JI for c6

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Christer Fredriksen
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JI for c6

Post by Christer Fredriksen »

Hi!
Could any of you forumites please send me/ post a link to a JI chart for c6?(a-c-e-g a-c-e-g)?
Thanks
Christer
C Dixon
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Post by C Dixon »

Sorry,

I did not realize I was in "no peddlers".

carl<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 25 January 2004 at 07:32 AM.]</p></FONT>
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Steinar Gregertsen
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Post by Steinar Gregertsen »

Supposing 'JI' means 'Just Intonation', you can go here: http://www.horseshoemagnets.com/_sgt/m3m3_1.htm and click on 'Tuning and Slanting'.

Steinar

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Christer Fredriksen
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Location: Kristiansand, Norway

Post by Christer Fredriksen »

thanks steinar!
christer
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Bobby Lee
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Post by Bobby Lee »

Tune the E's and A's 14 cents flat of the C's and G's.

I usually tune the C's and G's five cents sharp and the E's and A's 5 cents flat. It's a little bit out, but it allows the tuning to drift a bit without sounding horrible.

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Jesse Pearson
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Post by Jesse Pearson »

I use Bobs approach and it works great. I'm used to hearing it now. Image
Christer Fredriksen
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Location: Kristiansand, Norway

Post by Christer Fredriksen »

Thanks
I tried out Rick Aiellos tuning chart, and it sounds so much better than tuning all the strings "dead on" 440 hz. Is there any reason to why players seem to differ on what notes to sharp/flat, or is this just what your ears like? (Rick Aiello tunes the c to 440, while Bobbby Lee prefers 6 cents sharp)
Christer<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Christer Fredriksen on 27 January 2004 at 02:25 PM.]</p></FONT>
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Rick Aiello
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Post by Rick Aiello »

Actually, I tune my C (root) about 5-10 cents sharp ... so my A,E and that C# (C6/A7) are not too flat.

I just used C ... "straight up" in that particular explaination .. for "simplicity sake"

JB tunes his E "straight up" ...

As long as the intervals agree ... the reference note is a personal thing ... whatever you get used to ... Image

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Mike Fried
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Post by Mike Fried »

I recalibrate my tuner to A=442 and tune my tonic note(s) to zero there. The recalibration averages out the whole tuning better to compensate for the "detuned" major thirds and sixths. I then tune the rest of the strings to remove the beats and note where they end up on the tuner for future reference. And on a pedal guitar, this works better than any stock temperment chart, as each instrument has its own detuning and resonance characteristics.
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