When Two Worlds Collide

SmallCap · Post by **SmallCap** » 16 Jul 2001 12:38 pm

Hi Friends,

I wonder if anyone of You could help me with the intro of this song, performed by John Prine and Trisha Yearwood.

I understand it starts of with the sixthes on strings 3 and 5 at frets 10 to 12, then commences with strings 4 and 6, but then I'm lost.

If anyone has tabbed this one out - please give me a hint.

by the way - who played the steel on that song?

------------------
I may be old, fat and ugly
but I'm keepin' it country
what's wrong with the way
that we're doin' it now
~~~~~~~~~~~~~~~~~~~~~~~~
Jagiella SE-10 3x4 honey
~~~~~~~~~~~~~~~~~~~~~~~~

[This message was edited by SmallCap on 18 July 2001 at 01:16 AM.]

Dave Burr · Post by **Dave Burr** » 19 Jul 2001 1:39 pm

According to this article http://www.getmusic.com/artists/amg/Album/113/A432113.html Buddy Emmons and Dan Dugmore played steel on this album.
------------------
Regards,
Dave Burr
Remington Sustainmaster S-10 w/pad 3x4

[This message was edited by Dave Burr on 19 July 2001 at 02:40 PM.][This message was edited by Dave Burr on 19 July 2001 at 02:47 PM.]

Jeff Lampert · Post by **Jeff Lampert** » 22 Jul 2001 6:44 pm

"R" = 1/2 tone raise

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3___9___10___11___11_~_12___10____________________________________________________
4________________________________11_~_12_~_11___10________________________________
5_______10___11___11_~_12___10_________________________12_~_12a___________________
6________________________________11_~_12_~_11___10________________________________
7_________________________________________________________________________________
8______________________________________________________12_~_12____________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

<pre>1_________________________________________________________________________________
2_________________________________________________________________________________
3_________________________________________________________________________________
4______________________________________12__~_12_~_12__~_12_~_12___________________
5____10a_~_10_~_9__~_8a_____12__~_12a__12a_~_12_~_12a_~_12_~_12a__________________
6___________________________12b_~_12b ~__~_~_12_~_12b_~_12_~_12b__________________
7_________________________________________________________________________________
8____10__~_10_~_9R_~_8R___________________________________________________________
9_________________________________________________________________________________
10________________________________________________________________________________</pre>

SmallCap · Post by **SmallCap** » 29 Jul 2001 10:33 am

Thanks, Jeff.

That was exactly what I needed I couldnt figure out that lick on strings 5 & 8. Now it sounds just fine.

Paul Brainard · Post by **Paul Brainard** » 27 Sep 2001 6:58 pm

If I'm not mistaken, Al Perkins played on a few tunes as well, and I think this was one of them. . .Depending on where you have the B-Bb change you could also stay on the 10th fret for that lick, dropping the 5th string with your KL then as you raise it back up lower the 10th for the resolution.

ps, you'll hear the same lick quite a bit slower in the intro to "I know one" two tracks later on the album.

P Gleespen · Post by **P Gleespen** » 28 Sep 2001 5:34 am

I could be wrong (and I often am...) but I'm pretty sure that this track is the only one on that cd that has Buddy on it.

That's a great great disc. (Especially the cuts with Iris Dement)

Jon Light · Post by **Jon Light** » 28 Sep 2001 2:46 pm

This cut has Al Perkins.
Buddy is on the two Melba Montgomery duets, 'Milwaukee Here I Come' and 'We Must Have Been Out Of Our Minds'.

P Gleespen · Post by **P Gleespen** » 15 Oct 2001 3:32 am

Whoops, you're absolutely right there Jon. Funny how the old memory plays tricks...

Al's tone on that track is ab fab!