Pure Prairie League
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Pure Prairie League
From www.tipworld.com
<i>The following was written by a man named Michael Simmons. I don't know him, never met him, and don't necessarily agree with anything he has to say below. I just thought you might be interested in reading it, okay??
Love and kisses,
Jim</i>
"Pure Prairie League was one of the best bands in the second wave of country rockers that followed in the wake of the Byrds and Gram Parsons. The band was formed in Cincinnati in 1971 by Craig Lee Fuller, George Powell, Jim Lanham, and Tom McGrail, who named the group after a woman's temperance group from the Errol Flynn movie
"Dodge City." By the time their self-titled first album was released, McGrail had left the band, which started an ongoing trend of personnel changes that plagued the band throughout its life span. Their second record, which was released in 1972, was entitled Bustin' Out, and it included the song "Amie," which quickly became a concert favorite. Their label was a little slow on the uptake, and when they finally got around to releasing a single of it in 1975, it made it to the Top Forty pop charts. Bustin' Out also included string arrangements by David Bowie's guitarist Mick Ronson. Over the next few years, band members continued to come and go, hampering the band's ability to maintain a consistent sound. In 1979, replacement guitarist Larry Goshorn was replaced by a 22-year-old Vince Gill, who sang on the band's biggest hit, "Let Me Love You Tonight." The Pure Prairie League continued to perform until 1987, when it finally broke up for good.
By Michael Simmons (not Jim Cohen)<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen - not Michael Simmons - on 02 October 2000 at 10:30 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen on 02 October 2000 at 11:23 AM.]</p></FONT>
<i>The following was written by a man named Michael Simmons. I don't know him, never met him, and don't necessarily agree with anything he has to say below. I just thought you might be interested in reading it, okay??
Love and kisses,
Jim</i>
"Pure Prairie League was one of the best bands in the second wave of country rockers that followed in the wake of the Byrds and Gram Parsons. The band was formed in Cincinnati in 1971 by Craig Lee Fuller, George Powell, Jim Lanham, and Tom McGrail, who named the group after a woman's temperance group from the Errol Flynn movie
"Dodge City." By the time their self-titled first album was released, McGrail had left the band, which started an ongoing trend of personnel changes that plagued the band throughout its life span. Their second record, which was released in 1972, was entitled Bustin' Out, and it included the song "Amie," which quickly became a concert favorite. Their label was a little slow on the uptake, and when they finally got around to releasing a single of it in 1975, it made it to the Top Forty pop charts. Bustin' Out also included string arrangements by David Bowie's guitarist Mick Ronson. Over the next few years, band members continued to come and go, hampering the band's ability to maintain a consistent sound. In 1979, replacement guitarist Larry Goshorn was replaced by a 22-year-old Vince Gill, who sang on the band's biggest hit, "Let Me Love You Tonight." The Pure Prairie League continued to perform until 1987, when it finally broke up for good.
By Michael Simmons (not Jim Cohen)<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen - not Michael Simmons - on 02 October 2000 at 10:30 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jim Cohen on 02 October 2000 at 11:23 AM.]</p></FONT>
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- Chris Schlotzhauer
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Just heard Amie the other day. First time in many years. I have to admit i was "Amied out" in the 70s. That song was played every day for 5 years on the rock stations around here. That and Aqualung.
Saw them with Vince Gill the same year that pop song(Let Me Love You..) came out. I think Vince was playing a black LP Custom then.
Anyways, i like my Country Rock with <font color=orangered>fire</font>, so i feel the Outlaws took it to the next and highest level. But, they were more ROCK with Country twang.
Saw them with Vince Gill the same year that pop song(Let Me Love You..) came out. I think Vince was playing a black LP Custom then.
Anyways, i like my Country Rock with <font color=orangered>fire</font>, so i feel the Outlaws took it to the next and highest level. But, they were more ROCK with Country twang.
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I played with Vince during that period, and I know it wasn't a stoned out smile. I never knew Vince to use anything stronger than Budweiser.
I love those two albums Vince did with PPL. He played some of the best Larry Carlton type rock and roll guitar I have ever heard (and did some killer dobro parts, as well).
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www.tyacktunes.com
I love those two albums Vince did with PPL. He played some of the best Larry Carlton type rock and roll guitar I have ever heard (and did some killer dobro parts, as well).
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www.tyacktunes.com
- Kenny Dail
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My two favorite bands from that time period were "Poco" and "Pure Prairie League." I liked John David Call and Rusty Young for their Steel playing abilities but, IMO, both band's strongest appeal was their vocal harmonies, not their instrumentation. Poco's harmonies (such as "Bad Weather" and "Magnolia") are unmatched. PPL harmonies (such as "Amie" and "K.C. Southern") are equally unmatched. I heard differences in their homony stylings that made them unlike each other. NRPS was also a preferred favorite during this period but their music was more "bubbly" or happy, but not noted for vocal harmonies.
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kd...and the beat goes on...
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kd...and the beat goes on...
Actually I'm quite fond of the PPL albums, they are some of the first country-ish albums I ever heard, them and the Ozark Mountain Daredevils.
The weird thing about PPL is that RCA stuck with them for their 1972 album despite the group pretty much falling to pieces and being unable to tour it straight away as they had to rebuild the band. {their second LP was finished off with sessions dudes}, now Californina group Swampwater were cutting their second RCA LP in 1972 and the label just dumped them.
Go figure the record biz!
The weird thing about PPL is that RCA stuck with them for their 1972 album despite the group pretty much falling to pieces and being unable to tour it straight away as they had to rebuild the band. {their second LP was finished off with sessions dudes}, now Californina group Swampwater were cutting their second RCA LP in 1972 and the label just dumped them.
Go figure the record biz!
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That is a good question, where is John David Call?
He left the group about three times that I know of, he actually bailed for a few months while they were touring the first album and writing the second, but his replacement got an ear infection so he rejoined, of course he bailed not long after and came back in 1975.
Most of their albums are pretty good too, a little light weight at times, and yeah the last couple of albums were signs off a strong comeback, but of course Vince had other things cooking before too long.
He left the group about three times that I know of, he actually bailed for a few months while they were touring the first album and writing the second, but his replacement got an ear infection so he rejoined, of course he bailed not long after and came back in 1975.
Most of their albums are pretty good too, a little light weight at times, and yeah the last couple of albums were signs off a strong comeback, but of course Vince had other things cooking before too long.
Re: John David Call
I have the intro to "Out on the Street" on Dick's Licks in the web site-when Dick and I worked it out, I posted for Call's whereabouts, and no one seemed to know.
Cage is in town, and I'll be seeing him tomorrow-maybe he's got a clue.
John
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Fulawka D-10 9&5
Better Late than Never!
www.johnbarnold.com/pedalsteel
I have the intro to "Out on the Street" on Dick's Licks in the web site-when Dick and I worked it out, I posted for Call's whereabouts, and no one seemed to know.
Cage is in town, and I'll be seeing him tomorrow-maybe he's got a clue.
John
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Fulawka D-10 9&5
Better Late than Never!
www.johnbarnold.com/pedalsteel
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POCO verged on being a supergroup. Their songwriting, orchestration, vocal harmonies, and overall tightness were the class of the period. PPL was workmanlike - just like Alabama, they were more accessible to the listeners, and did some real catchy tunes like "Amie" and "I'll Fix Your Flat Tire, Merle", which was a hoot. POCO was progressive, almost too heady by comparison, although they made up for it in concerts by being raucous. But their recordings, IMO, blow away the other groups of their time. And if anyone needs to be convinced of this, they should pick up the studio copies of "Pickin' Up The Pieces" and "Consequently So Long". Check out the moving bass lines, the involved steel work, twin guitar/steel leads, production arrangements, highly voiced harmonies, etc. This type of stuff just was not being done by the other country rockers.
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- Bob Hoffnar
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