Changes for Buddy's Perdido

Chet · Post by **Chet** » 12 Oct 2001 2:30 pm

Has anybody tabed the Riff In BE's Perdido?
I'm wanting to know the chord changes. I realize that Riffs normally cover the changes for the A or B part. I not sure this does...

I guess he has more then one cut. All I know it's the big band Riff he plays in the middle of it.. Not sure which cut that's on. Could be on both (all)..

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Chet Force
Carter D-10
Nashville 1000
Adrian, Michigan

Ernie Renn · Post by **Ernie Renn** » 13 Oct 2001 2:23 am

Perdido Chord Chart from Jazz Chord Charts

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My best,
Ernie

The Official Buddy Emmons Website
www.buddyemmons.com

Chet · Post by **Chet** » 13 Oct 2001 9:00 am

Thanks Ernie..I already have that chart.... I guess that I'm having trouble with fitting The Riff to the changes... I know that BE has a tab on Perdido and I would be glad to purchase it, if it included the Riff and changes that go behind it... I have this burning desire to get this down...

Jeff Lampert · Post by **Jeff Lampert** » 13 Oct 2001 3:02 pm

Chet, this is the riff that is done 2/3 the way through, with the big horns. The main thing is that it uses pedal 7 for that kind of voicing. This is the pedal that raises string 3 from C to D and string 4 from A to B. Key of course is Bb. Where you see an asterisk * , those notes are a triplet played real fast. At the end of the riff, it sounds like he might be playing an octaves here or there. Not sure. Also, the second time through, there is a two part harmony of the last lick.

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3_________________________________________________________________________________
4____15(7______________________15(7_____15(7__14(7________________________________
5_________15_____________15*________15____________________________________________
6_____________15______15*_________________________________________________________
7__________________15*____________________________________________________________
8_________________________________________________________________________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3___10(7_______________________10(7______10(7__9(7________________________________
4________10(7___________10(7*_______10(7__________________________________________
5_____________10_____10*__________________________________________________________
6_________________10*_____________________________________________________________
7_________________________________________________________________________________
8_________________________________________________________________________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3____8(7_________________8(7_______8(7__7(7_______________________________________
4________8(7________8(7*______8(7_________________________________________________
5____________8____8*______________________________________________________________
6_______________8*________________________________________________________________
7_________________________________________________________________________________
8_________________________________________________________________________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3__________10_~_9_____10_~_9_____10_~_9___________________________________________
4_______10________10_________10__________10_______________________________________
5____10___________________________________________________________________________
6_________________________________________________________________________________
7_________________________________________________________________________________
8_________________________________________________________________________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

Chet · Post by **Chet** » 15 Oct 2001 7:56 am

Thanks a Ton Jeff... I'm not trying to push my luck here... But is this riff played using the chord changes of the B Part, or is the band using a different progression?

Jeff Lampert · Post by **Jeff Lampert** » 15 Oct 2001 8:17 am

I'm not sure what you mean by A or B part. I guess you mean the main verse is A and the bridge is B. Anyway, it is played over the chords for the main verse - Cm7 F7 BbMaj7 Bb6, etc. etc.

Chet · Post by **Chet** » 15 Oct 2001 8:26 am

Jeff, I owe you one.... It's simple amazing how easy it is when you know what your doing.
I tried different combinations for a long time... but missed that one... I do have some problems hearing inversions... Give me the same chord in a different inversion and I'm trying make it something different then what it is..

Yes, I used A and B to discribe the two different chord progressions...

Thanks again Jeff..

John Steele · Post by **John Steele** » 15 Oct 2001 9:33 am

uh huh... I thought so.

That's the A part, Chet

Good work, as always, Jeff.
-John

John Steele · Post by **John Steele** » 20 Oct 2001 11:31 am

Chet, you said you were having trouble hearing the changes and how it all fits together...
Maybe if you looked at each part of this riff as a chord (which loosely matches the chords for the head) it would make more sense:
<pre>
Cm9 F7+5 BbM9 G9 Cm7 F9 Bb6
1------|-------|-----|-----|-----|------|----
2------|-------|-----|-----|-----|------|----
3--3(7-|--3R---|-----|-2---|-----|-0----|----
4--3(7-|--3----|--5--|-2---|--3--|-0----|-10-
5--3---|--3(5--|--5--|-2---|--3--|-0----|-10-
6--3---|--3----|--5--|-2(6-|--3--|-0(6--|-10-
7------|-------|--5--|-----|-----|------|-10-
8--3*--|-------|-----|-----|--3*-|------|----
9------|-------|--5*-|-2(6*|-----|-0*---|----
10-----|--3(5--|-----|-----|-----|------|-10*

</pre>
I have written the roots in, with a * next to them. You might want to hit that note first, let it ring, then play the chord above it. Bear in mind that these are just one example of how one might voice these chords. I have tried to leave the melody line of the riff on the top, so it sings out and you can hear it. Big M means major, little m means minor.
Does that make more sense ?
-John [This message was edited by John Steele on 20 October 2001 at 12:32 PM.]

Chet Force · Post by **Chet Force** » 21 Oct 2001 10:36 am

Thanks John, yes it does... I'm now in Fla...
Am I glad to get the trip out of the way... been dying to get the picks on...