Stratosphere Boogie - HELP
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Stratosphere Boogie - HELP
This is a bit off topic, but I need help settling an argument regarding Stratosphere Boogie. Does anyone here know (as in definitively!) How Jimmy Bryant tuned the 12 string neck of his Stratosphere Twin on Stratosphere Boogie?
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I haven't messed with it but I read somewhere that it was a combination of major and minor thirds...
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Definitive? Maybe, maybe not ...
http://steelguitarforum.com/Forum10/HTML/004708.html
Rich Kneizle:
On their next session together, September 3, 1954, he used a doubleneck Stratosphere Twin guitar (he owned part of the Stratosphere company), playing on the 12 string neck with its pairs of strings tuned in thirds. It gave him a radically different sound, as though he had overdubbed a harmony part, and the four songs they recorded remain some of his finest moments.
http://steelguitarforum.com/Forum10/HTML/004708.html
Rich Kneizle:
On their next session together, September 3, 1954, he used a doubleneck Stratosphere Twin guitar (he owned part of the Stratosphere company), playing on the 12 string neck with its pairs of strings tuned in thirds. It gave him a radically different sound, as though he had overdubbed a harmony part, and the four songs they recorded remain some of his finest moments.
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Steve,I heard it was something like this.
High to low: GE EC CA AG GE EC
What this does is allow you to play all the two note harmonies that you could get on a C6th steel guitar on ajacent strings but play them as if they are single strings. This could make for some speedy two note harmony playing. Terrific idea! BW
High to low: GE EC CA AG GE EC
What this does is allow you to play all the two note harmonies that you could get on a C6th steel guitar on ajacent strings but play them as if they are single strings. This could make for some speedy two note harmony playing. Terrific idea! BW
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It's definitely a combination of minor and major thirds. When it worked this out a while ago, I figured it was tuned to minor thirds except for the 6th and 2nd string pairs:
EG# AC DF GBb BD# EG
<pre>
-----------------|------------------|--------------------
-----------------|------------------|-7-6-5-4---------0--
-----------------|---------10-9-8-7-|---------8-7-6-5----
---------4---6-4-|-----6-9----------|--------------------
---4-5-6---6-----|-5-8--------------|--------------------
-7---------------|------------------|--------------------
</pre>
I got interested in these cross tunings after hearing guys like Frank Wakefield do it on the mandolin. Bill Monroe even used similar mandolin tunings for songs like "Get Up John." <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dylan Schorer on 09 February 2005 at 06:52 AM.]</p></FONT>
EG# AC DF GBb BD# EG
<pre>
-----------------|------------------|--------------------
-----------------|------------------|-7-6-5-4---------0--
-----------------|---------10-9-8-7-|---------8-7-6-5----
---------4---6-4-|-----6-9----------|--------------------
---4-5-6---6-----|-5-8--------------|--------------------
-7---------------|------------------|--------------------
</pre>
I got interested in these cross tunings after hearing guys like Frank Wakefield do it on the mandolin. Bill Monroe even used similar mandolin tunings for songs like "Get Up John." <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dylan Schorer on 09 February 2005 at 06:52 AM.]</p></FONT>
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- John Billings
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