Paris Hilton's new CD
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Paris Hilton's new CD
The reality star says she loves her new album: "I, like, cry when I listen to it."
I think I would too if I heard it.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Shefrin on 28 August 2006 at 01:28 PM.]</p></FONT>
I think I would too if I heard it.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Shefrin on 28 August 2006 at 01:28 PM.]</p></FONT>
- Earnest Bovine
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- Earnest Bovine
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Fair enough. ".. if I heard it" made it sound as tho you hadn't heard it yet.
I'm downloading various songs from it now. "Stars Are Blind" sounds OK to me. She certainly sings right in tune, and the drummer keeps very steady time. I am however slightly disturbed by harmonic ambiguity at the end of the verses where, in addition to the expected dominant harmony, one also hears tonic harmony superimposed in the bass and synth pads.
I'm downloading various songs from it now. "Stars Are Blind" sounds OK to me. She certainly sings right in tune, and the drummer keeps very steady time. I am however slightly disturbed by harmonic ambiguity at the end of the verses where, in addition to the expected dominant harmony, one also hears tonic harmony superimposed in the bass and synth pads.
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As in most modern pop music of this kind you can be pretty sure that the vocals has been through some extensive autotune doctoring and the drums are most likely programmed (or 'audio quantized' after they were recorded).<SMALL>She certainly sings right in tune, and the drummer keeps very steady time.</SMALL>
Steinar
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Well, she got 1 and 1/2 stars in the Times:
Paris Hilton
"Paris" (Warner Bros.)
The cheap shot going around about the breathless musical debut of Paris, Pop Star, is that with the likes of producers and songwriters Scott Storch, Kara DioGuardi and J.R. Rotem at the helm, your grandmother could get a hit single.
But after an honest listen to the 11 songs on her dance-minded album, the reality — and the house of Paris is built on reality, albeit reality TV and videotape — is "Book that studio, Granny!"
Paris haters may be disappointed to discover that "Paris" (in stores today) isn't truly awful. That's the grandma factor at work. With infectious beats and hooky sonic textures established by the hit-laden pros surrounding her, all Hilton has to bring to the party is, well, Paris.
Her wispy voice, frequently double- or multitracked to create the illusion of substance, can make Betty Boop seem like Streisand. Her primary role model seems to be Gwen Stefani at her fluffiest, and the guiding musical principle here is the time-honored "KISS" — keep it simple, stupid.
Melodies rarely extend beyond four- and five-note motifs uttered repeatedly, creating little demand on a voice with little to offer. Themes are equally basic: Paris is sexy, Paris knows she's sexy, Paris wants everyone in the known universe to revel in her sexitude. Most songs are content to feed action on a dance floor with an inordinate amount of sonorous low frequencies, again to simulate musical heft.
Her single "Stars Are Blind," however, brings a hint of a musical identity to the mix. This catchy reggae-lite tune gives listeners more than a groove to latch onto with its Blondie-esque "The Tide Is High" pulse and endearing melody, and she projects vulnerability credibly.
The only truly authoritative vocals turn up in guest raps from Fat Joe and Jadakiss on the über-egocentric "Fightin' Over Me." On her own, she coos ("I Want You"), she purrs ("Turn You On"), she preens (remaking the Rod Stewart hit "Do Ya Think I'm Sexy" — wasn't once more than enough?), she pouts ("Jealousy").
Like cotton candy, the food group she most resembles, what may seem like a mouthful for a moment is gone in the blink of an eye, leaving a sweet aftertaste and empty calories behind.
Paris Hilton
"Paris" (Warner Bros.)
The cheap shot going around about the breathless musical debut of Paris, Pop Star, is that with the likes of producers and songwriters Scott Storch, Kara DioGuardi and J.R. Rotem at the helm, your grandmother could get a hit single.
But after an honest listen to the 11 songs on her dance-minded album, the reality — and the house of Paris is built on reality, albeit reality TV and videotape — is "Book that studio, Granny!"
Paris haters may be disappointed to discover that "Paris" (in stores today) isn't truly awful. That's the grandma factor at work. With infectious beats and hooky sonic textures established by the hit-laden pros surrounding her, all Hilton has to bring to the party is, well, Paris.
Her wispy voice, frequently double- or multitracked to create the illusion of substance, can make Betty Boop seem like Streisand. Her primary role model seems to be Gwen Stefani at her fluffiest, and the guiding musical principle here is the time-honored "KISS" — keep it simple, stupid.
Melodies rarely extend beyond four- and five-note motifs uttered repeatedly, creating little demand on a voice with little to offer. Themes are equally basic: Paris is sexy, Paris knows she's sexy, Paris wants everyone in the known universe to revel in her sexitude. Most songs are content to feed action on a dance floor with an inordinate amount of sonorous low frequencies, again to simulate musical heft.
Her single "Stars Are Blind," however, brings a hint of a musical identity to the mix. This catchy reggae-lite tune gives listeners more than a groove to latch onto with its Blondie-esque "The Tide Is High" pulse and endearing melody, and she projects vulnerability credibly.
The only truly authoritative vocals turn up in guest raps from Fat Joe and Jadakiss on the über-egocentric "Fightin' Over Me." On her own, she coos ("I Want You"), she purrs ("Turn You On"), she preens (remaking the Rod Stewart hit "Do Ya Think I'm Sexy" — wasn't once more than enough?), she pouts ("Jealousy").
Like cotton candy, the food group she most resembles, what may seem like a mouthful for a moment is gone in the blink of an eye, leaving a sweet aftertaste and empty calories behind.
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They have studio machines that fix out-of-tune vocals now. There's no way to know if she actually sings in tune or not.<SMALL>She certainly sings right in tune</SMALL>
I think that Paris Hilton is brilliant. The dumb blonde thing is all an act, perpetuating a very successful commercial image/product. She's not dumb.
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Look at this.
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But wait! There's more!