Why does classic country rarely use minor chords ?
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- Fred Treece
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Chord moods
Maj6 — laid back, carefree, reckless
Maj7 — wistful, poignant
Dom7 — playful, open, adventurous
Minor — sad, mournful, dark, tragic
Dim7 — creepy, suspenseful
Aug — tense, nervous, trapped
Maj7 — wistful, poignant
Dom7 — playful, open, adventurous
Minor — sad, mournful, dark, tragic
Dim7 — creepy, suspenseful
Aug — tense, nervous, trapped
- Chris Templeton
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Yes more Morricone!
https://www.youtube.com/watch?v=KYlHiACHGiU
https://www.youtube.com/watch?v=KYlHiACHGiU
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
- Fred Treece
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Very well then....
https://m.youtube.com/watch?v=vXdPDrCXMdg
https://m.youtube.com/watch?v=vXdPDrCXMdg
The thing I love most about Buddy is how serious he took his art. He may have been a cool and casual guy, but when it came down to his art, serious as a heart attack.Fred Treece wrote:Very well then....
https://m.youtube.com/watch?v=vXdPDrCXMdg
- Chris Templeton
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- Location: The Green Mountain State
Yes, very serious about his art, Mike.
Your comment reminded me of what some people call "the look", a serious look which often turned into a smile, then a big, big laugh!
Here's a pic with him and "the look":
Your comment reminded me of what some people call "the look", a serious look which often turned into a smile, then a big, big laugh!
Here's a pic with him and "the look":
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
- scott murray
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- Chris Templeton
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- Joined: 25 Sep 2012 4:20 pm
- Location: The Green Mountain State
Mmm, Scott,
I had just come back from Hawaii, and we had just done some recording at Buddy's and I was stoked to the max. We recorded on his Teac 8 track. We bounced some tracks from my Tascam two speed cassette recorder, that I had recorded my band in Hawaii, and we did more recording in Hermitage.
At this time, Buddy was using the IVL MIDI interface and played both his steel with a synth sound underneath and and a B3 organ sound.
Buddy played an organ sound like the best organ players I've ever heard!!.
With my IVL playing, I sounded like a crappy keyboard player.
One of the songs is called "Train" and is 20 minutes with a great guitar solo at the end by Kauai's Kirby Keough.
I was at Buddy's with Mike Cass, when Peewee Charles had come down from Canada to show Buddy the IVL rig .
Before Peewee arrived at Buddy's, Mike Case laid his blueprints for a pedal dobro on the floor.
If I remember correctly, Mike was told he could not manufacture it because of a similar product on the market.
One of those cease and desist deals.
I had just come back from Hawaii, and we had just done some recording at Buddy's and I was stoked to the max. We recorded on his Teac 8 track. We bounced some tracks from my Tascam two speed cassette recorder, that I had recorded my band in Hawaii, and we did more recording in Hermitage.
At this time, Buddy was using the IVL MIDI interface and played both his steel with a synth sound underneath and and a B3 organ sound.
Buddy played an organ sound like the best organ players I've ever heard!!.
With my IVL playing, I sounded like a crappy keyboard player.
One of the songs is called "Train" and is 20 minutes with a great guitar solo at the end by Kauai's Kirby Keough.
I was at Buddy's with Mike Cass, when Peewee Charles had come down from Canada to show Buddy the IVL rig .
Before Peewee arrived at Buddy's, Mike Case laid his blueprints for a pedal dobro on the floor.
If I remember correctly, Mike was told he could not manufacture it because of a similar product on the market.
One of those cease and desist deals.
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
- scott murray
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- Joined: 4 Aug 1998 11:00 pm
- Location: Asheville, NC
- Chris Templeton
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- Joined: 25 Sep 2012 4:20 pm
- Location: The Green Mountain State
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"A Corpus Analysis of Harmony in Country Music"
I will say that I have played some sets of "classic country" where I never used a minor chord. Although you could blame the set list for that...
If you would like a more systematic analysis of this issue, I'd direct you to the research of Trevor de Clerq (www.midside.com)
Here are the notes for his presentation on A Corpus Analysis of Harmony in Country Music
Slides: https://www.midside.com/presentations/d ... slides.pdf
Lecture: https://www.midside.com/presentations/d ... g_text.pdf
He compares the harmonic function of country music to rock and classical music.
Here is the final slide's conclusion:
If you would like a more systematic analysis of this issue, I'd direct you to the research of Trevor de Clerq (www.midside.com)
Here are the notes for his presentation on A Corpus Analysis of Harmony in Country Music
Slides: https://www.midside.com/presentations/d ... slides.pdf
Lecture: https://www.midside.com/presentations/d ... g_text.pdf
He compares the harmonic function of country music to rock and classical music.
Here is the final slide's conclusion:
Granted, this was a broader analysis of "country music" and not "classic country"...Other Notable Features of Country:
• Is almost always set in a major key
• Does not have significantly more three-chord songs than rock
• Relies only slightly more heavily on I, IV, and V than other styles
• Rarely has a harmonic palette of more than 7 different chords
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Re: My simple-minded take on the subject…
What? Who says that? I think those are less sad than a plain old minor triad — more like an "oh well" kind of feel.Donny Hinson wrote:Minor seventh chords are said to be the saddest chord form