PF does this at the end of the second verse fills on AJ's Fairwell Party. Goes from V to the I ... my take on it anyhow
bb == lower a whole tone
<font face="monospace" size="3"><pre>
1_______________________________
2___11bb~12bb~11________________
3_______________________________
4_________________11R__11R~~11L_
5___11A~~12~~~11__11A__11A~~11__
6_________________11___11~~~11__
7_______________________________
1_______________________________
2_______________________________
3_______________________________
4___11L~~~8~~~3~~~~3R___________
5___11~~~~8~~~3A~~~4A___________
6___11~~~~8~~~3B~~~4____________
7_______________________________
</pre></font>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Steve Richter on 26 September 2000 at 10:04 PM.]</p></FONT>
Emmons Cross Variation
Moderator: Ricky Davis
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Try out this interpretation. Please note on part "A," strings 1 and 4 are picked only once, the rest is slide and sustain and squashing knee levers. On part "B," the first two hits at the 13th fret do not require blocking so the fill kinda sounds like bells. Timing and feel will ultimately come from your innards!
"A"
<font face="monospace" size="3"><pre>
1______4-6~_______7~7R_________
2_____________________________
3________________________7B___
4___________6c___ 7~7L________
"B"
1_______________________ 13__
2___________13__________ 13____
3______________________________13
4______________________________13
5_13A~13A________13~13__________
6_13~~13B__ 13B__13~13A________
</pre></font>
"A"
<font face="monospace" size="3"><pre>
1______4-6~_______7~7R_________
2_____________________________
3________________________7B___
4___________6c___ 7~7L________
"B"
1_______________________ 13__
2___________13__________ 13____
3______________________________13
4______________________________13
5_13A~13A________13~13__________
6_13~~13B__ 13B__13~13A________
</pre></font>