Difference between fiddle and violin?
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Difference between fiddle and violin?
Hi all - dumb question time!
Is there a difference in instrument setup for "fiddle" players vs. "violin" players?
I'm asking because we're thinking about having my 3 year old Daughter start violin lessons (if she wants) with the Suzuki method, and they recommend having a parent learn at the same time. Now, I could care less about traditional classical violin, but I could happily put some effort into Western fiddle playing once I've got the basics down.
Any hints or tips? If it's any use, I'm a pretty fair guitar and bass player, know some theory and can get away with basic Western Swing steel. Stringed instruments don't scare me off!
Ian
Is there a difference in instrument setup for "fiddle" players vs. "violin" players?
I'm asking because we're thinking about having my 3 year old Daughter start violin lessons (if she wants) with the Suzuki method, and they recommend having a parent learn at the same time. Now, I could care less about traditional classical violin, but I could happily put some effort into Western fiddle playing once I've got the basics down.
Any hints or tips? If it's any use, I'm a pretty fair guitar and bass player, know some theory and can get away with basic Western Swing steel. Stringed instruments don't scare me off!
Ian
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"What's the difference between a violin and a fiddle?
A fiddle is fun to listen to."
Go here for more: http://www.mit.edu/~jcb/jokes/#violin
Keep on pickin'!
Glenn
A fiddle is fun to listen to."
Go here for more: http://www.mit.edu/~jcb/jokes/#violin
Keep on pickin'!
Glenn
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My son started on Suzuki violin; I think he was age 5, which was just fine. Some kids started even earlier. I'm sure Chris's general comment about age 3 being too young is true for most forms of formal education, but in Suzuki-land, it's really quite common and effective. Of course, they are learning by ear and by copying the instructor for the first 2 years, not trying to read music. They turn everything into a game and get amazing results, which I've personally witnessed.
My son has now moved on to alto sax as his preferred instrument of world torture but the experience he gained on Suzuki violin was immeasurable. One of the most important things it will do for the student is hone their ear, teaching good intonation. There are (like steel, of course) no frets and you have to work in a very small space to be in tune. Consequently, I would encourage you very much to go along for the lessons. You won't be learning "classical music" or "irish fiddling" or "bluegrass" or whatever. You'll be learning basic competence on the instrument so that you can later have the technique to play whatever music you choose. AND you'll be encouraging your daughter tremendously by being personally invested in the same thing that she is. Be sure to make practice time FUN and GAMES: that is the key to success, especially at such a young age. Good luck! <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen on 05 January 2005 at 07:58 AM.]</p></FONT>
My son has now moved on to alto sax as his preferred instrument of world torture but the experience he gained on Suzuki violin was immeasurable. One of the most important things it will do for the student is hone their ear, teaching good intonation. There are (like steel, of course) no frets and you have to work in a very small space to be in tune. Consequently, I would encourage you very much to go along for the lessons. You won't be learning "classical music" or "irish fiddling" or "bluegrass" or whatever. You'll be learning basic competence on the instrument so that you can later have the technique to play whatever music you choose. AND you'll be encouraging your daughter tremendously by being personally invested in the same thing that she is. Be sure to make practice time FUN and GAMES: that is the key to success, especially at such a young age. Good luck! <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen on 05 January 2005 at 07:58 AM.]</p></FONT>
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Erv, that's exactly what the young lady I sat beside (on a flight from Chicago to Los Angeles) told me when I asked the same question years ago. She played first chair violin for the LA Philharmonic. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ray Minich on 05 January 2005 at 08:24 AM.]</p></FONT>
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There are some fiddle tunings that are non standard, like for certain "old timey" music, but in general they are tuned exactly the same, and also like the mandolin.
Or like an upside down guitar.
There are some that play in a fiddle style off the shoulder,
but more that play fiddle music under the chin.
By far the best fiddlers I know play with a correct classic style, whather jazz of trad.
Actually as a mandolin player I would welcome the chance to work with a tyke in the Suzuki system. It would give me the excuse to add decent violin technique onto my existing mandolin and contrabass chops. I bow now, and I play fretless, but it's all at different angles.
But doing it with the little kid, would mean I kept hacking at it,
by the time they get good enough to go off on their own I would be acurate enough to gig a bit with fiddle.
I was helping Ursulal O'Keefe with her fiddle playing in Drogheda,
and AMOK says it was good for her and that she is now playing out with older trad music players, and they are praising her progress..
good for her!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 05 January 2005 at 10:03 AM.]</p></FONT>
Or like an upside down guitar.
There are some that play in a fiddle style off the shoulder,
but more that play fiddle music under the chin.
By far the best fiddlers I know play with a correct classic style, whather jazz of trad.
Actually as a mandolin player I would welcome the chance to work with a tyke in the Suzuki system. It would give me the excuse to add decent violin technique onto my existing mandolin and contrabass chops. I bow now, and I play fretless, but it's all at different angles.
But doing it with the little kid, would mean I kept hacking at it,
by the time they get good enough to go off on their own I would be acurate enough to gig a bit with fiddle.
I was helping Ursulal O'Keefe with her fiddle playing in Drogheda,
and AMOK says it was good for her and that she is now playing out with older trad music players, and they are praising her progress..
good for her!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 05 January 2005 at 10:03 AM.]</p></FONT>
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Seen on a bumper sticker:
"A violin,is a fiddle that's busted!"
(or,it could be the other way around)
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<font face="monospace" size="3"><pre> ~ ~
©¿© It don't mean a thang,
mm if it ain't got that twang.
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"A violin,is a fiddle that's busted!"
(or,it could be the other way around)
------------------
<font face="monospace" size="3"><pre> ~ ~
©¿© It don't mean a thang,
mm if it ain't got that twang.
www.ntsga.com</pre></font>
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My daughter learned Suzuki method from a Suzuki master. She was about 5 when she started. She is now 27 and plays rock guitar. She blows my mind how easily she hears what he is learning. The Suzuki method is an amazing way to develop the ear. Do it. It doesn't matter what material she learns. It will be the best the kid can get...... <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ron Sodos on 05 January 2005 at 03:01 PM.]</p></FONT>
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Thanks everyone for your encouragement! My little girl (Hannah) has quite a nice singing voice (for a 3 year old) and can hold a tune pretty well as long as she is in her range, so I'm pretty confident she has a reasonable ear. I'll chat to my Wife later and see if she likes the idea. Any excuse to buy more music stuff!
As an aside, you might be amused to know that both my kids' favourite lullaby is "Don't fence me in"! Hannah does a fair job singing along too.
Now - one more question, if you'll bear with me... What should I look for in a fiddle (apart from the obvious!)? How can I tell a good student instrument from a rubbish one? How about bows? Is Ebay a good/bad place to look?
Cheers,
Ian
As an aside, you might be amused to know that both my kids' favourite lullaby is "Don't fence me in"! Hannah does a fair job singing along too.
Now - one more question, if you'll bear with me... What should I look for in a fiddle (apart from the obvious!)? How can I tell a good student instrument from a rubbish one? How about bows? Is Ebay a good/bad place to look?
Cheers,
Ian
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