The saddest guitar solo ever?
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- David Mason
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The saddest guitar solo ever?
This is an adjunctive mutation of the "Like playing the blues??" thread: what is the saddest solo you've ever heard? Any instrument... I've been listening to "Layla and other assorted love songs" and Duane Allman's two solos on "Little Wing" have been frying my noodle. His non-slide playing is much underestimated in my opinion, he had a way with inside bends that's still unmatched and a huge range of expression. Those two solos are really, really sad....
http://steelguitarforum.com/Forum10/HTML/200544.html
http://steelguitarforum.com/Forum10/HTML/200544.html
- Erv Niehaus
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A lot has to do with one's mindset at the time. Let's face it, if the Flintstones theme is playing while you're watching your favorite old dog die, It'd probably make 'ya pretty sad everytime you heard it from here on out!
But, I know what 'ya mean about Layla. Listening to that closeing slide work and realizing that it was pretty much it for Duane is about as sad as it gets.
Robbie Bossert
But, I know what 'ya mean about Layla. Listening to that closeing slide work and realizing that it was pretty much it for Duane is about as sad as it gets.
Robbie Bossert
- Barry Blackwood
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The (steel) solo on Shania Twain's "You are still the one." Saddest thing I've ever heard ... (if you get my drift)<font size="1" color="#8e236b"><p align="center">[This message was edited by Barry Blackwood on 10 September 2005 at 08:58 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Barry Blackwood on 10 September 2005 at 09:00 AM.]</p></FONT>
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- Les Anderson
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A steel guitar in the hands of a true artist, pedal or non-pedal, can bring the emotion out of any song or tune.
A steel guitar has a very emotional tone to it to begin with; however, some players can bring out that emotion much better than others.
In fact, have any of you guys ever noticed that the players with the greatest mood swings or the more emotional, if not outright "high strung" seem to have the knack for getting the most emotional tones out of their instruments?
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(I am not right all of the time but I sure like to think I am!)
A steel guitar has a very emotional tone to it to begin with; however, some players can bring out that emotion much better than others.
In fact, have any of you guys ever noticed that the players with the greatest mood swings or the more emotional, if not outright "high strung" seem to have the knack for getting the most emotional tones out of their instruments?
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(I am not right all of the time but I sure like to think I am!)
- Mike Winter
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Ha-ha, Mr. Jim! You're right, but "Together Again" is sort of like "reverse psychology" as far as putting a happy message with a real tear-jerking tune. Agree or disagree? By the way, I missed you in St. Louis, and I hope all is well with you and your family! Perhaps I'll get to meet you next year! Anyway, back on track here, I really enjoy reading everybody's opinions concerning this topic! Keep 'em coming!
Yours truly,
Tay Joslin
Newbern, Tennessee
U.S.A.
Yours truly,
Tay Joslin
Newbern, Tennessee
U.S.A.
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Hey, Tay. Thanks for your well-wishes on my sister. Yes, Together Again is paradoxical in that way. I wonder if anyone can think of any other songs that meet that criterion: the music is sad, but the lyrics are happy, or vice versa... Offhand, I can't think of another one. Any takers?
(Maybe this is too big a detour and should be in its own thread? If so, Moderator, feel free to move it.)<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Cohen on 10 September 2005 at 10:30 AM.]</p></FONT>
(Maybe this is too big a detour and should be in its own thread? If so, Moderator, feel free to move it.)<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Cohen on 10 September 2005 at 10:30 AM.]</p></FONT>
- Webb Kline
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I confess that I have never been the Clapton fan that my wife is. I like him, just never was crazy over him. But, the last few DVDs I think have had some great emotional playing.
The first Crossroads Rehab benefit was the killer. Eric played a solo on Old Love that made the tears runs through about 5 or 6 replays. You could feel every pain that guy has ever had in that solo. That is truly the saddest solo I can think of.
The first Crossroads Rehab benefit was the killer. Eric played a solo on Old Love that made the tears runs through about 5 or 6 replays. You could feel every pain that guy has ever had in that solo. That is truly the saddest solo I can think of.
- Dave Mudgett
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When I think of sad, I often think minor-key. I think this is where blues excels. Two blues songs that come immediately to mind Cadillac Assembly Line by Albert King and especially The Thrill is Gone by B.B. King, which I first heard shortly after I started playing guitar (I think the album came out in '69). Both of these guys had a huge impact on the way I think about space and choice of notes in music.
Away from strict blues forms, Roy Buchanan's first LP has two songs that are among the penultimate expressions of saddness on guitar: Sweet Dreams and The Messiah Will Come Again. I can feel the lyrics in Roy's playing on Sweet Dreams. I believe Roy's reputation is primarily based less on his obvious creativity and technical ability, but more on his ability to coax such raw emotion out of his guitar.
I also agree on Together Again - if it's a happy tune, it's bittersweet at best, and the music and solo belie the lyrics. Another steel playing example that directly connects like that, for me, is Faron Young's version of Apartment #9. Who is that steel player? Sounds a bit like Pete Drake to me - very direct and to the point, and I mean that in a very good way - but I don't know.
Lots of tunes have contradictory music and lyrics. For a reverse example, consider Emmylou Harris' version of Gram Parsons' Luxury Liner, which is a screaming up-tempo Albert Lee barn-burner with lyrics like "I've been a long, lost soul for a long, long, time ... You think I'm lonesome, so do I, so do I"
Away from strict blues forms, Roy Buchanan's first LP has two songs that are among the penultimate expressions of saddness on guitar: Sweet Dreams and The Messiah Will Come Again. I can feel the lyrics in Roy's playing on Sweet Dreams. I believe Roy's reputation is primarily based less on his obvious creativity and technical ability, but more on his ability to coax such raw emotion out of his guitar.
I also agree on Together Again - if it's a happy tune, it's bittersweet at best, and the music and solo belie the lyrics. Another steel playing example that directly connects like that, for me, is Faron Young's version of Apartment #9. Who is that steel player? Sounds a bit like Pete Drake to me - very direct and to the point, and I mean that in a very good way - but I don't know.
Lots of tunes have contradictory music and lyrics. For a reverse example, consider Emmylou Harris' version of Gram Parsons' Luxury Liner, which is a screaming up-tempo Albert Lee barn-burner with lyrics like "I've been a long, lost soul for a long, long, time ... You think I'm lonesome, so do I, so do I"
Great Subject.
I think BB always broiled my beagle..
Hummingbird (*BB's)
EC and a few of the beatles as mentioned.
Getting back into the guitar with my New Tele is bringing ALL KINDS of things back into my small but special life.
I'm already beginning to notice a change in my neighbors...
EJL<font size="1" color="#8e236b"><p align="center">[This message was edited by Eric West on 11 September 2005 at 04:12 AM.]</p></FONT>
I think BB always broiled my beagle..
Hummingbird (*BB's)
EC and a few of the beatles as mentioned.
Getting back into the guitar with my New Tele is bringing ALL KINDS of things back into my small but special life.
I'm already beginning to notice a change in my neighbors...
EJL<font size="1" color="#8e236b"><p align="center">[This message was edited by Eric West on 11 September 2005 at 04:12 AM.]</p></FONT>
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- David Mason
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