Chuck Campbell at ISGA
Moderator: Shoshanah Marohn
- Tony Palmer
- Posts: 1689
- Joined: 4 Aug 1998 11:00 pm
- Location: St Augustine,FL
Chuck Campbell at ISGA
Even though he didn't play on stage, his playing at the Carter booth (and the Sierra room) was the highlight of the convention for me.
Thanks Ann & John Fabian for bringing this amazing player to play for us.
The technique and passion in his playing is truly inspiring!!
(oops..meant to post ISGC not ISGA)<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tony Palmer on 02 September 2001 at 07:13 PM.]</p></FONT>
Amen to that, Tony, I was at both of those places when he played his very unique style of pedal steel guitar. First time in a while that the hair on the back of my neck stood up while listening to something different on steel, different to me anyhow. Never seen a bar move as fast as his did with so much deadly accuracy.I would loved to have heard him with a band. Rave on, Chuck !!
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"Steel is the real deal"
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"Steel is the real deal"
I was looking forward to hearing Chuck for the first time. I was not disappointed. I sat an arm's lenght away as he and Joe Wright jammed!
CC is a true gentleman. He let us try his guitar, explained the setup, described it as "an autoharp" approach (different pedals for different chords).
He was very humble and emphized the great respect he and other Scared Steelers have for Lloyd G, Jimmy C, and other mainstream steelers.
Chuck, I know you're reading this, say hi to the forum!
God Bless ya man,
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<img align=left src="http://www.pedalsteel.tv/img/joey.jpg" >
-j0e-
www.pedalsteel.tv
CC is a true gentleman. He let us try his guitar, explained the setup, described it as "an autoharp" approach (different pedals for different chords).
He was very humble and emphized the great respect he and other Scared Steelers have for Lloyd G, Jimmy C, and other mainstream steelers.
Chuck, I know you're reading this, say hi to the forum!
God Bless ya man,
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<img align=left src="http://www.pedalsteel.tv/img/joey.jpg" >
-j0e-
www.pedalsteel.tv
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- Joined: 7 Sep 1998 12:01 am
- Location: portsmouth,r.i. usa
Hearing Chuck in action was definitely the highlight of the convention, it was much better than if he had been playing on a program. For those of you who weren't there (or were at the convention and somehow missed it), this is what the scene was like. Mostly Chuck just started playing his guitar (either after the jam at the Sierra booth or at the Carter booth). Within 5 minutes steel players started gathering like moths to a flame.
Chuck was definitely on a mission at the convention (and missed a good part of a very important church assembly to go). First, he wanted to show us 'traditional' steel players the Sacred Steel tuning and playing styles. There has been a lot of misinformation about this style (e.g. it's a slide guitar type of style, it's primative). Chuck blew some minds showing the chordal possibilities of the style (especially the very funky rhythm capabilities), and also the hot single note style that Chuck pioneered that players like Robert Randolph are bringing to mass audiences. And especially the sweet single note 'vocal like' traditional Sacred Steel style that brought many a smile to listeners faces (one of my favortie moments was when Tommy White was so moved by Chuck's playing on Amazing Grace that he walked up to him, shook his hand, and told him 'that was some of the best steel playing I have ever heard').
But more important, Chuck was also on a mission to connect with us 'country' players. He wanted to let us know that the Sacred Steel players not only appreciate the masters like Buddy Emmons, Lloyd Green, and all the rest, but that they also have listened to them and learned from them, not in terms of imitating the style, but in terms of adapting what's there to their style. The Opry was on the radio in many a Sacred Steel household, because where else could they listen to great steel guitar. Another of my favorite moments was when Chuck played a song for Jeff Newman (with Jeff sitting a couple of feet a way with a huge grin on his face) that he had learned from a Jeff Newman course. There has been a lot of misunderstanding from country play regarding the Sacred Steel community, with some people thinking that it is a threat to the traditional styles, or that somehow the Sacred Steel players don't respect the greats. Chuck definitely got the message of respect through to anybody who heard him, and it was great to see the bonds develop between Chuck and all the steel players who heard him, including hall of famers like Lloyd Green, Billy Robinson, Jeff Newman, and many others.
This was the most uplifting convention I have been to.
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www.tyacktunes.com
Chuck was definitely on a mission at the convention (and missed a good part of a very important church assembly to go). First, he wanted to show us 'traditional' steel players the Sacred Steel tuning and playing styles. There has been a lot of misinformation about this style (e.g. it's a slide guitar type of style, it's primative). Chuck blew some minds showing the chordal possibilities of the style (especially the very funky rhythm capabilities), and also the hot single note style that Chuck pioneered that players like Robert Randolph are bringing to mass audiences. And especially the sweet single note 'vocal like' traditional Sacred Steel style that brought many a smile to listeners faces (one of my favortie moments was when Tommy White was so moved by Chuck's playing on Amazing Grace that he walked up to him, shook his hand, and told him 'that was some of the best steel playing I have ever heard').
But more important, Chuck was also on a mission to connect with us 'country' players. He wanted to let us know that the Sacred Steel players not only appreciate the masters like Buddy Emmons, Lloyd Green, and all the rest, but that they also have listened to them and learned from them, not in terms of imitating the style, but in terms of adapting what's there to their style. The Opry was on the radio in many a Sacred Steel household, because where else could they listen to great steel guitar. Another of my favorite moments was when Chuck played a song for Jeff Newman (with Jeff sitting a couple of feet a way with a huge grin on his face) that he had learned from a Jeff Newman course. There has been a lot of misunderstanding from country play regarding the Sacred Steel community, with some people thinking that it is a threat to the traditional styles, or that somehow the Sacred Steel players don't respect the greats. Chuck definitely got the message of respect through to anybody who heard him, and it was great to see the bonds develop between Chuck and all the steel players who heard him, including hall of famers like Lloyd Green, Billy Robinson, Jeff Newman, and many others.
This was the most uplifting convention I have been to.
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www.tyacktunes.com
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- Location: Goodlettsville,Tn. USA
It was so nice to finally meet Chuck, he came to the Franklin booth and introduced himself. He is so nice, warm and humble.
Dad and I then went to the Carter booth to hear him play. WOW! I regret him not being on the main stage with his band. He plays with soul and brings you in.
It's so refreshing to hear what he's doing for the young players, getting them drawn in!
Thanks Chuck, Theresa
Dad and I then went to the Carter booth to hear him play. WOW! I regret him not being on the main stage with his band. He plays with soul and brings you in.
It's so refreshing to hear what he's doing for the young players, getting them drawn in!
Thanks Chuck, Theresa
- Ernie Renn
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I just added a picture Buddy sent me from Chris Templeton of Chuck and Buddy from the Turning Stone Casino in Verona, New York.
Buddy and Chuck
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
Buddy and Chuck
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My best,
Ernie
The Official Buddy Emmons Website
www.buddyemmons.com
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- Michael Johnstone
- Posts: 3841
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- Location: Sylmar,Ca. USA
I concur with all the above and was present when Jeff was checking Chuck out as well as earlier in the day when Chuck was at the Carter booth.He was playing some NICE R&B changes and very interesting funky vamps,blusey licks and had a thumb strumming style I haven't seen before.He also demonstrated how his tuning was capable of copping the E9 Nashville style quite well.He explained his copedant and the reasons behind it and invited me to sit down and check it out - which I did.He had some changes,especially on the lower strings,which I'm definately gonna study and perhaps try to integrate into my tuning.Thanks Chuck. -MJ-
- David Wright
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Chuck sat up in the Sierra Demo Room with Joe, Pete and myself, can't put it in words how I felt about his playing just WOW, would love to send more time with him, I LOVE blues and could learn a new slant on it from him..
Thank's from all of us At Sierra for takeing the time to let us hear you, Hope to see you soon....
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[url=http://david_wright1.tripod.com/]My Web Page[/url]
Sierra S-12 9&7
Peavey-2000-PX-300
Thank's from all of us At Sierra for takeing the time to let us hear you, Hope to see you soon....
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[url=http://david_wright1.tripod.com/]My Web Page[/url]
Sierra S-12 9&7
Peavey-2000-PX-300
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Watching Chuck play gave me the same little chill that I got around 30 years that made me buy a steel. I have not felt this excited about playing in many years...
Also, getting to know him as the fine human that he is was also wonderful. His balance between his faith and his playing is nothing short of extraordinary. Hopefully, we are heading into some recording together, and man, does that ever please me.
Also, getting to know him as the fine human that he is was also wonderful. His balance between his faith and his playing is nothing short of extraordinary. Hopefully, we are heading into some recording together, and man, does that ever please me.
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- Blake Hawkins
- Posts: 1844
- Joined: 4 Aug 1998 11:00 pm
- Location: Florida
Yes! To all of the above comments. I enjoyed Chuck's variety of songs. I especially liked his arrangement of "Summertime."
His skills are fantastic and his willingness to teach and explain put him in the topmost group of musicians anywhere.
Thanks again to Ann and John Fabian for bringing him to the convention.
Chuck, it was really nice to meet you, thanks for sharing your skills.
Blake
His skills are fantastic and his willingness to teach and explain put him in the topmost group of musicians anywhere.
Thanks again to Ann and John Fabian for bringing him to the convention.
Chuck, it was really nice to meet you, thanks for sharing your skills.
Blake
In response to Ian's question, to the best of my knowledge no sacred steeler has ever been invited to play "on the program" at the ISGC. I've heard from several sources that after Lonnie Bennett's appearance in 2001 some top-ranking Nashville steelers strongly urged Scotty to book some sacred steel for 2001, but nothing became of it.
I applaude Lonnie and Chuck for the musicianship and diplomacy they presented at the ISGC in 2000 and 2001.
Thanks for your kind words Ian. My work in documenting and presenting sacred steel is a labor of love. Great music, a fascinating tradition and most of all, great folks. The work has enriched my life. I've learned a lot.
All the best,
Bob
I applaude Lonnie and Chuck for the musicianship and diplomacy they presented at the ISGC in 2000 and 2001.
Thanks for your kind words Ian. My work in documenting and presenting sacred steel is a labor of love. Great music, a fascinating tradition and most of all, great folks. The work has enriched my life. I've learned a lot.
All the best,
Bob