Thoughts on 12 string vs 10…hard to change?
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- Glenn Demichele
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Ahhh! Thanks. Hilarious. Not bragging, but I can get two weeks after some of the stuff that comes out of my E9. Proud to say though I’ll never get fired for my attitude, which is always the best reason.
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- Fred Treece
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I was about 3 years into playing E9 S10 when I decided to take the S12 plunge. Those bottom two strings gave me fits for a couple of months, but I just kept running my picking exercises into them until I got used to how 12 strings sounds, looks, and feels. I was not aware of a string spacing difference, so that is interesting. I have experimented with bare-fingered picking on both 10- and 12-string necks, and it does seem more difficult on the 12, to the point where going back to fingerpicks is my final decision on the matter.
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Fred, I was also bemused by the mention of string spacing. Bit of a red herring. 10-string is tight enough already, and there would be no benefit in making things even trickier.
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Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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- J D Sauser
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I think that 12 strings forces the player to develop a more correct picking hand technique, freely “hovering” back and out in the same picking stance instead of resting on a back neck or a pad and trying to reach out with the fingers, which is something some get away with on an 8 or 10 string... on a 12 string you won't.
I would theorize that this would be the biggest hurdle to overcome for those with a sloppy picking hand technique.
Yes, there is the visual difference to locate string groups and patterns, but I think that a week of conscious practice takes care of that long before re-learning a picking hand that was picking out of a rested wrist.
Once that’s acquired, it would make a better 10 string player.
I went from thumb + 2 finger picks to a 3rd finger pick at age 55. It's a 1 month struggle, and 2 months later it's part of the life... a 3 month thing.
Can you play a Day or Emmons setup? Can you switch the E-lower lever to the right or left knee?... it's a 3 month thing.
All these things is like learning to ride a bike... once it's "in", it's there for life.
… JD.
I would theorize that this would be the biggest hurdle to overcome for those with a sloppy picking hand technique.
Yes, there is the visual difference to locate string groups and patterns, but I think that a week of conscious practice takes care of that long before re-learning a picking hand that was picking out of a rested wrist.
Once that’s acquired, it would make a better 10 string player.
I went from thumb + 2 finger picks to a 3rd finger pick at age 55. It's a 1 month struggle, and 2 months later it's part of the life... a 3 month thing.
Can you play a Day or Emmons setup? Can you switch the E-lower lever to the right or left knee?... it's a 3 month thing.
All these things is like learning to ride a bike... once it's "in", it's there for life.
… JD.
Last edited by J D Sauser on 29 Oct 2023 2:34 pm, edited 1 time in total.
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A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
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I even moved my E raise and lower to right knee, When I changed to 12U. I had no big problem with the knee levers it took a little wood shedding and all worked out good.
The hardest problem I had was with the 10B-8E-6G# grip. On Jeff Newman's 12 Uni. tuning, The grip is now 9B-8E-6G#, A 1 string took several hours of Wood Shedding, To get a near 50 years of memory changed to the new grip.
The hardest problem I had was with the 10B-8E-6G# grip. On Jeff Newman's 12 Uni. tuning, The grip is now 9B-8E-6G#, A 1 string took several hours of Wood Shedding, To get a near 50 years of memory changed to the new grip.
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Went from my 8 string Fender 400 (custom tuning) to a Mullen SD12 (extended D9) so it was pretty much like starting a completely new instrument
I'd originally ordered a Mullen SD10 but while I was waiting for the build day to come I thought, why not go for a 12? If I hate it I can always leave strings 11 & 12 off. I changed my order and I'm so glad I did. I'd definitely feel like I was missing out if I went to a 10
I'd originally ordered a Mullen SD10 but while I was waiting for the build day to come I thought, why not go for a 12? If I hate it I can always leave strings 11 & 12 off. I changed my order and I'm so glad I did. I'd definitely feel like I was missing out if I went to a 10
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Hear my album, "Armistice" featuring Fender 400 on every song:
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- Roger Rettig
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Ian:
I'm changing strings for the first time on my new keyless Williams. I'm finding it challenging to maintain that 1/4" that Bill R. recommends (between the nut-roller and the string-holding block); you can start that way but, once you tune up, the block has to move away from the nut.
It's my first keyless.
This is how it came but, halfway through changing them, they're all over the place!
I'm changing strings for the first time on my new keyless Williams. I'm finding it challenging to maintain that 1/4" that Bill R. recommends (between the nut-roller and the string-holding block); you can start that way but, once you tune up, the block has to move away from the nut.
It's my first keyless.
This is how it came but, halfway through changing them, they're all over the place!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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I wouldn't worry. It's only a recommendation, and Bill's had more practice! This is how mine looks, and it plays and sounds just fine
Last edited by Ian Rae on 4 Nov 2023 2:36 pm, edited 1 time in total.
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- Roger Rettig
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Thanks, Ian.
I don't care for them aesthetically, but I must say the tuning is really stable. I barely have to touch it whereas my Emmons is prey to the ups-and-downs of FL weather.
I finished changing strings and mine's not quite as neat as yours, Ian. It's certainly nothing like it was when new two months ago!
I don't care for them aesthetically, but I must say the tuning is really stable. I barely have to touch it whereas my Emmons is prey to the ups-and-downs of FL weather.
I finished changing strings and mine's not quite as neat as yours, Ian. It's certainly nothing like it was when new two months ago!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
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Doesn’t look too untidy at all. But you could see if you can swap for a new one.Roger Rettig wrote:Thanks, Ian.
I don't care for them aesthetically, but I must say the tuning is really stable. I barely have to touch it whereas my Emmons is prey to the ups-and-downs of FL weather.
I finished changing strings and mine's not quite as neat as yours, Ian. It's certainly nothing like it was when new two months ago!
The Williams changer isn't particularly pretty, but it's efficient and rock solid - I seldom have to touch it.
Obviously the shorter the length of string between the nut and the anchor screw, the more stable it will be - that's the whole point of a keyless tuner.
(In my own tuner design that length is zero)
Obviously the shorter the length of string between the nut and the anchor screw, the more stable it will be - that's the whole point of a keyless tuner.
(In my own tuner design that length is zero)
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
- Steve Lipsey
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My trick with my Williams keyless is to lay the string in between nut rollers, pull it taut, lock it down, and then lift the string up to the roller. Not that hard to do. And then the extra string is minimal, except in the end ones, which hit the curve of the the metal surround and can't go all the way in...
And yeah, the third string always goes a bit further than the others..
And yeah, the third string always goes a bit further than the others..
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Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
I think next time I shall try the following: screw the end ones in as far as they will go; screw the rest in level with them; screw the 3rd one in all the way. And use Steve's inter-roller trick too.
Worth a try just for the fun of it
Worth a try just for the fun of it
Last edited by Ian Rae on 5 Nov 2023 4:15 pm, edited 1 time in total.
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs