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Author Topic:  Autumn Leaves - Fours!
John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 18 May 1999 2:00 pm    
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For an explanation of why this thread exists, or questions and comments on it, please see the thread entitled "Autumn Leaves-Notes"
O.K., Here we go !

Tab:

Pickup, and Bars 1 - 4

Bar#  (pickup notes)                1                  2
 
    E7b9                            A-                 D7                                                 
1--------------------------------|:------------------|----------------------------|
2--------------------------------|:------------------|----------------------------|
3--------------------------------|:------------------|----------------------------|
4-----------------------5(7)~~5--|:-----5(7)---------|----------------------------|
5------------------5(5)-5(5)-----|:--5---------------|--------------9~~7--------7-|
6-------------5(6)------5(6)-----|:----------5-------|--------9(6)--------7--8----|
7-------4~~5------------5--------|:-------------7----|-----9----------------------|
8----5---------------------------|:---------------7~~|~~9-------------------------|
9--------------------------------|:------------------|----------------------------|
10-------------------------------|:------------------|----------------------------|
  1  .  2  .  3    .    4     .      1   2   3  4 .     1  .  2     .  3  .  4  .

Bar# 3                       4

  GM7                        CM7
1---------------------------|------------|
2---------------------------|--7---------|
3------9~~8--7-----7--7(7)--|--------7~~-|
4-~~9-----------7-----------|--7--7~~~~~-|
5---------------------------|------------|
6---------------------------|-----7~~~~~-|
7---------------------------|--7---------|
8---------------------------|------------|
9---------------------------|-----7~~~~~-|
10--------------------------|------------|
    1  .  2  3  .  4  .        1  2  . 


sound file 93KB
http://www.neuro.uoregon.edu/~gleason/Al1-4.wav
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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 18 May 1999 11:09 pm    
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Ok, Here's my 4-bar response.

Tab:

   F#m7b5               B7                         Em
1---------------------|--------------------------|-------------------|
2---------------------|--------------------------|-------------------|
3--9-9----------------|------------------------6-|-7------7-6-----6--|
4------11-10-9-9------|-----------------9--------|------7-----7-6----|
5----------------10-9-|-9(5)-9(5)-10(5)---9(5)---|-------------------|
6---------------------|--------------------------|----7--------------|
7---------------------|--------------------------|-------------------|
8---------------------|--------------------------|-------------------|
9---------------------|--------------------------|-------------------|
10--------------------|--------------------------|-------------------|

 Em
1---------------|
2---------------|
3---------------|
4-7-------------|
5--------7-6-5~~|
6-------7-------|
7-----7---------|
8---7-----------|
9---------------|
10--------------|


Here's a sound file for the tab. http://darkwing.uoregon.edu/~gleasonj/Autumn/al5-8.wav

It's a 332K .wav file, so it might take a minute or two to download from a slow connection. Might take me a day or two to get to the next one. Your move, Mr.Steele...
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John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 19 May 1999 11:36 am    
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Tab:

Bars 9-12

Bar# 9                   10                     11
    A-13                 D7b9                  GM7
1----------------------|-----------------------|-----------------|
2----------------------|-----------------------|--7(6)~~7--------|
3---12(7)~~12----------|--12(7)~~12~~----------|--7--------7-----|
4---12(7)~~12----------|--12(7)~~12~~----------|-----------------|
5---12~~~~~12--12------|--12~~~~~12------------|--7-----------7--|
6---12-----12------12--|--12(6)--12(6)--12(6)--|-----------------|
7----------------------|----------------12-----|-----------------|
8----------------------|----------------12-----|-----------------|
9----------------------|-----------------------|-----------------|
10---------------------|-----------------------|-----------------|
  1  .     2   3    4      1      .   2  .  34  1 .     2  3  4

bar 12
  CM7
1--------------------|
2--------------------|
3-----12-------------|
4--------~12(7)------|
5---------12-----12--|
6---------12-----12--|
7---------12-----12--|
8----------------12--|
9--------------------|
10-------------------|
       1  .   2   . 34

http://www.neuro.uoregon.edu/~gleason/al9-12.WAV sound file around 90KB
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John Lacey

 

From:
Black Diamond, Alberta, Canada
Post  Posted 19 May 1999 3:04 pm    
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Nice useage of the 6th. ped. over the B7th. chord in the first go-around, Jerry. Nice chromaticism. I'm learning.
By the way, what guitar are you playing on that wav. file?

[This message was edited by John Lacey on 05-19-99]

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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 19 May 1999 4:08 pm    
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Very nice, John (Steele)! I'll have to work hard to keep up with you.

John L., Thank you for the kind words. Actually, it's the 5th pedal for a B7 chord at the ninth fret. You can play the F#m7b5 with pedal 6 at the ninth fret, then rock over to to the 5th pedal for the B7.

The guitar is a Carter, an instrument which has always pleased me. (but let's not start that brand x versus y argument here, folks...)
I have Lawrence 710's on both necks.

I'll try to post another 4 bars tomorrow. Stay tuned.

[This message was edited by Jerry Gleason on 05-19-99]

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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 19 May 1999 9:53 pm    
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Alright, almost halfway through the tune. Here's my solo on bars 13-16:

Tab:

     F#m7b5            B7                    Em
1------------------|---------------------|---------|-----------|
2------------------|---------------------|---------|-----------|
3-9----------------|---------------------|---------|-----------|
4---10-9-----------|---------------------|---------|-------7~8~|~9~~~~
5--------9-8-------|---------------------|---------|------7~~8~|~9~~~~
6------------8-5-6-|-7------7------------|---------|-----7~~~8~|~9(6)~
7------------------|------7---9----------|---6-7-6-|----7~~~~8~|~9~~~~
8------------------|---7-------9---------|-7-------|-7~~~~~~~8~|~9~~~~
9------------------|------------9(5)-----|---------|-----------|
10-----------------|----------------9(5)-|---------|-----------|


And, here's the http://darkwing.uoregon.edu/~gleasonj/Autumn/al13-16.wav sound file that goes with it. Again, it's a 332K .wav file.
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John Lacey

 

From:
Black Diamond, Alberta, Canada
Post  Posted 20 May 1999 7:11 am    
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Thanks for responding Jerry. The reason I ask about the guitar is that I was seriously looking at Carters at Wayne Link's due a month ago and I was looking for "that" tone that you got on that wave file, but did not find it on those guitars. That's hands notwithstanding. Also, the wave file really helps me hear the changes. Do you have a really good soundcard? Could I make one with a generic soundcard and an input from my Mackie mixer into the mic input of my computer? I'd like to join you boys.
PS- Jerry, in playing over the F#m7b5, are you regarding it as a diminished (half) and thinking about diminished scales for it? It's been a stumbling block for me.

[This message was edited by John Lacey on 05-20-99]

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John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 20 May 1999 9:06 am    
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John, if I may jump in here... Yes, by all means, join in! The more the merrier.
Yes, the F#m7b5 chord is also called "F# half-diminished". You have two scale choices to use over this chord. First, the 7th mode (locrian mode) of the major scale. In the case of F#m7b5, it comes from the G major scale.
e.g. F#-G-A-B-C-D-E-F#. That's the one Jerry used. Look closely at his tab for bar 13, and you'll find they are all notes from the G major scale.
The second option in the 6th mode of the melodic minor scale, (also called Locrian, or half-diminished mode)in this case, for F#m7b5, you'd use A melodic minor.
e.g. F#-G#-A-B-C-D-E-F#. You'll notice the difference between the two lies simply in G# versus G natural. The melodic minor mode sounds more "modern". I'll try to use it in my next four bars as an example. The diminished scale you mentioned is not used for half-diminished chords. Only for diminished chords and 7b9 chords. (The pickup bar I wrote leading into bar #1 used the Half-step-whole step diminished scale over the E7b9)(E-F-G-G#-A#-B-C#-D)
This dialogue is great! I'm going to keep my comments on sections in the "notes" thread though, in case someone wants to print this one off.
- John
p.s. It might be timely to dig up that old thread on Modes in the bar chatter section, I'll look for it!

[This message was edited by John Steele on 05-20-99]

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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 20 May 1999 10:48 am    
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Whew! Thanks John S., for that explanation. Much better than I could have explained it.

John L, I posted my "tech notes" on the "notes" thread. Thanks.

Looking forward to shifting gears on the bridge with some different changes...

[This message was edited by Jerry Gleason on 05-20-99]

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John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 20 May 1999 12:05 pm    
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Tab:

Bridge
Bars 17-20
Bar# 17                       18
    F#m7b5                      B7b9
1-----------*----------------|----------------------------|
2----8-----------------------|----------------------------|
3-------8--9(7)~~9-----------|--------12~~~~~12L----------|
4-------------------9--------|--------12~~~~~12-----12----|
5----------------------------|--------12(5)~~12(5)--12----|
6----------------------9(6)~~|~~8(6)--12~~~~~12(6)--12----|
7----------------------------|----------------------12----|
8----------------------------|----------------------------|
9----------------------------|----------------------------|
10---------------------------|----------------------------|
     1  2  3     .  4  .        1      2      .   3  4

Bar# 19                 20
     E-    (B7b9)        E-     
1----------------------|-----------------|
2----7-----------------|-----------7-----|
3----7--7--9~~~~~6-----|--7--7(7)--7-----|
4----7-----9~~~~~6-----|--7--7(7)--7-----|
5----7-----9(5)~~6(5)--|--7--7-----7-----|
6----------9(6)~~6(6)--|--7--7-----------|
7----------------------|-----------------|
8----------------------|-----------------|
9----------------------|-----------------|
10---------------------|-----------------|
     1  2  3     4        1  2     .  3 4


Once again, Jerry has posted my sound file 70-some KB.
http://www.neuro.uoregon.edu/~gleason/al17-20.wav
Thanks Jerry!
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Kenny Dail


From:
Kinston, N.C. R.I.P.
Post  Posted 20 May 1999 3:16 pm    
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This is one of the best things I've seen since I've been on line. When you guys get thru, would it be possible to get a sound wav of the finished product? That would be the icing on the cake. Keep it going...you too John Lacey.

------------------
kd...and the beat goes on...



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b0b


From:
Cloverdale, CA, USA
Post  Posted 20 May 1999 9:11 pm    
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I agree. This is great!
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Ken Williams


From:
Arkansas
Post  Posted 21 May 1999 7:44 am    
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John and Jerry, great stuff guys! Keep er comin'.

Ken
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Don Walters

 

From:
Saskatchewan Canada
Post  Posted 21 May 1999 2:39 pm    
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Superb!! You guys have gotten onto something that has great potential, e.g. on-line lessons with everyone able to audit the class!

------------------
Don Walters
get "listed" at the World Wide Steel Guitarist Directory
www3.sk.sympatico.ca/waltd/
(aka On-Line Steel Guitarists of the World)



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John Lacey

 

From:
Black Diamond, Alberta, Canada
Post  Posted 21 May 1999 5:13 pm    
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Better squeeze in where I can! This is a departure from the other guys, with a steal from Buddy! The octaves are played in dotted quarters and eighths, and a bit of overlap into the 5th. bar. Sorry, whoever.
Also, I wasn't able to record using my sound recorder, so phone me and I'll Hum it to you!
Tab:

    Am7                      D13                        Gmaj7
1------------------------|------------------------|------------------|
2---5----3----5----3-----|--------------------12--|---10-------------|
3------------------------|--6----4----------------|------------------|                     
4------------------------|-------------5----------|------------------|         
5------------------------|------------------------|------------------|
6---5----3----5----3-----|--------------------12--|---10-------------|
7------------------------|--6----4----------------|------------------|
8------------------------|-------------5----------|------------------|
9
10
    1   2     3     4       1     2   3   4      1    2   3    4 


        CMaj. 7                F#m7b5   
1---------------9-----------|------------------------|
2---------------------------|------------------------|
3------------9--------9-----|------------------------|
4--------10------------- 10-|--9---------------------|
5---------------------------|-----9------------------|
6
7
8
9
10
     1    2     3     4        1    2     3      4   
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John Lacey

 

From:
Black Diamond, Alberta, Canada
Post  Posted 21 May 1999 5:16 pm    
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Try that again. Bars 21-25(6)
Tab:

    Am7                      D13                        Gmaj7
1------------------------|------------------------|------------------|
2---5----3----5----3-----|--------------------12--|---10-------------|
3------------------------|--6----4----------------|------------------|                     
4------------------------|-------------5----------|------------------|         
5------------------------|------------------------|------------------|
6---5----3----5----3-----|--------------------12--|---10-------------|
7------------------------|--6----4----------------|------------------|
8------------------------|-------------5----------|------------------|
9
10
    1   2     3     4       1     2   3   4      1    2   3    4 


        CMaj. 7                F#m7b5   
1---------------9-----------|------------------------|
2---------------------------|------------------------|
3------------9--------9-----|------------------------|
4--------10------------- 10-|--9---------------------|
5---------------------------|-----9------------------|
6-------------------|
7-------------------|
8-------------------|
9-------------------|
10------------------|
     1    2     3     4        1    2     3      4   
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John Lacey

 

From:
Black Diamond, Alberta, Canada
Post  Posted 21 May 1999 5:23 pm    
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There's got to be an easier way!
Bars 21-25
Tab:

   Am7                      D13                        Gmaj7
1------------------------|------------------------|------------------|
2---5----3----5----3-----|--------------------12--|---10-------------|
3------------------------|--6----4----------------|------------------|                     
4------------------------|-------------5----------|------------------|         
5------------------------|------------------------|------------------|
6---5----3----5----3-----|--------------------12--|---10-------------|
7------------------------|--6----4----------------|------------------|
8------------------------|-------------5----------|------------------|
9------------------------|------------------------|------------------|
10-----------------------|------------------------|------------------|
    1   2     3     4       1     2   3   4      1    2   3    4 


        CMaj. 7                F#m7b5   
1---------------9-----------|------------------------|
2---------------------------|------------------------|
3------------9--------9-----|------------------------|
4--------10------------- 10-|--9---------------------|
5---------------------------|-----9------------------|
6---------------------------|------------------------|
7---------------------------|------------------------|
8---------------------------|------------------------|
9---------------------------|------------------------|
10--------------------------|------------------------|
     1    2     3     4        1    2     3      4   
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John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 21 May 1999 5:59 pm    
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Hey John! Great you could join us!

Tab:
Bars 25-28

  25                          26
   F#m7b5                       Balt
1-----------------------------|-----------------------------|
2-----------------------------|-----------------------------|
3--9-------------------~12(7)~|~12(7)-----------------------|
4-----9-----------------12~~~~|~12----12--------------------|
5-----------------------12~~~~|~12--------------------------|
6--------9(6)~~8(6)-----12(6)~|~12(6)-----12(6)~11(6)-------|
7--------------------9--------|------------------------12---|
8-----------------------------|-----------------------------|
9-----------------------------|-----------------------------|
10----------------------------|-----------------------------|
   1  2   .     3    . 4 .       1     2   .     3      .  4

  27             28
   E-    Db#11      CM7
1----------------|----------|
2---7------------|----------|
3---7------------|----------|
4---7------8(7)~~|~~7~~~~~--|
5---7------8~~~~~|~~7~~~~~--|
6----------8(6)~~|~~7~~~~~--|
7----------8~~~~~|~~7~~~~~--|
8----------8~~~~~|~~7~~~~~--|
9----------8~~~~~|~~7~~~~~--|
10---------------|----------|
    1  2   3   4    1 2 3 4



http://www.neuro.uoregon.edu/~gleason/al25-28.wav - new and improved sound file!

If you guys want to go around again, I think that'd be great! The last word,(bars 29-32) I think, should be left to Jerry...
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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 21 May 1999 10:05 pm    
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Man, you guys are too fast for me! Last 4 bars, eh? Ok, here we go... Bars 29-32

Tab:

  C9                          B7#9       Em9
1--------------------------|-----------|---------|-------------------------|
2--------------------------|-----------|-2~~~~~~~|-2-----------------------|
3-------------3(K)-3(K)----|-2----2----|-2~~~~~~~|-2-----4-----2-----------|
4--------------------------|---------4-|-2~~~~~~~|-2-----4-----2-----4-----|
5-------------3----3-------|-2----2----|-2(-1)~~~|-2(-1)-4(-1)-2(-1)-4(-1)-|
6-------------3----3-------|-2----2----|---------|-------4-----2-----4-----|
7---------------3(8)~------|---3(8)----|---------|-------------------4-----|
8--------------------------|-----------|---------|-------------------------|
9--------------------------|-----------|---------|-------------------------|
10--2(8)~3(8)---------2(8)~|~----------|---------|-------------------------|

   Am9
1---------|
2---------|
3---------|
4---------|
5-7(-1)~~~|
6-7~~~~~~~|
7-7~~~~~~~|
8-7~~~~~~~|
9---------|
10--------|



Puzzled? see my explanation on the "notes" thread. Oh, and here's the sound file for this one.
http://darkwing.uoregon.edu/~gleasonj/Autumn/al28-32.wav
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Kenny Dail


From:
Kinston, N.C. R.I.P.
Post  Posted 22 May 1999 5:27 am    
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Hey John, ur post for bars 25-28 will not come up on my system...I get a site under construction page instead? No problems with downloading the other sound files, just this one. Is my system messed up?

------------------
kd...and the beat goes on...



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John Steele (deceased)

 

From:
Renfrew, Ontario, Canada
Post  Posted 22 May 1999 8:09 am    
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Kenny et al...
No, it's not your comp. I think I may
have imposed too much on Jerry's webspace. He's been very kind to put these sounds up on his limited space. Please e-mail me, and I'll send you the file. I think it's the best of the bunch I posted. It's 77KB, not too big.
Fun fun fun...
-John
p.s. I'm going to inquire into putting these up on some webspace of my own.. might take a couple of days. Until then, Jerry, Thanks!!

[This message was edited by John Steele on 05-22-99]

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Kenny Dail


From:
Kinston, N.C. R.I.P.
Post  Posted 22 May 1999 9:22 am    
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John Steele...got the file in your email you sent. Worked great and sounds greater. Thanx.

John Steel, John Lacey, and Jerry Gleason, you guys are a Class Act. Thanx much for all the good music and tab.

------------------
kd...and the beat goes on...



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Jerry Gleason


From:
Eugene, Oregon, USA
Post  Posted 22 May 1999 11:57 am    
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Kenny, I fixed the link to John's sound file for bars 25-28. Should work now. That lick is too cool to miss. Way to go, John! I also reposted my file for bars 5-8, as the first one was a little noisy.

I have the feeling we'll be doing this again...
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Don Walters

 

From:
Saskatchewan Canada
Post  Posted 22 May 1999 12:57 pm    
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Quote:
I have the feeling we'll be doing this again...


Please, ASAP!! This is the best thing that's happened here in a long, long time!

Many, many thanks!!

------------------
Don Walters
get "listed" at the World Wide Steel Guitarist Directory
www3.sk.sympatico.ca/waltd/
(aka On-Line Steel Guitarists of the World)



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Bob Taillefer

 

From:
Canada
Post  Posted 24 May 1999 3:07 pm    
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Hey guys,
This is wonderful. I haven't had much time to spend on the Forum lately but when I came across this great thread I had to make time. Keep it up! Thanks Bob
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