right hand position

About Steel Guitarists and their Music

Moderator: Shoshanah Marohn

Locked
Joseph Barcus
Posts: 2372
Joined: 4 Aug 1998 11:00 pm
Location: Volga West Virginia

right hand position

Post by Joseph Barcus »

how many of you guys find your right hand drifting up the neck and not staying at the bridge. Im not sure why I do it must be a tone thing but Im just wondering if its normal. another dumb question from West Virgina. Joe

------------------
carter single 10
User avatar
Jack Stoner
Posts: 22087
Joined: 3 Dec 1999 1:01 am
Location: Kansas City, MO

Post by Jack Stoner »

Hand drift, if that's what you want to call it, is not really a bad thing. I pick at different points at times on purpose. You will get different tone.

And, you do not want your hand over the "bridge" or changer. You need it to the left a little for better tone and sustain. One of the basics that I learned (was told by a pro) when I was starting out on pedal steel was not to hold my hand over the changer. I don't know which fret my picks are usually over but probably around the 20th to 22nd frets.
Roger Andrusky
Posts: 111
Joined: 16 Nov 2001 1:01 am
Location: Waterford, PA, USA

Post by Roger Andrusky »

I AGREE. I MOVE MY HAND UP THE NECK FOR THE MORE MELLOW TONES WHEN THE TUNE NEEDS IT. I DON'T REALLY THINK IT'S ANYTHING TO WORRY ABOUT! MAYBE YOU UNCONSCIOUSLY PREFER THAT TONE AND THAT'S WHY YOU SUDDENLY REALIZE THAT IT'S REALLY HARD TO PICK UP THERE ON THE 8TH FRET! Image

I HAVE THIS FEELING THOUGH, THAT YOU PROBABLY SOUND PRETTY GOOD WHEREVER YOU'RE PICKING! ---ROGER

Paul Graupp
Posts: 4922
Joined: 24 Jan 2001 1:01 am
Location: Macon Ga USA

Post by Paul Graupp »

One of the points from my first Jerry Byrd Course that has stayed with me was that there is a mellower tone if the string is plucked in the middle. To me that was where I got the Byrd tone most easily and also, to play chimes, you have to be there to do those when using palm harmonics.

I never was one to lock over the pickup but if I wanted the Mooney sound, that is where I got it. IMHO the differences in tone between players may be attributed more to right hand position than we think. Still, it's a good point to ponder over. Image

Regards, Paul Image
User avatar
Johan Jansen
Posts: 3328
Joined: 4 Aug 1998 11:00 pm
Location: Europe
Contact:

Post by Johan Jansen »

<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>how many of you guys find your right hand drifting up the neck and not staying at the bridge. Im not sure why I do it must be a tone thing but Im just wondering if its normal. another dumb question from West Virgina. Joe
</SMALL><HR></BLOCKQUOTE>

A good solution for traning your hand against drifting.
Build a construction above your steel that can hold an iron.
Make shure the iron is heated up very well, and place it with the ironing side to the right, just an inch left from the position of your right hand. Do this for a week every time you practise, drifting will stop soon!
Image Image Image
JJ

------------------
Image
STEELDAYS 2002
my web-site
my bands CODand TSC<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Johan Jansen on 30 November 2001 at 10:27 AM.]</p></FONT>
User avatar
Larry Bell
Posts: 5550
Joined: 4 Aug 1998 11:00 pm
Location: Englewood, Florida
Contact:

Post by Larry Bell »

sounds like a job for my old friend Jon Light . . . just replace the Black & Decker with the hot iron, make a few adjustments to the JLThingAMaJig, and you're in bizness . . .
Image

Image

------------------
<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2000 Fessenden S-12 8x8, 1969 Emmons S-12 6x6, 1971 Emmons D-10 9x9, 1971 Dobro

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 30 November 2001 at 08:33 AM.]</p></FONT>
User avatar
Ray Jenkins
Posts: 2779
Joined: 28 Jan 2000 1:01 am
Location: Gold Canyon Az. U.S.A.

Post by Ray Jenkins »

<SMALL>Do this for a week every time you practise, drifting will stop soon!</SMALL>
DAY ONE--OUCH!!
DAY TWO--OUCH!!
DAY THREE-OUCH!!
DAY FOUR--COOL!!!
Image Image ImageRay



------------------
Steeling is still legal in Arizona
Joseph Barcus
Posts: 2372
Joined: 4 Aug 1998 11:00 pm
Location: Volga West Virginia

Post by Joseph Barcus »

good point guys, hey I love that green carter really I think its very nice I have a carter but its maroon.
as far as the drifting its not really a bad thing I was just wondering if every one else did the same. Ill get the hot iron out lol

------------------
carter single 10
Donny Hinson
Posts: 21192
Joined: 16 Feb 1999 1:01 am
Location: Glen Burnie, Md. U.S.A.

Post by Donny Hinson »

Joseph, try sitting a little closer to the right-hand side of the guitar (towards the changer), and see if that doesn't eliminate the problem!
User avatar
Joerg Hennig
Posts: 1046
Joined: 17 May 2001 12:01 am
Location: Bavaria, Germany

Post by Joerg Hennig »

My Dekley, which I got when I had been playing for about 6 months, actually has a scratch about 2 inches long in the fretboard below the 2nd string where the fingerpicks hit that spot again and again when my right hand would do just that - drift too far to the left. It took me a long time to get that under control and even now I haven´t fully overcome it yet, but it´s getting better. I force myself to consciously think about the right hand position as often as possible, which is easier now since I don´t have to think about stuff like pedals and knee levers that much anymore - it´s becoming more and more intuitive. Another proof that this instrument takes a long time to learn.
Joe H.
User avatar
Tony Orth
Posts: 497
Joined: 5 Dec 2000 1:01 am
Location: Evansville, Indiana, USA

Post by Tony Orth »


I don't consider changes in right hand placement a bad habit, if it is done intentionally.
I use it to change the tone as Jack, Roger, and Paul have stated.

Tony
User avatar
Ken Williams
Posts: 769
Joined: 4 Aug 1998 11:00 pm
Location: Arkansas
Contact:

Post by Ken Williams »

I've noticed that my right hand has migrated up the neck over the years but it's been a slow process. I don't know that I would consider it a bad habit. If I play on some of higher frets, I'll move my right hand back toward the bridge. Seems like the tone is little more mellow as you move up the neck.
Speaking of right hand position, it seems that my right palm is faced more toward the strings than it used to be. Not sure why. Maybe I don't do quite as much palm blocking as I to, I dunno.

Ken
User avatar
Tom Stolaski
Posts: 221
Joined: 20 Nov 2001 1:01 am
Location: Huntsville, AL, USA

Post by Tom Stolaski »

Try holding the bar on the first fret, and place your right hand around the third or fourth fret and pick.........it kinda makes it sound like a Telsco electric guitar!!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tom Stolaski on 01 December 2001 at 04:50 PM.]</p></FONT>
Lincoln Goertzen
Posts: 270
Joined: 3 Feb 2001 1:01 am
Location: Taylor, British Columbia, Canada

Post by Lincoln Goertzen »

I place my right hand just so that I can see the pickup, and I try to keep it there. However, I have noticed it drift toward the nut ever so slightly.
Lincoln
User avatar
b0b
Posts: 29108
Joined: 4 Aug 1998 11:00 pm
Location: Cloverdale, CA, USA
Contact:

Post by b0b »

I'm moving this to "pedal Steel", where questions about technique are answered.

------------------
<img align=left src="http://b0b.com/coolb0b2.gif" border="0"><small>
</small> -b0b-   <small> quasar@b0b.com </small>
-System Administrator
Locked