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Author Topic:  Why, Why, Why?
John P. Phillips


From:
Folkston, Ga. U.S.A., R.I.P.
Post  Posted 5 Jul 2001 9:04 am    
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I was just wondering, Why do we have all this BLASTING of music catagories? (I'm guilty too!) It don't matter what kind of music it is to me really. I listen to music according to the mood i'm in.Sometimes it's bluegrass, pure country, modern country, jazz, and sometimes I'm even in the mood for some soothing Anita Kerr stuff. There's some good in all kinds. why don't we just take what's good to us individually, and just not listen to the rest. I can't stand the metal krunch stuff my 18 yr. old likes, but even they surprise me occasionally with a song or special lick. Every piece of music is good to somebody or it wouldn't have been written.
Just my thoughts, How about yours?

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"LET'S GO STEEL SOMETHING" If it feels good, DO IT, if it feels "COUNTRY", do it TWICE
JPP


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Rick Collins

 

From:
Claremont , CA USA
Post  Posted 5 Jul 2001 10:07 am    
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John,

I like "some" of all classes of music; but I hate loud drums. If you frequent clubs, you might know that almost all bands need to attenuate the volume. Almost all clubs have poor acoustical qualities which makes it even worse.

Some bands would be great with a good sound engineer and they do themselves a disservice by not seeing this. I've gone into some clubs and when I opened the door, I could feel the pressure from the band "noise" against my face. On most tunes a drummer with only a snare with brushes will suffice.

Especially, when rhythm and bass are louder than vocal and lead, it's always offensive. I like most all music; but with me, it's the delivery that counts most when it's live.

Rick
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Pat Burns

 

From:
Branchville, N.J. USA
Post  Posted 5 Jul 2001 10:15 am    
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...instead of the word "music" in your question, substitute "food"...or "cars"...or "fishing poles"..."dogs"..."blondes"...

..people simply have likes and dislikes, it's human nature..
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Mike Perlowin


From:
Los Angeles CA
Post  Posted 5 Jul 2001 10:27 am    
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Speaking personally, I feel that music is sacred. It is one of the greatest gifts God has bestowed on Mankind. It is something spiritual and holy and wonderful.

I feel very strongly that music should exist for it's own sake and not simply as a means of makeing money. This doesn't mean people shouldn't be professional musicians or artists, but that they should bring some integrety to their craft.

I am offended when I see the quality of music compromised in order to appeal to the lowest common denominator. I think when executives at some record company decide to add disco drums or violins or lame white bread background vocals to a recording because they feel the will sell more records, they are commiting a crime against nature.

It is truly unfortunate that the music business is about business and not music.

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John P. Phillips


From:
Folkston, Ga. U.S.A., R.I.P.
Post  Posted 5 Jul 2001 11:57 am    
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AMEN to all. Thanks.

------------------
"LET'S GO STEEL SOMETHING" If it feels good, DO IT, if it feels "COUNTRY", do it TWICE
JPP


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Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 5 Jul 2001 1:54 pm    
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Like the other guys said...it's human nature. A lot of the folks like more traditional music, and this is one of the few places where they can make themselves heard. I am not against new forms of music, as long as they are added forms. I don't like "replacements", and I don't think a lot of people here do, either!

Most people sit back and say "Bluegrass, Big-Band, Classical, and Jazz music aren't being "replaced"...why do we have to do it to Classic Country???
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Jeff Lampert

 

From:
queens, new york city
Post  Posted 5 Jul 2001 1:57 pm    
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Quote:
It is truly unfortunate that the music business is about business and not music.


Mike,
At the risk of getting this off track, don't you feel that there is an upside to the commercialization of arts forms? For one, production values are incredible. The equipment and facilities that it takes to make state-of-the-art recordings are far too expensive for an artist to finance. What about the accessiblity. Without commercial distribution channels, how would you be able to buy songs that are recorded/performed across on opposite coasts, or across continents. Additionally, don't you feel that part of the reason that there is such universal recognition of incredible players is that their names and signature sounds are communicated around the world via all sorts of cable and TV hookups. Otherwise, many people would never see or hear them. Doesn't any of this count? I guess the downside of all this is that the people financing all of this stuff want to make a profit, and feel they should have a say in what is done if they think it will help make more money. The point is, if you throw out bath water, the baby may go with it.
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erik

 

Post  Posted 5 Jul 2001 2:33 pm    
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The title of this thread just reminded me of a song i wrote years ago that i totally forgot about. Thanks John.
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Jerry Johnston

 

From:
Roscommon,MI. USA
Post  Posted 5 Jul 2001 5:30 pm    
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I agree with Rick 100%. "Sound Men" have been a major gripe of mine for years as they have destroyed just about every concert and most TV shows I see now. I appreciate just about any kind of music which is done well. Especially if it features a steel. Thunder drums and distortion guitar can destroy any type of music.

Started with no talent--still have most of it.

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Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 5 Jul 2001 6:16 pm    
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Jeff...of course there are some "upsides" to the modern commercialization of music. Unfortunately, when anything is taken to ridiculous extremes (which has happened in the music industry, in case you hadn't noticed) it seldom helps the product.

No, you don't NEED a $75,000,000 studio to produce a good session.

And you don't NEED 50,000,000 in sales to make a profit.

And you don't NEED 264 tracks for a 7-piece group's recordings.

and you don't NEED a $1,000,000 video to launch each CD.

And you don't NEED to have a new "star" born each week.

But the big producers think you need all this...and more too (along with some nice 6 & 7 digit-salaries). The sad part is we're the ones paying for all of these little "necessities" when we buy an $18.00 CD from a big label...that the artist is making about $1.00 on!

Enough...is never enough (for some people). I know somewhere...someplace...someone's thinking "What kind of star do I have to come up with to outdo what Garth and Shania have done?"

Doesn't that make you "cringe" a little?
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Frank Parish

 

From:
Nashville,Tn. USA
Post  Posted 5 Jul 2001 6:44 pm    
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I listened to a lot of past interviews with Chet Atkins the past few days and he seemed to put it into perspective. He said they used to make 3 and sometimes 4 really good records in one day and now it takes months to turn out one with all the remixing and all. The part he said I liked the best was he didn't want to see country music lose its identity. He said he hated to see it go too far uptown. The records he made with The Browns and Jim Reeves were the ones he was most proud of. They still play those records today and to me the quality is every bit as good as todays records or better but do you think they'll play todays records 50 years from now? I seriously doubt it. That was when singers could sing and they didn't need to mix and remix for months.
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Jason Odd


From:
Stawell, Victoria, Australia
Post  Posted 5 Jul 2001 7:23 pm    
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Part of the process of music and the industry is the critical analysis and review of recordings and releases.
If we didn't have discrimintating tastes and boundries then we wouldn't need that.

Taste goes back to cultural upbringing, georgraphy and education. Some people listen to the most basic rock because they were young and dumb and never knew better, others view such music with a sense of irony, while others have a critical analysis of every crunching note and drum fill. For others they know it's dumb, but it reminds them of their youth or something, a moment in time.

Personally I love the chanting of Buddhist monks, but Gregorian charts and choral works leave me dead cold and bored.
Opera leaves me cold, but I love all of te rock band Queen's pompous 1970s output.

I grew up in the 1970s, hated disco and loved glam rock, T-Rex, Alice Cooper and David Bowie where my heroes, now I get down and boogie to some of those old disco greats, and when no-one's looking I may pretend I'm Ziggy Stardust.

It's Apple and Oranges, like comparing Buck Owens to George Jones, Black Sabbath to black Flag. It's subjective, and in many cases some of us are so ready to voice out opinion because we either have a big fat mouth or a wide taste in music and can't help but want to share our tastes.
(guilty as charged)

But if people hadn't written about the Velvet Underground, Can, Syd Barrett, Gram Parsons, Johnny Kidd, John Cale, Frank Zappa, the Sonic Youth, Uncle Tupelo, Funkadelic, the Replacements, Poco, Ole Rasmussen & His Nebrasken Cornhuskers, Johnny Dilks, Queens Of The Stoneage, the Violent Femmes, Cowboy Junkies and Billy Jack Wills, well... I'd probably have never tracked them down to check them out.
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Jeff Lampert

 

From:
queens, new york city
Post  Posted 5 Jul 2001 7:58 pm    
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Quote:
of course there are some "upsides" to the modern commercialization of music. Unfortunately, when anything is taken to ridiculous extremes (which has happened in the music industry, in case you hadn't noticed) it seldom helps the product.


You may not need the extremes that are pursued, but, in case YOU haven't noticed, the only folks paying for everything are the commercial interests. The differerence in a recording made in the 60's to one made in the 90's is huge. Listen, I'm the first one to lament the change in music styles, BUT, and this is a big but, the ones who have the means control the production. You want to change it, get a bunch of artists together, have them invest in a studio, build a distribution network, generate contacts with promoters, etc. etc. Well, that's not happening too soon. SO until that happens, the producers can and will do want they want to maximize their return on investment, which they are totally entitled to do, in any way they see fit.
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Joe Goldmark

 

From:
San Francisco, CA 94131
Post  Posted 5 Jul 2001 8:39 pm    
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There's more music being recorded these days than ever before. There's great commercial tunes and great independent stuff. I think the real problem is in the deregulation of the communications industry. In the last five years, large corporations have bought up most of the big radio stations around the country. What we get is homogenized radio, where there's no more regional hits and very little variety. So even though there's tons of great music out there, we're hearing very little of it on the radio. However, I'm hoping that internet radio becomes the saviour of the future.
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Geoff Brown


From:
Nashvegas
Post  Posted 6 Jul 2001 12:20 am    
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I couldn't agree more, Joe. While it may take insane amounts of money to produce the product that Music Row (among others) is selling these days, there is an incredible amount of great music...that sounds great,being recorded in small, low-budget studios with technology that's affordable to more folks than ever before. Many of these are in people's homes. Indie labels are popping up all over the place, in numbers never seen before. And they rely heavily on the internet to promote their music.
I'm a big advocate of internet radio. I listen to it all the time.I hear music I would never hear otherwise, and learn about great bands and musicians. And when I can afford it, I buy a CD. My musical tastes vary a great deal, and there is something for whatever I'm in the mood for. I usually only listen to the radio when I'm driving anymore. I have mentioned internet radio in a few posts. Sites like spinner.com, for example. But I've never seen anyone comment much on internet radio. I think people are really missing out on a great tool for hearing what's going on out there, beneath the drone of commercial radio that you are speaking of. Perhaps I'll start a thread in the music forum on this subject and see what happens.
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John P. Phillips


From:
Folkston, Ga. U.S.A., R.I.P.
Post  Posted 6 Jul 2001 6:40 am    
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Try Live 365 they've got all kinds of indie stations.

------------------
"LET'S GO STEEL SOMETHING" If it feels good, DO IT, if it feels "COUNTRY", do it TWICE
JPP

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Jack Stoner


From:
Kansas City, MO
Post  Posted 6 Jul 2001 8:05 am    
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I've listened (sometimes for a couple of hours) to internet radio stations. However, I have a lot of other things I do with my PC and can't see the logic of dedicating a relatively expensive PC as a "radio".
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Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 6 Jul 2001 8:24 am    
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Our local NPR station (KRPC) has a very mixed format in the evening and on weekends. They have scheduled "shows" that each feature a different kind of music. There are shows for jazz, folk, fiddle tunes, country, blues, obscure rock, live Greatful Dead recordings, local music, etc. There's no steel guitar show yet, but I have no doubt that I could sell them on the idea if I had the time to produce it.

Many of these shows are sponsored in part by business interests in the local music community - record stores, music stores, sound companies, etc. I think that this is the best kind of radio. No commercials, just good music programmed by folks who love it with a passion.

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Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (E9, D6), Sierra Olympic 12 (F Diatonic)
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
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Geoff Brown


From:
Nashvegas
Post  Posted 6 Jul 2001 1:48 pm    
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Jack, I do a lot of things with my computer as well. But I like to have music on while I'm doing those "things". I put music on, minimize the screen, and go about my business. A website like Live365.com for example, doesn't use much in the way of system resources. I go to a station I like, bring it online, and minmize the little player. No big deal, really. I can go to other websites, or do anything I wish on the computer, or away from it.. while the music plays in the background. I can listen to nothing but PSG if I desire. Old country standards, or great new stuff. But my system is by no means a "dedicated radio", as you suggest. I'm not limited to listening to the AM or FM airwaves, waiting for one or two decent songs to come along, or obnoxious DJs and commercials. What are you listening to, and is it accessable to most of us? I'd be glad to give it a listen.
The point I was trying to make was that there is an alternative to listening to what most current radio formats are offering listeners..be it country, blues, R&B...whatever. That's all. Many posts in the forum address the perception that country music is sliding down a slippery slope. I disagree. Perhaps radio is. Perhaps the "business" is. But not the music. A few forumites have posted their favorite places to go online for listening in the "INTERNET RADIO...DO YOU LISTEN?" thread. I hope others will do so. You might check it out sometime.

[This message was edited by Geoff Brown on 06 July 2001 at 03:08 PM.]

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Deana Clark

 

From:
Beverly, Ohio., USA
Post  Posted 7 Jul 2001 6:19 am    
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I agree that we all have the right to listen to what we want, and we can turn off the radio any time we want to. BUT, it is when someone calls themselves "country" and puts out tunes that are rock, that I get irritated. And the fact that big money is destroying my favorite kind of music, is sickening. If they want to do rock music, then by all means- go for it. But preserve our music, please! BTW, I like all kinds of music, jazz, classical, big band, soul-- but traditional country happens to be my favorite, and I'd like to see it stick around for awhile.
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Frank Parish

 

From:
Nashville,Tn. USA
Post  Posted 7 Jul 2001 7:13 am    
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The "New Country" as they call it now is more rock than country by far. They use formulas for deciding whether it's country or not. They seem to think if it has a steel guitar and a fiddle, it's country even though there's this screaming rock guitar mixed in that isn't country by any means. Another thing I've noticed is how they have to mention "the farm" or "pick-up trucks" or "cowboys" and thats supposed to make it country.
They must think that contributes to it being country. Obviously they are trying to make every so called country artist a crossover artist because that's where the money is, more record sales. I wouldn't want to go back to the days of Hank Williams for the standard of country music but todays stuff just doesn't have any substance. Internet radio is more and more appealing all the time.
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John P. Phillips


From:
Folkston, Ga. U.S.A., R.I.P.
Post  Posted 7 Jul 2001 8:27 am    
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After thinking about it, Maybe it wouldn't be so bad to Go back to the days of HANK. That would give a lot of us what we seem to want. Just think, the talent and style of yesterday, with today's technology??????

------------------
"LET'S GO STEEL SOMETHING" If it feels good, DO IT, if it feels "COUNTRY", do it TWICE
JPP

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Joe Casey


From:
Weeki Wachee .Springs FL (population.9)
Post  Posted 7 Jul 2001 12:10 pm    
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I do believe that a lot of us grew up with multilpe choices of good Music. I chose Country but I love The Tony Bennetts Frank Sinatra and a lot of the Doo Wop that still last in the memories of us 60 year old farts.I think Jason hit the nail on the head.I will forever be Country but I like a lot of whats happening now. Maybe I don't like the rise and fall of so many future has-beens. But a good song is still a good song. And there really was two or Three good ones last year.Namr them Naw they faded too fastto create a memory.

------------------
CJC


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Geoff Brown


From:
Nashvegas
Post  Posted 7 Jul 2001 5:35 pm    
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Hank Williams III sounds a lot like his granddaddy on some of his songs
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Jody Carver


From:
KNIGHT OF FENDER TWEED
Post  Posted 7 Jul 2001 8:28 pm    
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Hi When do you all you guys sleep???
Good Night

[This message was edited by Jody Carver on 07 July 2001 at 09:29 PM.]

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