don't count on a whole lot of dancers out there in Audience-ville.
Doug, somehow I have a feeling you're already aware of these things.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
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